Fujifilm X-A7 vs Panasonic G9 II
The Fujifilm X-A7 and the Panasonic Lumix DC-G9 II are two digital cameras that were officially introduced, respectively, in September 2019 and September 2023. Both the X-A7 and the G9 II are mirrorless interchangeable lens cameras that are based on an APS-C (X-A7) and a Four Thirds (G9 II) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 25 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-A7 and the Panasonic Lumix DC-G9 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm X-A7 and the Panasonic G9 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-A7 can be obtained in four different colors (silver, graphite, brown, green), while the G9 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 II is considerably larger (69 percent) than the Fujifilm X-A7. Moreover, the G9 II is substantially heavier (106 percent) than the X-A7. It is noteworthy in this context that the G9 II is splash and dust-proof, while the X-A7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-A7) and the Micro Four Thirds Lens Catalog (G9 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-A7 gets 440 shots out of its Fujifilm NP-W126S battery, while the G9 II can take 390 images on a single charge of its Panasonic DMW-BLK22 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-A7 | 119 mm | 68 mm | 41 mm | 320 g | 440 | n | Sep 2019 | US$ 499 | ebay.com | |
2. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
3. | Fujifilm X-A3 | 117 mm | 67 mm | 40 mm | 339 g | 410 | n | Aug 2016 | US$ 399 | ebay.com | |
4. | Fujifilm X-A5 | 117 mm | 68 mm | 40 mm | 361 g | 450 | n | Jan 2018 | US$ 399 | ebay.com | |
5. | Fujifilm X-E3 | 121 mm | 74 mm | 43 mm | 337 g | 350 | n | Sep 2017 | US$ 899 | ebay.com | |
6. | Fujifilm X-E4 | 121 mm | 73 mm | 33 mm | 364 g | 380 | n | Jan 2021 | US$ 849 | amazon.com | |
7. | Fujifilm X-T20 | 118 mm | 83 mm | 41 mm | 383 g | 350 | n | Jan 2017 | US$ 899 | ebay.com | |
8. | Fujifilm X-T30 | 118 mm | 83 mm | 47 mm | 383 g | 380 | n | Feb 2019 | US$ 899 | ebay.com | |
9. | Fujifilm X-T100 | 121 mm | 83 mm | 47 mm | 448 g | 430 | n | May 2018 | US$ 599 | ebay.com | |
10. | Fujifilm X-T200 | 121 mm | 84 mm | 55 mm | 370 g | 270 | n | Jan 2020 | US$ 699 | ebay.com | |
11. | Fujifilm XF10 | 113 mm | 64 mm | 41 mm | 279 g | 330 | n | Jul 2018 | US$ 499 | ebay.com | |
12. | Nikon D3500 | 124 mm | 97 mm | 70 mm | 415 g | 1550 | n | Aug 2018 | US$ 429 | ebay.com | |
13. | OM System OM-1 | 135 mm | 92 mm | 73 mm | 599 g | 520 | Y | Feb 2022 | US$ 2 199 | ebay.com | |
14. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | US$ 1 699 | ebay.com | |
15. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | US$ 1 999 | ebay.com | |
16. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | US$ 1 699 | amazon.com | |
17. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | US$ 2 199 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-A7 was launched at a markedly lower price (by 74 percent) than the G9 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-A7 features an APS-C sensor and the Panasonic G9 II a Four Thirds sensor. The sensor area in the G9 II is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-A7 has a native 3:2 aspect ratio, while the one in the G9 II offers a 4:3 aspect.
Despite having a smaller sensor, the G9 II offers a slightly higher resolution of 25 megapixels, compared with 24 MP of the X-A7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.00μm versus 3.92μm for the X-A7). However, it should be noted that the G9 II is much more recent (by 4 years) than the X-A7, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G9 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the X-A7, the G9 II has the capacity to capture high quality composite images (100MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-A7 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 200-51200. The corresponding ISO settings for the Panasonic Lumix DC-G9 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-A7 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1955 | 84 | |
2. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
3. | Fujifilm X-A3 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 13.1 | 1664 | 81 | |
4. | Fujifilm X-A5 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.3 | 1800 | 82 | |
5. | Fujifilm X-E3 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.3 | 1764 | 82 | |
6. | Fujifilm X-E4 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.7 | 2085 | 85 | |
7. | Fujifilm X-T20 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.2 | 1704 | 81 | |
8. | Fujifilm X-T30 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.5 | 1895 | 83 | |
9. | Fujifilm X-T100 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1829 | 83 | |
10. | Fujifilm X-T200 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1991 | 84 | |
11. | Fujifilm XF10 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1844 | 83 | |
12. | Nikon D3500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.4 | 1851 | 83 | |
13. | OM System OM-1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.4 | 1553 | 77 | |
14. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.1 | 12.8 | 1138 | 74 | |
15. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
16. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
17. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G9 II provides a better video resolution than the X-A7. It can shoot movie footage at 5.7K/60p, while the Fujifilm is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G9 II has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A7 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm X-A7 and Panasonic G9 II in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-A7 | none | n | 3.5 / 2760 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
2. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
3. | Fujifilm X-A3 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
4. | Fujifilm X-A5 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
5. | Fujifilm X-E3 | 2360 | n | 3.0 / 1040 | fixed | Y | 1/4000s | 8.0/s | n | n | |
6. | Fujifilm X-E4 | 2360 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 8.0/s | n | n | |
7. | Fujifilm X-T20 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
8. | Fujifilm X-T30 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
9. | Fujifilm X-T100 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
10. | Fujifilm X-T200 | 2360 | n | 3.5 / 2780 | swivel | Y | 1/4000s | 8.0/s | Y | n | |
11. | Fujifilm XF10 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 6.0/s | Y | n | |
12. | Nikon D3500 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
13. | OM System OM-1 | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
14. | Panasonic G9 | 3680 | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 20.0/s | n | Y | |
15. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
16. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
17. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The X-A7 has one, while the G9 II does not. While the built-in flash of the X-A7 is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-A7 and the Panasonic G9 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-A7 and the G9 II write their files to SDXC cards. The G9 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-A7 only has one slot. The G9 II supports UHS-II cards (on both slots), while the X-A7 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-A7 and Panasonic Lumix DC-G9 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-A7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
2. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
3. | Fujifilm X-A3 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
4. | Fujifilm X-A5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
5. | Fujifilm X-E3 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
6. | Fujifilm X-E4 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
7. | Fujifilm X-T20 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
8. | Fujifilm X-T30 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
9. | Fujifilm X-T100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
10. | Fujifilm X-T200 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
11. | Fujifilm XF10 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
12. | Nikon D3500 | Y | mono / mono | - | - | mini | 2.0 | - | - | Y | |
13. | OM System OM-1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
14. | Panasonic G9 | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
15. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
16. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
17. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the G9 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-A7 lacks such a headphone port.
The G9 II is a recent model that features in the current product line-up of Panasonic. In contrast, the X-A7 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the X-A7 from Fujifilm. Further information on the features and operation of the X-A7 and G9 II can be found, respectively, in the Fujifilm X-A7 Manual (free pdf) or the online Panasonic G9 II Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Fujifilm X-A7 or the Panasonic G9 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X-A7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Larger screen: Has a bigger rear LCD (3.5" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2760k vs 1840k dots).
- More compact: Is smaller (119x68mm vs 134x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 338g or 51 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (440 versus 390) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2019).
Advantages of the Panasonic Lumix DC-G9 II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (5.7K/60p vs 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years of technical progress since the X-A7 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G9 II comes out slightly ahead of the X-A7 (14 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-A7 and the Panasonic G9 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-A7 and the G9 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-A7 | 3/5 | .. | 3.5/5 | 81/100 | 4/5 | 3.5/5 | Sep 2019 | US$ 499 | ebay.com | |
2. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
3. | Fujifilm X-A3 | .. | .. | .. | 74/100 | 4.5/5 | 4/5 | Aug 2016 | US$ 399 | ebay.com | |
4. | Fujifilm X-A5 | .. | + | 4.1/5 | .. | 4/5 | 3.5/5 | Jan 2018 | US$ 399 | ebay.com | |
5. | Fujifilm X-E3 | 4.5/5 | + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2017 | US$ 899 | ebay.com | |
6. | Fujifilm X-E4 | 4/5 | .. | 4/5 | .. | 4.5/5 | 4/5 | Jan 2021 | US$ 849 | amazon.com | |
7. | Fujifilm X-T20 | 5/5 | + + | 5/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | US$ 899 | ebay.com | |
8. | Fujifilm X-T30 | 5/5 | + + | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2019 | US$ 899 | ebay.com | |
9. | Fujifilm X-T100 | 4/5 | + | 4.5/5 | 79/100 | 4/5 | 4.5/5 | May 2018 | US$ 599 | ebay.com | |
10. | Fujifilm X-T200 | 3.5/5 | .. | 4/5 | 82/100 | 4/5 | 4.5/5 | Jan 2020 | US$ 699 | ebay.com | |
11. | Fujifilm XF10 | .. | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Jul 2018 | US$ 499 | ebay.com | |
12. | Nikon D3500 | 4/5 | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Aug 2018 | US$ 429 | ebay.com | |
13. | OM System OM-1 | 5/5 | .. | .. | 87/100 | 5/5 | 4.5/5 | Feb 2022 | US$ 2 199 | ebay.com | |
14. | Panasonic G9 | .. | + + | 5/5 | 85/100 | 5/5 | 5/5 | Nov 2017 | US$ 1 699 | ebay.com | |
15. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | US$ 1 999 | ebay.com | |
16. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | US$ 1 699 | amazon.com | |
17. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | US$ 2 199 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 30D vs Fujifilm X-A7
- Canon 5D Mark II vs Panasonic G9 II
- Fujifilm X-A7 vs Leica M8
- Fujifilm X-A7 vs Sony A6100
- Fujifilm X-A7 vs Sony A9
- Fujifilm X-A7 vs Sony A900
- Fujifilm X-A7 vs Sony H400
- Fujifilm X-T4 vs Panasonic G9 II
- Fujifilm X-T5 vs Panasonic G9 II
- Nikon D780 vs Panasonic G9 II
- Nikon Z7 II vs Panasonic G9 II
- Panasonic G9 II vs Sony A7 IV
Specifications: Fujifilm X-A7 vs Panasonic G9 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X-A7 | Panasonic G9 II |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Fujifilm X mount lenses | Micro Four Thirds lenses |
Launch Date | September 2019 | September 2023 |
Launch Price | USD 499 | USD 1,899 |
Sensor Specs | Fujifilm X-A7 | Panasonic G9 II |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 23.5 x 15.7 mm | 17.3 x 13.0 mm |
Sensor Area | 368.95 mm2 | 224.9 mm2 |
Sensor Diagonal | 28.3 mm | 21.6 mm |
Crop Factor | 1.5x | 2.0x |
Sensor Resolution | 24 Megapixels | 25 Megapixels |
Image Resolution | 6000 x 4000 pixels | 5776 x 4336 pixels |
Pixel Pitch | 3.92 μm | 3.00 μm |
Pixel Density | 6.50 MP/cm2 | 11.14 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/30p Video | 5.7K/60p Video |
ISO Setting | 200 - 12,800 ISO | 100 - 25,600 ISO |
ISO Boost | 200 - 51,200 ISO | 50 - 25,600 ISO |
Screen Specs | Fujifilm X-A7 | Panasonic G9 II |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.8x | |
Viewfinder Resolution | 3680k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.5inch | 3.0inch |
LCD Resolution | 2760k dots | 1840k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Fujifilm X-A7 | Panasonic G9 II |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 6 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | up to 1/32000s | up to 1/32000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Fujifilm X-A7 | Panasonic G9 II |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | micro HDMI | full HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Fujifilm X-A7 | Panasonic G9 II |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Fujifilm NP-W126S | Panasonic DMW-BLK22 |
Battery Life (CIPA) | 440 shots per charge | 390 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
119 x 68 x 41 mm (4.7 x 2.7 x 1.6 in) |
134 x 102 x 90 mm (5.3 x 4.0 x 3.5 in) |
Camera Weight | 320 g (11.3 oz) | 658 g (23.2 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.