Fujifilm X-E3 vs Panasonic GX850
The Fujifilm X-E3 and the Panasonic Lumix DMC-GX850 (labelled Panasonic GX800 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2017 and January 2017. Both the X-E3 and the GX850 are mirrorless interchangeable lens cameras that are based on an APS-C (X-E3) and a Four Thirds (GX850) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E3 and the Panasonic Lumix DMC-GX850? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-E3 and the Panasonic GX850 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The X-E3 can be obtained in two different colors (black, silver), while the GX850 is available in three color-versions (black, silver, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX850 is notably smaller (22 percent) than the Fujifilm X-E3. Moreover, the GX850 is markedly lighter (20 percent) than the X-E3. In this context, it is worth noting that neither the X-E3 nor the GX850 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-E3) and the Micro Four Thirds Lens Catalog (GX850). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-E3 gets 350 shots out of its NP-W126S battery, while the GX850 can take 210 images on a single charge of its DMW-BLH7 power pack. The power pack in the X-E3 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|2.||Panasonic GX850||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|3.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|4.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|5.||Fujifilm X-E4||121 mm||73 mm||33 mm||364 g||380||n||Jan 2021||849|
|6.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|7.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|8.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|9.||Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|10.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|11.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|12.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|13.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|14.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|15.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|16.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|17.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GX850 was launched at a markedly lower price (by 39 percent) than the X-E3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-E3 features an APS-C sensor and the Panasonic GX850 a Four Thirds sensor. The sensor area in the GX850 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-E3 has a native 3:2 aspect ratio, while the one in the GX850 offers a 4:3 aspect.
With 24MP, the X-E3 offers a higher resolution than the GX850 (15.8MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.77μm for the GX850) due to its larger sensor. Moreover, the X-E3 is a somewhat more recent model (by 8 months) than the GX850, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-E3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E3 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX850 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The X-E3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-E3 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GX850 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic GX850||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|12.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|13.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|14.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|15.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|16.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|17.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-E3 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GX850 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm X-E3 and Panasonic GX850 along with similar information for a selection of comparators.
|1.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0||n||n|
|2.||Panasonic GX850||none||n||3.0 / 1040||tilting||Y||1/500s||10.0||Y||n|
|3.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|4.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0||Y||n|
|5.||Fujifilm X-E4||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0||n||n|
|6.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|7.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|8.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|9.||Fujifilm X70||optional||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|10.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|11.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0||Y||n|
|12.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8||Y||n|
|13.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|14.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|15.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|16.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|17.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The GX850 has one, while the X-E3 does not. While the built-in flash of the GX850 is not very powerful, it can at times be useful as a fill-in light.The GX850 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-E3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E3 and the Panasonic GX850 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E3 and the GX850 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E3 and Panasonic Lumix DMC-GX850 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Panasonic GX850||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Fujifilm X-E4||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|6.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Fujifilm X-A5||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|8.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X70||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|13.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|14.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the X-E3 has a hotshoe, while the GX850 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the X-E3 and the GX850 are recent models that are part of the current product line-up. The GX850 replaced the earlier Panasonic GF7, while the X-E3 followed on from the Fujifilm X-E2S. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So how do things add up? Which of the two cameras – the Fujifilm X-E3 or the Panasonic GX850 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm X-E3:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (350 versus 210) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Is somewhat more recent (announced 8 months after the GX850).
Arguments in favor of the Panasonic Lumix DMC-GX850:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (107x65mm vs 121x74mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 68g or 20 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (39 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2017).
If the number of relative strengths (bullet points above) is taken as a guide, the X-E3 is the clear winner of the match-up (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E3 and the Panasonic GX850 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the X-E3 and the GX850 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|2.||Panasonic GX850||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549|
|3.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|4.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779|
|5.||Fujifilm X-E4||4/5||..||4/5||..||4.5/5||4/5||Jan 2021||849|
|6.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|7.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|8.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|9.||Fujifilm X70||4.5/5||..||..||76/100||4.5/5||4.5/5||Jan 2016||799|
|10.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|11.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|12.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|13.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|14.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|15.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|16.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|17.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G5 X vs Fujifilm X-E3
- Canon M10 vs Panasonic GX850
- Canon Rebel vs Fujifilm X-E3
- Fujifilm X-E3 vs Olympus E-M5 II
- Fujifilm X-E3 vs Panasonic S5
- Fujifilm X-E3 vs Sony RX100 IV
- Fujifilm X-E3 vs Sony RX1R
- Leica X Vario vs Panasonic GX850
- Panasonic GX800 vs Panasonic GX850
- Panasonic GX850 vs Panasonic TS7
- Panasonic GX850 vs Pentax K-3
- Panasonic GX850 vs Sony NEX-5N
Specifications: Fujifilm X-E3 vs Panasonic GX850
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E3||Panasonic GX850|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2017||January 2017|
|Launch Price||USD 899||USD 549|
|Sensor Specs||Fujifilm X-E3||Panasonic GX850|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.92 μm||3.77 μm|
|Pixel Density||6.52 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 25,600 ISO|
|Image Processor||X-Processor Pro||Venus|
|DXO Sensor Quality (score)||..||73|
|DXO Color Depth (bits)||..||23.2|
|DXO Dynamic Range (EV)||..||13.3|
|DXO Low Light (ISO)||..||586|
|Screen Specs||Fujifilm X-E3||Panasonic GX850|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Fujifilm X-E3||Panasonic GX850|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-E3||Panasonic GX850|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm X-E3||Panasonic GX850|
|Battery Life (CIPA)||350 shots per charge||210 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
121 x 74 x 43 mm
(4.8 x 2.9 x 1.7 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||337 g (11.9 oz)||269 g (9.5 oz)|
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