Fujifilm X-Pro2 vs Sony A7S III

The Fujifilm X-Pro2 and the Sony Alpha 7S III are two digital cameras that were revealed to the public, respectively, in January 2016 and July 2020. Both the X-Pro2 and the A7S III are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro2) and a full frame (A7S III) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-Pro2		Sony A7S III
Mirrorless system camera		Mirrorless system camera
Fujifilm X mount lenses		Sony E mount lenses
24 MP – APS-C sensor		12 MP – Full Frame sensor
1080/60p Video		4K/120p Video
ISO 200-12,800 (100 - 51,200)		ISO 80-102,400 (40 - 409,600)
Electronic viewfinder (2360k dots)		Electronic viewfinder (9440k dots)
3.0" LCD – 1620k dots		3.0" LCD – 1440k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
8 shutter flaps per second		10 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
350 shots per battery charge		600 shots per battery charge
141 x 83 x 46 mm, 495 g		127 x 97 x 81 mm, 699 g

Check X-Pro2 offers at
ebay.com
Check A7S III price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Sony Alpha 7S III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro2 and the Sony A7S III. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The X-Pro2 can be obtained in two different colors (black, graphite), while the A7S III is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S III is notably larger (5 percent) than the Fujifilm X-Pro2. Moreover, the A7S III is substantially heavier (41 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Sony FE Lens Catalog (A7S III). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the X-Pro2 gets 350 shots out of its Fujifilm NP-W126 battery, while the A7S III can take 600 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7S III can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	1,699	ebay.com
2.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	3,499	amazon.com
3.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	1,999	amazon.com
4.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	899	ebay.com
5.		Fujifilm X-Pro1	140 mm	82 mm	43 mm	450 g	300	n	Jan 2012	1,699	ebay.com
6.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	1,799	amazon.com
7.		Fujifilm X-T1	129 mm	90 mm	47 mm	440 g	350	Y	Jan 2014	1,299	ebay.com
8.		Fujifilm X-T2	133 mm	92 mm	49 mm	507 g	340	Y	Jul 2016	1,599	ebay.com
9.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	1,499	ebay.com
10.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	899	ebay.com
11.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	1,299	ebay.com
12.		Fujifilm X100V	128 mm	75 mm	53 mm	478 g	420	Y	Feb 2020	1,399	ebay.com
13.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
14.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	3,499	ebay.com
15.		Sony A7R IVA	129 mm	96 mm	78 mm	665 g	670	Y	Apr 2021	3,499	amazon.com
16.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
17.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	4,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-Pro2 was launched at a markedly lower price (by 51 percent) than the A7S III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Sony A7S III a full frame sensor. The sensor area in the A7S III is 130 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the Fujifilm X-Pro2 offers a higher resolution of 24 megapixels, compared with 12 MP of the Sony A7S III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 8.40μm for the A7S III). Moreover, it should be noted that the A7S III is much more recent (by 4 years and 6 months) than the X-Pro2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony A7S III are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.

The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha 7S III are ISO 80 to ISO 102400, with the possibility to increase the ISO range to 40-409600.

In terms of underlying technology, the X-Pro2 is build around a CMOS sensor, while the A7S III uses a BSI-CMOS imager. The X-Pro2 uses Fujifilm's X-Trans layout of photosites, while the A7S III employs the more common Bayer array.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
2.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
3.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
4.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
5.		Fujifilm X-Pro1	APS-C	16.0	4896	3264	1080/24p	23.1	12.3	1238	74
6.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
7.		Fujifilm X-T1	APS-C	16.0	4896	3264	1080/60p	23.5	12.7	1426	77
8.		Fujifilm X-T2	APS-C	24.0	6000	4000	4K/30p	23.8	13.1	1653	81
9.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
10.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
11.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
12.		Fujifilm X100V	APS-C	26.0	6240	4160	4K/30p	24.2	13.6	1996	84
13.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
14.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
15.		Sony A7R IVA	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
16.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
17.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7S III provides a better video resolution than the X-Pro2. It can shoot movie footage at 4K/120p, while the Fujifilm is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7S III offers a substantially higher resolution than the one in the X-Pro2 (9440k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro2, the Sony A7S III, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
2.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
4.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
5.		Fujifilm X-Pro1	1440	n	3.0 / 1230	fixed	n	1/4000s	6.0/s	n	n
6.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
7.		Fujifilm X-T1	2360	n	3.0 / 1040	tilting	n	1/4000s	8.0/s	n	n
8.		Fujifilm X-T2	2360	n	3.0 / 1040	full-flex	n	1/8000s	8.0/s	n	n
9.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
10.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
11.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
12.		Fujifilm X100V	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	n
13.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R IVA	5760	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
17.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A7S III has a touchscreen, while the X-Pro2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The X-Pro2 writes its imaging data to SDXC cards, while the A7S III uses CFexpress (type A) or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. However, while the A7S III supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s) on both slots, the X-Pro2 supports UHS-II only on its first slot and UHS-I (data transfer speed up to 104 MB/s) on the second one.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Sony Alpha 7S III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
5.		Fujifilm X-Pro1	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
7.		Fujifilm X-T1	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
8.		Fujifilm X-T2	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
9.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
10.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Fujifilm X100V	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
13.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
14.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R IVA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

It is notable that the A7S III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-Pro2 lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the A7S III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A7S III is a recent model that features in the current product line-up of Sony. In contrast, the X-Pro2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the X-Pro2 was succeeded by the Fujifilm X-Pro3. Further information on the features and operation of the X-Pro2 and A7S III can be found, respectively, in the Fujifilm X-Pro2 Manual (free pdf) or the online Sony A7S III Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-Pro2 or the Sony A7S III – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Fujifilm X-Pro2:

• More detail: Offers more megapixels (24 vs 12MP) with a 41% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• More detailed LCD: Has a higher resolution rear screen (1620k vs 1440k dots).
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Less heavy: Is lighter (by 204g or 29 percent) and hence easier to carry around.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More affordable: Was introduced into a lower priced category (51 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in January 2016).

Arguments in favor of the Sony Alpha 7S III:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/120p vs 1080/60p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.91x vs 0.39x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (600 versus 350) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 4 years and 6 months of technical progress since the X-Pro2 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A7S III is the clear winner of the contest (20 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Sony A7S III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-Pro2 or the A7S III. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	1,699	ebay.com
2.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	3,499	amazon.com
3.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	1,999	amazon.com
4.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	899	ebay.com
5.		Fujifilm X-Pro1	5/5	+ +	..	79/100	4.5/5	4.5/5	Jan 2012	1,699	ebay.com
6.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	1,799	amazon.com
7.		Fujifilm X-T1	5/5	+ +	..	84/100	5/5	5/5	Jan 2014	1,299	ebay.com
8.		Fujifilm X-T2	5/5	+ +	..	86/100	4.5/5	5/5	Jul 2016	1,599	ebay.com
9.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	1,499	ebay.com
10.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	899	ebay.com
11.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	1,299	ebay.com
12.		Fujifilm X100V	5/5	+ +	4.5/5	86/100	5/5	4.5/5	Feb 2020	1,399	ebay.com
13.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
14.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	3,499	ebay.com
15.		Sony A7R IVA	5/5	+	4.5/5	91/100	4.5/5	5/5	Apr 2021	3,499	amazon.com
16.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
17.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	4,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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