Fujifilm X-E2 vs Pentax 645Z
The Fujifilm X-E2 and the Pentax 645Z are two digital cameras that were announced, respectively, in October 2013 and April 2014. The X-E2 is a mirrorless interchangeable lens camera, while the 645Z is a DSLR. The cameras are based on an APS-C (X-E2) and a medium format (645Z) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Pentax provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E2 and the Pentax 645Z? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-E2 and the Pentax 645Z. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-E2 can be obtained in two different colors (black, silver), while the 645Z is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax 645Z is considerably larger (89 percent) than the Fujifilm X-E2. Moreover, the 645Z is substantially heavier (343 percent) than the X-E2. It is noteworthy in this context that the 645Z is splash and dust-proof, while the X-E2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|2.||Pentax 645Z||156 mm||117 mm||123 mm||1550 g||650||Y||Apr 2014||8,499|
|3.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|4.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|5.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|6.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399|
|7.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|8.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|9.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|10.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399|
|11.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|12.||Fujifilm X-E1||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999|
|13.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|14.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995|
|15.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|16.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|17.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-E2 was launched at a markedly lower price (by 88 percent) than the 645Z, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-E2 features an APS-C sensor and the Pentax 645Z a medium format sensor. The sensor area in the 645Z is 290 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 0.79. The sensor in the X-E2 has a native 3:2 aspect ratio, while the one in the 645Z offers a 4:3 aspect.
With 51.1MP, the 645Z offers a higher resolution than the X-E2 (16MP), but the 645Z nevertheless has larger individual pixels (pixel pitch of 5.30μm versus 4.80μm for the X-E2) due to its larger sensor. Moreover, the 645Z is a somewhat more recent model (by 5 months) than the X-E2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Pentax 645Z implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 645Z for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Fujifilm X-E2 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The X-E2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-E2 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Pentax 645Z are ISO 100 to ISO 204800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|2.||Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|3.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|4.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|14.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|15.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|16.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-E2 provides a higher frame rate than the 645Z. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-E2 has an electronic viewfinder (2360k dots), while the 645Z has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-E2 offers a wider field of view (100%) than the one in the 645Z (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 645Z has a higher magnification (0.78x vs 0.41x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm X-E2, the Pentax 645Z, and comparable cameras.
|4.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The X-E2 has one, while the 645Z does not. While the built-in flash of the X-E2 is not very powerful, it can at times be useful as a fill-in light.
The Fujifilm X-E2 and the Pentax 645Z both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E2 and the 645Z write their files to SDXC cards. The 645Z features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-E2 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E2 and Pentax 645Z and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|4.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
It is notable that the X-E2 offers wifi support, while the 645Z does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax 645Z (unlike the X-E2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The 645Z is a recent model that features in the current product line-up of Pentax. In contrast, the X-E2 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-E2 was succeeded by the Fujifilm X-E2S. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Pentax websites.
So how do things add up? Is the Fujifilm X-E2 better than the Pentax 645Z or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-E2:
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (129x75mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 1200g or 77 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in October 2013).
Arguments in favor of the Pentax 645Z:
- More detail: Has more megapixels (51.1 vs 16MP), which boosts linear resolution by 75%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.41x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Longer lasting: Gets more shots (650 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (5 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the 645Z is the clear winner of the contest (16 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E2 and the Pentax 645Z place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-E2 or the 645Z perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-E2||4/5||..||80/100||4.5/5||5/5||Oct 2013||999|
|2.||Pentax 645Z||5/5||..||..||4.5/5||5/5||Apr 2014||8,499|
|3.||Canon 5DS||..||+||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|4.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|5.||Fujifilm X-T20||5/5||+ +||82/100||5/5||4.5/5||Jan 2017||899|
|6.||Fujifilm X-A10||..||..||..||4/5||4/5||Dec 2016||399|
|7.||Fujifilm X-E2S||4.5/5||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|8.||Fujifilm X-A2||4/5||..||..||4.5/5||4.5/5||Jan 2015||399|
|9.||Fujifilm X-T10||4.5/5||+ +||80/100||5/5||5/5||May 2015||799|
|10.||Fujifilm X-A1||..||..||..||4.5/5||4.5/5||Sep 2013||399|
|11.||Fujifilm X-M1||3/5||+||77/100||4.5/5||4.5/5||Jun 2013||699|
|12.||Fujifilm X-E1||4/5||+ +||79/100||4.5/5||4.5/5||Sep 2012||999|
|13.||Fujifilm X-Pro1||5/5||+ +||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|14.||Hasselblad X1D||..||o||81/100||..||4/5||Jun 2016||8,995|
|15.||Leica SL||4/5||..||84/100||4.5/5||4/5||Oct 2015||7,450|
|16.||Pentax 645D||5/5||..||..||..||..||Mar 2010||9,995|
|17.||Sony NEX-6||5/5||+ +||78/100||4.5/5||4.5/5||Sep 2012||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Fujifilm X-E2 vs Pentax 645Z
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E2||Pentax 645Z|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Pentax 645 mount lenses|
|Launch Date||October 2013||April 2014|
|Launch Price||USD 999||USD 8,499|
|Sensor Specs||Fujifilm X-E2||Pentax 645Z|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||23.6 x 15.6 mm||43.8 x 32.8 mm|
|Sensor Area||368.16 mm2||1436.64 mm2|
|Sensor Diagonal||28.3 mm||54.7 mm|
|Sensor Resolution||16 Megapixels||51.1 Megapixels|
|Image Resolution||4896 x 3264 pixels||8256 x 6192 pixels|
|Pixel Pitch||4.80 μm||5.30 μm|
|Pixel Density||4.34 MP/cm2||3.56 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||200 - 6,400 ISO||100 - 204,800 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||EXR Processor II||PRIME III|
|DXO Sensor Quality (score)||..||101|
|DXO Color Depth (bits)||..||26.0|
|DXO Dynamic Range (EV)||..||14.7|
|DXO Low Light (ISO)||..||4505|
|Screen Specs||Fujifilm X-E2||Pentax 645Z|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||98%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Fujifilm X-E2||Pentax 645Z|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||7 shutter flaps/s||3 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-E2||Pentax 645Z|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-E2||Pentax 645Z|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||650 shots per charge|
129 x 75 x 37 mm
(5.1 x 3.0 x 1.5 in)
156 x 117 x 123 mm
(6.1 x 4.6 x 4.8 in)
|Camera Weight||350 g (12.3 oz)||1550 g (54.7 oz)|
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