Fujifilm X-E2 vs Olympus E-P5
The Fujifilm X-E2 and the Olympus PEN E-P5 are two digital cameras that were announced, respectively, in October 2013 and May 2013. Both the X-E2 and the E-P5 are mirrorless interchangeable lens cameras that are based on an APS-C (X-E2) and a Four Thirds (E-P5) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-E2||Olympus E-P5|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Micro Four Thirds lenses|
|16 MP, APS-C Sensor||15.9 MP, Four Thirds Sensor|
|1080/60p Video||1080/30p Video|
|ISO 200-6400 (100-51200)||ISO 200-25600|
|Electronic viewfinder (2360k dots)||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|7 shutter flaps per second||9 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|350 shots per battery charge||330 shots per battery charge|
|129 x 75 x 37 mm, 350 g||122 x 69 x 37 mm, 420 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E2 and the Olympus PEN E-P5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-E2 and the Olympus E-P5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-E2 can be obtained in two different colors (black, silver), while the E-P5 is available in three color-versions (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P5 is notably smaller (13 percent) than the Fujifilm X-E2. However, the E-P5 is markedly heavier (20 percent) than the X-E2. In this context, it is worth noting that neither the X-E2 nor the E-P5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-E2) and the Micro Four Thirds Lens Catalog (E-P5). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm X-E2»||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999||Fujifilm X-E2|
|Olympus E-P5«||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||Olympus E-P5|
|Fujifilm X-E3« »||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A10« »||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399||Fujifilm X-A10|
|Fujifilm X-E2S« »||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699||Fujifilm X-E2S|
|Fujifilm X-A2« »||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399||Fujifilm X-A2|
|Fujifilm X-T10« »||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799||Fujifilm X-T10|
|Fujifilm X-A1« »||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399||Fujifilm X-A1|
|Fujifilm X-M1« »||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699||Fujifilm X-M1|
|Fujifilm X-E1« »||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999||Fujifilm X-E1|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10« »||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||Olympus E-M10|
|Olympus E-PL7« »||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||Olympus E-PL7|
|Olympus E-M1« »||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||Olympus E-M1|
|Panasonic GX7« »||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||Panasonic GX7|
|Sony NEX-6« »||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999||Sony NEX-6|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-E2 features an APS-C sensor and the Olympus E-P5 a Four Thirds sensor. The sensor area in the E-P5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-E2 has a native 3:2 aspect ratio, while the one in the E-P5 offers a 4:3 aspect.
With 16MP, the X-E2 offers a slightly higher resolution than the E-P5 (15.9MP), but the X-E2 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 3.76μm for the E-P5) due to its larger sensor. Moreover, the X-E2 is a somewhat more recent model (by 5 months) than the E-P5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-E2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The X-E2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-E2 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus PEN E-P5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X-E2||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Fujifilm X-E3||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-E3|
|Fujifilm X-T20||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-T20|
|Fujifilm X-A10||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A10|
|Fujifilm X-E2S||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2S|
|Fujifilm X-A2||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A2|
|Fujifilm X-T10||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T10|
|Fujifilm X-A1||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A1|
|Fujifilm X-M1||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-M1|
|Fujifilm X-E1||APS-C||16.0||4896||3264||1080/24p||..||..||..||..||Fujifilm X-E1|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Sony NEX-6||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-E2 provides a higher frame rate than the E-P5. It can shoot video footage at 1080/60p, while the Olympus is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-E2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P5 relies on live view and the rear LCD for framing. That said, the E-P5 can be equipped with an optional viewfinder – the VF-4. The following table reports on some other key feature differences and similarities of the Fujifilm X-E2, the Olympus E-P5, and comparable cameras.
|Fujifilm X-E2||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Olympus E-P5||optional||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Fujifilm X-E3||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Fujifilm X-T20||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-A10||none||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X-E2S||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-A2||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A2|
|Fujifilm X-T10||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-A1||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A1|
|Fujifilm X-M1||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Fujifilm X-E1||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-PL7||optional||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-M1||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Sony NEX-6||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-P5 has a touchscreen, while the X-E2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Fujifilm X-E2 and the Olympus E-P5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E2 and the E-P5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E2 and Olympus PEN E-P5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-E2||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Olympus E-P5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Fujifilm X-E3||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X-T20||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-A10||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X-E2S||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-A2||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A2|
|Fujifilm X-T10||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-A1||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A1|
|Fujifilm X-M1||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Fujifilm X-E1||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-PL7||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-M1||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Sony NEX-6||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
It is notable that the X-E2 has a microphone port, which is missing on the E-P5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the X-E2 and the E-P5 have been discontinued, but can regularly be found used on eBay. The X-E2 was replaced by the Fujifilm X-E2S, while the E-P5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-E2 or the Olympus E-P5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X-E2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Less heavy: Is lighter (by 70g or 17 percent) and hence easier to carry around.
- More modern: Is somewhat more recent (announced 5 months after the E-P5).
Reasons to prefer the Olympus PEN E-P5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 7 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x69mm vs 129x75mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in May 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the X-E2 emerges as the winner of the contest (11 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E2 and the Olympus E-P5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-E2 and the E-P5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 10D vs Fujifilm X-E2
- Canon 500D vs Olympus E-P5
- Canon 600D vs Fujifilm X-E2
- Canon SX620 vs Olympus E-P5
- Canon T2i vs Fujifilm X-E2
- Fujifilm X-E2 vs Leica V-LUX Typ 114
- Fujifilm X-E2 vs Olympus E-M10
- Fujifilm X-E2 vs Pentax 645Z
- Fujifilm X-E2 vs Sony RX0 II
- Nikon D2H vs Olympus E-P5
- Nikon D7100 vs Olympus E-P5
- Olympus E-P5 vs Panasonic GX8
Specifications: Fujifilm X-E2 vs Olympus E-P5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E2||Olympus E-P5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||October 2013||May 2013|
|Launch Price||USD 999||USD 999|
|Sensor Specs||Fujifilm X-E2||Olympus E-P5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||15.9 Megapixels|
|Image Resolution||4896 x 3264 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.80 μm||3.76 μm|
|Pixel Density||4.34 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||200-6400 ISO||200-25600 ISO|
|ISO Boost||100-51200 ISO||100-25600 ISO|
|Image Processor||EXR Processor II||TruePic VI|
|DXO Sensor Quality (score)||..||72|
|DXO Color Depth (bits)||..||22.8|
|DXO Dynamic Range (EV)||..||12.4|
|DXO Low Light (ISO)||..||895|
|Screen Specs||Fujifilm X-E2||Olympus E-P5|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-E2||Olympus E-P5|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||7 shutter flaps/s||9 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-E2||Olympus E-P5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm X-E2||Olympus E-P5|
|Battery Life (CIPA)||350 shots per charge||330 shots per charge|
129 x 75 x 37 mm
(5.1 x 3.0 x 1.5 in)
122 x 69 x 37 mm
(4.8 x 2.7 x 1.5 in)
|Camera Weight||350 g (12.3 oz)||420 g (14.8 oz)|
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