Canon G5 X Mark II vs Fujifilm X-E2
The Canon PowerShot G5 X Mark II and the Fujifilm X-E2 are two digital cameras that were officially introduced, respectively, in July 2019 and October 2013. The G5X Mark II is a fixed lens compact, while the X-E2 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G5X Mark II) and an APS-C (X-E2) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G5 X Mark II and the Fujifilm X-E2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G5 X Mark II and the Fujifilm X-E2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-E2 can be obtained in two different colors (black, silver), while the G5X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E2 is considerably larger (43 percent) than the Canon G5 X Mark II. In this context, it is worth noting that neither the G5X Mark II nor the X-E2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G5X Mark II has a lens built in, whereas the X-E2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-E2 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the G5X Mark II gets 230 shots out of its NB-13L battery, while the X-E2 can take 350 images on a single charge of its NP-W126 power pack. The power pack in the G5X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|2.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|3.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|4.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|5.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|6.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|7.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|8.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|9.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|10.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|11.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|12.||Fujifilm X-E1||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999|
|13.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|14.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|15.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|16.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799|
|17.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5X Mark II was launched at a lower price than the X-E2, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G5 X Mark II features an one-inch sensor and the Fujifilm X-E2 an APS-C sensor. The sensor area in the X-E2 is 217 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon G5 X Mark II offers a higher resolution of 20 megapixels, compared with 16 MP of the Fujifilm X-E2. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.80μm for the X-E2). However, it should be noted that the G5X Mark II is much more recent (by 5 years and 8 months) than the X-E2, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-E2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon G5 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Fujifilm X-E2 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The X-E2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G5 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Fujifilm X-E2 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|3.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|6.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|7.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||227||61|
|14.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|17.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G5X Mark II provides a higher video resolution than the X-E2. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The G5X Mark II and the X-E2 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The following table reports on some other key feature differences and similarities of the Canon G5 X Mark II, the Fujifilm X-E2, and comparable cameras.
|1.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|2.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|3.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|4.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|5.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|6.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|7.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|8.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|9.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|10.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|11.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|12.||Fujifilm X-E1||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|13.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|14.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|15.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|16.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0/s||n||Y|
|17.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5X Mark II has a touchscreen, while the X-E2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G5X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-E2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G5X Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G5 X Mark II and the Fujifilm X-E2 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G5X Mark II and the X-E2 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G5 X Mark II and Fujifilm X-E2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|2.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|8.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|12.||Fujifilm X-E1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|17.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
It is notable that the X-E2 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G5X Mark II does not feature such a mic input.
The G5X Mark II is a recent model that features in the current product line-up of Canon. In contrast, the X-E2 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-E2 was succeeded by the Fujifilm X-E2S. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Is the Canon G5 X Mark II better than the Fujifilm X-E2 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot G5 X Mark II:
- More detail: Offers more megapixels (20 vs 16MP) with a 12% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (30 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has a lens built-in, whereas the X-E2 requires a separate lens.
- More compact: Is smaller (111x61mm vs 129x75mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-E2).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 8 months of technical progress since the X-E2 launch.
Arguments in favor of the Fujifilm X-E2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (350 versus 230) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the G5X Mark II is the clear winner of the match-up (17 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G5 X Mark II and the Fujifilm X-E2 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G5X Mark II or the X-E2. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|2.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999|
|3.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749|
|4.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|5.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|6.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|7.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|8.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|9.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|10.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|11.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699|
|12.||Fujifilm X-E1||4/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||999|
|13.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049|
|14.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|15.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|16.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799|
|17.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Fujifilm X-E2
- Canon G5 X Mark II vs Canon SX740
- Canon G5 X Mark II vs Fujifilm X-T200
- Canon G5 X Mark II vs Fujifilm X20
- Canon G5 X Mark II vs Olympus XZ-2
- Canon G5 X Mark II vs Sony NEX-5
- Canon G5 X Mark II vs Sony WX800
- Fujifilm X-E2 vs Fujifilm X-T20
- Fujifilm X-E2 vs Leica Q2
- Fujifilm X-E2 vs Leica X1
- Fujifilm X-E2 vs Panasonic GF2
- Fujifilm X-E2 vs Sony RX0 II
Specifications: Canon G5 X Mark II vs Fujifilm X-E2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G5 X Mark II||Fujifilm X-E2|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-120mm f/1.8-2.8||Fujifilm X mount lenses|
|Launch Date||July 2019||October 2013|
|Launch Price||USD 899||USD 999|
|Sensor Specs||Canon G5 X Mark II||Fujifilm X-E2|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.6 x 15.6 mm|
|Sensor Area||116.16 mm2||368.16 mm2|
|Sensor Diagonal||15.9 mm||28.3 mm|
|Sensor Resolution||20 Megapixels||16 Megapixels|
|Image Resolution||5472 x 3648 pixels||4896 x 3264 pixels|
|Pixel Pitch||2.41 μm||4.80 μm|
|Pixel Density||17.18 MP/cm2||4.34 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||125 - 12,800 ISO||200 - 6,400 ISO|
|ISO Boost||125 - 25,600 ISO||100 - 51,200 ISO|
|Image Processor||DIGIC 8||EXR Processor II|
|Screen Specs||Canon G5 X Mark II||Fujifilm X-E2|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G5 X Mark II||Fujifilm X-E2|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||30 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||up to 1/25600s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G5 X Mark II||Fujifilm X-E2|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G5 X Mark II||Fujifilm X-E2|
|Battery Life (CIPA)||230 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
111 x 61 x 46 mm
(4.4 x 2.4 x 1.8 in)
129 x 75 x 37 mm
(5.1 x 3.0 x 1.5 in)
|Camera Weight||340 g (12.0 oz)||350 g (12.3 oz)|
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