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Fujifilm X-E3 versus Panasonic G9

The Fujifilm X-E3 and the Panasonic Lumix DC-G9 are two digital cameras that were announced, respectively, in September 2017 and November 2017. Both the X-E3 and the G9 are mirrorless interchangeable lens cameras that are based on an APS-C (X-E3) and a Four Thirds sensor. The Fujifilm has a resolution of 24 megapixel, whereas the Panasonic provides 20.2 MP.

Body comparison

The physical size and weight of the Fujifilm X-E3 and the Panasonic G9 are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the X-E3 – represents the basis or 100 percent across all the size and weight measures).

Fujifilm X-E3 vs Panasonic G9 front
X-E3 versus G9 top view
X-E3 and G9 rear side
Body view (X-E3 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is considerably larger (48 percent) than the Fujifilm X-E3. Moreover, the G9 is substantially heavier (95 percent) than the X-E3. It is noteworthy in this context that the G9 is splash and dust-proof, while the X-E3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-E3) and the Micro Four Thirds Lens Catalog (G9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Fujifilm X-E3 (⇒ rgt) 121 mm 74 mm 43 mm 337 g 350 no 2017 899 latest check
Panasonic G9 (⇒ lft) 137 mm 97 mm 92 mm 658 g 400 YES 2017 1,699 latest check
Canon 77D (⇒ lft | rgt) 131 mm 100 mm 76 mm 540 g 600 no 2017 899 latest check
Canon M6 (⇒ lft | rgt) 112 mm 68 mm 45 mm 390 g 295 no 2017 779 latest check
Canon T7i (⇒ lft | rgt) 131 mm 100 mm 76 mm 532 g 600 no 2017 749 latest check
Canon M5 (⇒ lft | rgt) 116 mm 89 mm 61 mm 427 g 295 no 2016 979 latest check
Fujifilm X100F (⇒ lft | rgt) 127 mm 75 mm 52 mm 469 g 390 no 2017 1,299 latest check
Fujifilm X-T20 (⇒ lft | rgt) 118 mm 83 mm 41 mm 383 g 350 no 2017 899 latest check
Fujifilm X70 (⇒ lft | rgt) 113 mm 64 mm 44 mm 340 g 330 no 2016 799 latest check
Fujifilm X-A3 (⇒ lft | rgt) 117 mm 67 mm 40 mm 339 g 410 no 2016 399 latest check
Fujifilm X-E2S (⇒ lft | rgt) 129 mm 75 mm 37 mm 350 g 350 no 2016 699discont. check
Fujifilm X-Pro2 (⇒ lft | rgt) 141 mm 83 mm 46 mm 495 g 350 YES 2016 1,699 latest check
Olympus E-M1 II (⇒ lft | rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Panasonic G85 (⇒ lft | rgt) 128 mm 89 mm 74 mm 505 g 330 YES 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199 latest check
Sony A6500 (⇒ lft | rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E3 was launched at a markedly lower price (by 47 percent) than the G9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm X-E3 features an APS-C sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-E3 has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.

Fujifilm X-E3 and Panasonic G9 sensor measures
Sensor size
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Sensor size

With 24MP, the X-E3 offers a higher resolution than the G9 (20.2MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the G9) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

Unlike the X-E3, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

X-E3 versus G9 MP
Sensor resolution
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Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Fujifilm X-E3 (⇒ rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Panasonic G9 (⇒ lft) Four Thirds 20.2 5184 3888 4K/60p - - - -
Canon 77D (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p .. .. .. ..
Canon M6 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p .. .. .. ..
Canon T7i (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p .. .. .. ..
Canon M5 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.4 12.4 1262 77
Fujifilm X100F (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-T20 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Fujifilm X70 (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/60p - - - -
Fujifilm X-A3 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-E2S (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/60p - - - -
Fujifilm X-Pro2 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Olympus E-M1 II (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Panasonic G85 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.8 12.5 656 71
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Sony A6500 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G9 provides a faster frame rate than the X-E3. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G9 offers a substantially higher resolution than the one in the X-E3 (3680k vs 2360k dots). The table below summarizes some of the other core capabilities of the Fujifilm X-E3 and Panasonic G9 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Fujifilm X-E3 (⇒ rgt) 2360 no 3.0 1040 fixed YES 4000 8.0 no no
Panasonic G9 (⇒ lft) 3680 YES 3.0 1040 swivel YES 8000 20.0 no YES
Canon 77D (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 4000 6.0 12 no
Canon M6 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 9.0 5 no
Canon T7i (⇒ lft | rgt) optical no 3.0 1040 swivel YES 4000 6.0 12 no
Canon M5 (⇒ lft | rgt) 2360 no 3.2 1620 tilting YES 4000 9.0 5 no
Fujifilm X100F (⇒ lft | rgt) 2360 no 3.0 1040 fixed no 4000 8.0 4.6 no
Fujifilm X-T20 (⇒ lft | rgt) 2360 no 3.0 1040 tilting YES 4000 8.0 5 no
Fujifilm X70 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 8.0 7.9 no
Fujifilm X-A3 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 6.0 7 no
Fujifilm X-E2S (⇒ lft | rgt) 2360 no 3.0 1040 fixed no 4000 7.0 7 no
Fujifilm X-Pro2 (⇒ lft | rgt) 2360 no 3.0 1620 fixed no 8000 8.0 no no
Olympus E-M1 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Panasonic G85 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 9.0 6.2 YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Sony A6500 (⇒ lft | rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES

Both the X-E3 and the G9 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-E3 replaced the earlier Fujifilm X-E2S, while the G9 followed on from the Panasonic G85.

Summary

So how do things add up? Is there a clear favorite between the Fujifilm X-E3 and the Fujifilm X-E3? Below is a summary of the relative strengths of each of the two contestants.


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Arguments in favor of the Fujifilm X-E3:

  • More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
  • Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
  • More compact: Is smaller (121x74mm vs 137x97mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 321g or 49 percent) and hence easier to carry around.
  • More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).

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Reasons to prefer the Panasonic Lumix DC-G9:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher movie framerates (4K/60p vs 4K/30p).
  • More detailed viewfinder: Has a higher resolution electronic viewfinder (3680k vs 2360k dots).
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • Faster shutter: Has a higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (20 vs 8 flaps/sec) to capture the decisive moment.
  • Longer lasting: Gets more shots (400 versus 350) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.

If the count of individual advantages (bullet points above) is taken as a guide, the G9 is the clear winner of the contest (10 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.

X-E3 05:10 G9

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-E3 or the G9 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Fujifilm X-E3 (⇒ rgt) .. 84/100 Gold 4.5/5 .. 4.5/5 2017 899 latest check
Panasonic G9 (⇒ lft) .. .. .. .. .. 2017 1,699 latest check
Canon 77D (⇒ lft | rgt) .. 82/100 Silver 4.5/5 .. 4/5 2017 899 latest check
Canon M6 (⇒ lft | rgt) - 80/100 Silver 4/5 4.5/5 4/5 2017 779 latest check
Canon T7i (⇒ lft | rgt) .. 80/100 Gold 4.5/5 .. 4/5 2017 749 latest check
Canon M5 (⇒ lft | rgt) Rec 82/100 Silver 4/5 4.5/5 4/5 2016 979 latest check
Fujifilm X100F (⇒ lft | rgt) Rec 83/100 Gold 4.5/5 .. 4.5/5 2017 1,299 latest check
Fujifilm X-T20 (⇒ lft | rgt) HiRec 82/100 Silver 5/5 .. 4.5/5 2017 899 latest check
Fujifilm X70 (⇒ lft | rgt) - 76/100 4.5/5 4/5 4.5/5 2016 799 latest check
Fujifilm X-A3 (⇒ lft | rgt) - 74/100 4.5/5 - 4/5 2016 399 latest check
Fujifilm X-E2S (⇒ lft | rgt) - 77/100 4.5/5 - 4.5/5 2016 699discont. check
Fujifilm X-Pro2 (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,699 latest check
Olympus E-M1 II (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Panasonic G85 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4.5/5 4.5/5 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199 latest check
Sony A6500 (⇒ lft | rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Other comparisons

In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to update the database with the necessary infos.

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