Fujifilm X-E1 versus Sony A7R III
The Fujifilm X-E1 and the Sony Alpha A7R III are two digital cameras that were revealed to the public, respectively, in September 2012 and October 2017. Both the X-E1 and the A7R III are mirrorless interchangeable lens cameras that are based on an APS-C (X-E1) and a full frame (A7R III) sensor. The Fujifilm has a resolution of 16 megapixel, whereas the Sony provides 42.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Fujifilm X-E1 vs Sony A7R III
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-E1 and the Sony A7R III. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the X-E1 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is notably larger (26 percent) than the Fujifilm X-E1. Moreover, the A7R III is substantially heavier (86 percent) than the X-E1. It is noteworthy in this context that the A7R III is splash and dust-proof, while the X-E1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-E1) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Fujifilm X-E1»||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||-|
|Sony A7R III«||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-|
|Fujifilm X-A2« »||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399||-|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-|
|Fujifilm X-M1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699|
|Fujifilm X-A1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399||-|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||949||-|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E1 was launched at a markedly lower price (by 69 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Fujifilm X-E1 vs Sony A7R III
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-E1 features an APS-C sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 134 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R III offers a higher resolution than the X-E1 (16MP), but the A7R III has smaller individual pixels (pixel pitch of 4.52μm versus 4.80μm for the X-E1). Yet, the A7R III is a much more recent model (by 5 years and 1 month) than the X-E1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the X-E1, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A7R III«||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A10« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A2« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-M1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-A1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R III provides a better video resolution than the X-E1. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/24p.
Feature comparison: Fujifilm X-E1 vs Sony A7R III
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R III offers a substantially higher resolution than the one in the X-E1 (3686k vs 2360k dots). The adjacent table lists some of the other core features of the Fujifilm X-E1 and Sony A7R III along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Sony A7R III«||3686||n||3.0||1440||tilting||Y||8000||10.0||n||Y|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||4000||8.0||n||n|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||n|
|Fujifilm X-A10« »||-||n||3.0||1040||tilting||n||4000||6.0||Y||n|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||4000||8.0||Y||n|
|Fujifilm X-A2« »||-||n||3.0||920||tilting||n||4000||5.6||Y||n|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n|
|Fujifilm X-M1« »||-||n||3.0||920||tilting||n||4000||5.6||Y||n|
|Fujifilm X-A1« »||-||n||3.0||920||tilting||n||4000||5.6||Y||n|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||4000||6.0||n||n|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||4000||4.2||Y||n|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||8000||12.0||n||Y|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||8000||4.0||n||n|
The A7R III is a current model that online retailers, such as amazon, will have in stock. In contrast, the X-E1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-E1 was succeeded by the Fujifilm X-E2.
Review summary: Fujifilm X-E1 vs Sony A7R III
So what conclusions can be drawn? Is the Fujifilm X-E1 better than the Sony A7R III or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Fujifilm X-E1:
- More compact: Is smaller (129x75mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 300g or 46 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2012).
Arguments in favor of the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 16MP), which boosts linear resolution by 62%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 2360k dots).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (650 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Reflects 5 years and 1 month of technical progress since the X-E1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7R III is the clear winner of the contest (15 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-E1 or the A7R III handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Fujifilm X-E1»||HiRec||79/100||4.5/5||4.5/5||4.5/5||Sep 2012||999||-|
|Sony A7R III«||HiRec||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Fujifilm X-E3« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899|
|Fujifilm X-T20« »||HiRec||82/100||5/5||-||4.5/5||Jan 2017||899|
|Fujifilm X-A10« »||-||-||4/5||-||4/5||Dec 2016||399|
|Fujifilm X-T10« »||HiRec||80/100||5/5||4/5||5/5||May 2015||799||-|
|Fujifilm X-A2« »||-||-||4.5/5||4/5||4.5/5||Jan 2015||399||-|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-|
|Fujifilm X-M1« »||Rec||77/100||4.5/5||-||4.5/5||Jun 2013||699|
|Fujifilm X-A1« »||-||-||4.5/5||-||4.5/5||Sep 2013||399||-|
|Fujifilm X-Pro1« »||HiRec||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-|
|Panasonic GX1« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||949||-|
|Sony A7 III« »||HiRec||89/100||5/5||-||5/5||Feb 2018||1,999|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-|
|Sony A7R« »||HiRec||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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