Fujifilm X-E2 vs Sony NEX-6
The Fujifilm X-E2 and the Sony Alpha NEX-6 are two digital cameras that were revealed to the public, respectively, in October 2013 and September 2012. Both the X-E2 and the NEX-6 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 16 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E2 and the Sony Alpha NEX-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-E2 and the Sony NEX-6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-E2 can be obtained in two different colors (black, silver), while the NEX-6 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-6 is notably smaller (17 percent) than the Fujifilm X-E2. Moreover, the NEX-6 is slightly lighter (1 percent) than the X-E2. In this context, it is worth noting that neither the X-E2 nor the NEX-6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-E2) and the Sony E-Mount Lens Catalog (NEX-6). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|2.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|3.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|4.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399|
|5.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|6.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|7.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|8.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399|
|9.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|10.||Fujifilm X-E1||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999|
|11.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|12.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|13.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|14.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|15.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|16.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-6 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Even though the X-E2 has a slightly larger sensor, both cameras offer the same resolution of 16 megapixels. This implies that the X-E2 has a lower pixel density and larger individual pixels (with a pixel pitch of 4.80μm versus 4.78μm for the NEX-6), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-E2 is a somewhat more recent model (by 1 year and 1 month) than the NEX-6, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the X-E2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The X-E2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-E2 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha NEX-6 are ISO 100 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-E2 provides a higher frame rate than the NEX-6. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-E2 offers a slightly higher resolution than the one in the NEX-6 (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-E2, the Sony NEX-6, and comparable cameras.
The Fujifilm X-E2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-E2 writes its imaging data to SDXC cards, while the NEX-6 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E2 and Sony Alpha NEX-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
It is notable that the X-E2 has a microphone port, which is missing on the NEX-6. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the X-E2 and the NEX-6 have been discontinued, but can regularly be found used on eBay. The NEX-6 was replaced by the Sony A6000, while the X-E2 was followed by the Fujifilm X-E2S. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So how do things add up? Which of the two cameras – the Fujifilm X-E2 or the Sony NEX-6 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X-E2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More modern: Is somewhat more recent (announced 1 year and 1 month after the NEX-6).
Reasons to prefer the Sony Alpha NEX-6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.41x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 129x75mm) and will fit more readily into a bag.
- More heavily discounted: Has been on the market for longer (launched in September 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the X-E2 comes out slightly ahead of the NEX-6 (7 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E2 and the Sony NEX-6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-E2 or the NEX-6. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-E2||4/5||..||80/100||4.5/5||5/5||Oct 2013||999|
|2.||Sony NEX-6||5/5||+ +||78/100||4.5/5||4.5/5||Sep 2012||999|
|3.||Fujifilm X-T20||5/5||+ +||82/100||5/5||4.5/5||Jan 2017||899|
|4.||Fujifilm X-A10||..||..||..||4/5||4/5||Dec 2016||399|
|5.||Fujifilm X-E2S||4.5/5||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|6.||Fujifilm X-A2||4/5||..||..||4.5/5||4.5/5||Jan 2015||399|
|7.||Fujifilm X-T10||4.5/5||+ +||80/100||5/5||5/5||May 2015||799|
|8.||Fujifilm X-A1||..||..||..||4.5/5||4.5/5||Sep 2013||399|
|9.||Fujifilm X-M1||3/5||+||77/100||4.5/5||4.5/5||Jun 2013||699|
|10.||Fujifilm X-E1||4/5||+ +||79/100||4.5/5||4.5/5||Sep 2012||999|
|11.||Fujifilm X-Pro1||5/5||+ +||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|12.||Sony A6000||5/5||+||80/100||4.5/5||5/5||Feb 2014||599|
|13.||Sony NEX-3N||3/5||..||..||4.5/5||4.5/5||Feb 2013||499|
|14.||Sony NEX-5N||3/5||+ +||79/100||4.5/5||4.5/5||Aug 2011||699|
|15.||Sony NEX-3||..||..||70/100||4.5/5||4/5||May 2010||599|
|16.||Sony NEX-5||3/5||+ +||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Fujifilm X-E2 vs Sony NEX-6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E2||Sony NEX-6|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Sony E mount lenses|
|Launch Date||October 2013||September 2012|
|Launch Price||USD 999||USD 999|
|Sensor Specs||Fujifilm X-E2||Sony NEX-6|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.4 x 15.6 mm|
|Sensor Area||368.16 mm2||365.04 mm2|
|Sensor Diagonal||28.3 mm||28.1 mm|
|Sensor Resolution||16 Megapixels||16 Megapixels|
|Image Resolution||4896 x 3264 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.80 μm||4.78 μm|
|Pixel Density||4.34 MP/cm2||4.39 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||200 - 6,400 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||EXR Processor II||BIONZ|
|DXO Sensor Quality (score)||..||78|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||13.1|
|DXO Low Light (ISO)||..||1018|
|Screen Specs||Fujifilm X-E2||Sony NEX-6|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Fujifilm X-E2||Sony NEX-6|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||7 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-E2||Sony NEX-6|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm X-E2||Sony NEX-6|
|Battery Life (CIPA)||350 shots per charge||360 shots per charge|
129 x 75 x 37 mm
(5.1 x 3.0 x 1.5 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||350 g (12.3 oz)||345 g (12.2 oz)|
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