Fujifilm X-E3 vs X-Pro2
The Fujifilm X-E3 and the Fujifilm X-Pro2 are two digital cameras that were officially introduced, respectively, in September 2017 and January 2016. Both the X-E3 and the X-Pro2 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-E3||Fujifilm X-Pro2|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Fujifilm X mount lenses|
|24 MP, APS-C Sensor||24 MP, APS-C Sensor|
|4K/30p Video||1080/60p Video|
|ISO 200-12,800 (100 - 51,200)||ISO 200-12,800 (100 - 51,200)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2360k dots)|
|3.0 LCD, 1040k dots||3.0 LCD, 1620k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|8 shutter flaps per second||8 shutter flaps per second|
|not weather sealed||Weathersealed body|
|350 shots per battery charge||350 shots per battery charge|
|121 x 74 x 43 mm, 337 g||141 x 83 x 46 mm, 495 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E3 and the Fujifilm X-Pro2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-E3 and the Fujifilm X-Pro2. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-E3 can be obtained in two different colors (black, silver), while the X-Pro2 is also available in two color-versions, but different ones (black, graphite).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is notably larger (31 percent) than the Fujifilm X-E3. Moreover, the X-Pro2 is substantially heavier (47 percent) than the X-E3. It is noteworthy in this context that the X-Pro2 is splash and dust-proof, while the X-E3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Fujinon X Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The power pack in the X-E3 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799|
|Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599|
|Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599|
|Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-E3 was launched at a markedly lower price (by 47 percent) than the X-Pro2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor and have a format factor (sometimes also referred to as "crop factor") of 1.5. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 24 megapixels. This similarity in sensor specs implies that both the X-E3 and the X-Pro2 have the same pixel density, as well as the same pixel size. It should, however, be noted that the X-E3 is a somewhat more recent model (by 1 year and 7 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The Fujifilm X-E3 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The Fujifilm X-Pro2 offers exactly the same ISO settings.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-E3 provides a higher video resolution than the X-Pro2. It can shoot video footage at 4K/30p, while the X-Pro2 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The X-E3 and the X-Pro2 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The adjacent table lists some of the other core features of the Fujifilm X-E3 and Fujifilm X-Pro2 along with similar information for a selection of comparators.
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-E3 has a touchscreen, while the X-Pro2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E3 and the Fujifilm X-Pro2 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E3 and the X-Pro2 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-E3 only has one slot. The X-Pro2 supports UHS-II cards (on its first slot), while the X-E3 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E3 and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the X-E3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-E3 and the X-Pro2 are recent models that are part of the current product line-up. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the X-E3 followed on from the Fujifilm X-E2S. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm website.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-E3 and the Fujifilm X-Pro2? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm X-E3:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.41x vs 0.39x).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More compact: Is smaller (121x74mm vs 141x83mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 158g or 32 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 7 months after the X-Pro2).
Arguments in favor of the Fujifilm X-Pro2:
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the X-E3 comes out slightly ahead of the X-Pro2 (8 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E3 and the Fujifilm X-Pro2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-E3 or the X-Pro2. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-E3||+||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899|
|Fujifilm X-Pro2||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699|
|Canon M50||+||79/100||..||4/5||3.5/5||Feb 2018||779|
|Canon M6||..||80/100||4/5||4.5/5||4/5||Feb 2017||779|
|Fujifilm X-Pro3||+||85/100||4/5||..||..||Oct 2019||1,799|
|Fujifilm X-T30||+ +||84/100||4.5/5||5/5||4.5/5||Feb 2019||899|
|Fujifilm X-A5||+||..||4/5||4/5||3.5/5||Jan 2018||399|
|Fujifilm X-T3||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499|
|Fujifilm X-T100||+||79/100||4/5||..||4.5/5||May 2018||599|
|Fujifilm X-T20||+ +||82/100||5/5||..||4.5/5||Jan 2017||899|
|Fujifilm X70||..||76/100||4.5/5||4/5||4.5/5||Jan 2016||799|
|Fujifilm X-A3||..||74/100||4.5/5||..||4/5||Aug 2016||399|
|Fujifilm X-E2S||..||77/100||4.5/5||..||4.5/5||Jan 2016||699|
|Fujifilm X-T2||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599|
|Fujifilm X-T1||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299|
|Fujifilm X-Pro1||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699|
|Sony RX100 V||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 300D vs Fujifilm X-E3
- Fujifilm X-A7 vs Fujifilm X-E3
- Fujifilm X-E3 vs Fujifilm X-T4
- Fujifilm X-E3 vs Kodak AZ901
- Fujifilm X-E3 vs Leica D-LUX Typ 109
- Fujifilm X-E3 vs Leica M-E Typ 240
- Fujifilm X-E3 vs Nikon D300
- Fujifilm X-E3 vs Nikon D3S
- Fujifilm X-E3 vs Olympus E-500
- Fujifilm X-E3 vs Panasonic S5
- Fujifilm X-E3 vs Sony A7R IV
- Fujifilm X-Pro2 vs Sony A77 II
Specifications: Fujifilm X-E3 vs Fujifilm X-Pro2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E3||Fujifilm X-Pro2|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Fujifilm X mount lenses|
|Launch Date||September 2017||January 2016|
|Launch Price||USD 899||USD 1,699|
|Sensor Specs||Fujifilm X-E3||Fujifilm X-Pro2|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.6 x 15.6 mm|
|Sensor Area||368.16 mm2||368.16 mm2|
|Sensor Diagonal||28.3 mm||28.3 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.92 μm||3.92 μm|
|Pixel Density||6.52 MP/cm2||6.52 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200 - 12,800 ISO||200 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 51,200 ISO|
|Image Processor||X-Processor Pro||X Processor Pro|
|Screen Specs||Fujifilm X-E3||Fujifilm X-Pro2|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-E3||Fujifilm X-Pro2|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Fujifilm X-E3||Fujifilm X-Pro2|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm X-E3||Fujifilm X-Pro2|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
121 x 74 x 43 mm
(4.8 x 2.9 x 1.7 in)
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
|Camera Weight||337 g (11.9 oz)||495 g (17.5 oz)|
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