Fujifilm X-A7 vs Panasonic FZ330
The Fujifilm X-A7 and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2019 and July 2015. The X-A7 is a mirrorless interchangeable lens camera, while the FZ330 is a fixed lens compact. The cameras are based on an APS-C (X-A7) and a 1/2.3-inch (FZ330) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-A7 and the Panasonic Lumix DMC-FZ330? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-A7 and the Panasonic FZ330. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-A7 can be obtained in four different colors (silver, graphite, brown, green), while the FZ330 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ330 is considerably larger (50 percent) than the Fujifilm X-A7. It is noteworthy in this context that the FZ330 is splash and dust-proof, while the X-A7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the X-A7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-A7 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the X-A7 gets 440 shots out of its NP-W126S battery, while the FZ330 can take 380 images on a single charge of its DMW-BLC12 power pack. The power pack in the X-A7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499|
|2.||Panasonic FZ330||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|3.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|4.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|5.||Fujifilm X-T200||121 mm||84 mm||55 mm||370 g||270||n||Jan 2020||699|
|6.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|7.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|8.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|9.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599|
|10.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|11.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|12.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|13.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429|
|14.||Panasonic TZ95||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|15.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|17.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-A7 features an APS-C sensor and the Panasonic FZ330 a 1/2.3-inch sensor. The sensor area in the FZ330 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the X-A7 has a native 3:2 aspect ratio, while the one in the FZ330 offers a 4:3 aspect.
With 24MP, the X-A7 offers a higher resolution than the FZ330 (12MP), but the X-A7 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.53μm for the FZ330) due to its larger sensor. Moreover, the X-A7 is a much more recent model (by 4 years and 1 month) than the FZ330, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-A7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ330 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The X-A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-A7 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 200-51200. The corresponding ISO settings for the Panasonic Lumix DMC-FZ330 are ISO 100 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ330 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A7 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X-A7, the Panasonic FZ330, and comparable cameras.
|1.||Fujifilm X-A7||none||n||3.5 / 2760||swivel||Y||1/4000s||6.0||Y||n|
|2.||Panasonic FZ330||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|3.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|4.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|5.||Fujifilm X-T200||2360||n||3.5 / 2780||swivel||Y||1/4000s||8.0||Y||n|
|6.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|7.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|8.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0||Y||n|
|9.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|10.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0||n||n|
|11.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|12.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|13.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|14.||Panasonic TZ95||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|15.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|17.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-A7 and the Panasonic FZ330 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-A7 and the FZ330 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-A7 and Panasonic Lumix DMC-FZ330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-A7||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Panasonic FZ330||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Fujifilm X-T200||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|6.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|10.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|11.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|14.||Panasonic TZ95||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
Both the X-A7 and the FZ330 are recent models that are part of the current product line-up. The FZ330 replaced the earlier Panasonic FZ200, while the X-A7 followed on from the Fujifilm X-A5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-A7 or the Panasonic FZ330 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X-A7:
- More detail: Offers more megapixels (24 vs 12MP) with a 44% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger screen: Has a bigger rear LCD (3.5" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2760k vs 1040k dots).
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (119x68mm vs 132x92mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (440 versus 380) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 4 years and 1 month of technical progress since the FZ330 launch.
Arguments in favor of the Panasonic Lumix DMC-FZ330:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the X-A7 necessitates an extra lens.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been around for much longer (launched in July 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the X-A7 is the clear winner of the match-up (15 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-A7 and the Panasonic FZ330 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-A7 or the FZ330. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-A7||3/5||..||3.5/5||81/100||4/5||3.5/5||Sep 2019||499|
|2.||Panasonic FZ330||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|3.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|4.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|5.||Fujifilm X-T200||3.5/5||..||4/5||82/100||4/5||4.5/5||Jan 2020||699|
|6.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|7.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|8.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|9.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599|
|10.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|11.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|12.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|13.||Nikon D3500||..||..||4/5||75/100||4/5||4.5/5||Aug 2018||429|
|14.||Panasonic TZ95||..||+ +||..||..||4.5/5||..||Feb 2019||449|
|15.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|17.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 700D vs Fujifilm X-A7
- Canon 70D vs Fujifilm X-A7
- Canon G1 X Mark III vs Panasonic FZ330
- Canon R vs Fujifilm X-A7
- Canon T100 vs Fujifilm X-A7
- Fujifilm X-A7 vs Nikon D3000
- Fujifilm X-A7 vs Sony A900
- Fujifilm X-T30 vs Panasonic FZ330
- Fujifilm X100T vs Panasonic FZ330
- Nikon Coolpix A vs Panasonic FZ330
- Panasonic FZ330 vs Panasonic G90
- Panasonic FZ330 vs Panasonic GH2
Specifications: Fujifilm X-A7 vs Panasonic FZ330
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-A7||Panasonic FZ330|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||25-600mm f/2.8|
|Launch Date||September 2019||July 2015|
|Launch Price||USD 499||USD 599|
|Sensor Specs||Fujifilm X-A7||Panasonic FZ330|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.5 x 15.7 mm||6.17 x 4.55 mm|
|Sensor Area||368.95 mm2||28.0735 mm2|
|Sensor Diagonal||28.3 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.92 μm||1.53 μm|
|Pixel Density||6.50 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200 - 12,800 ISO||100 - 6,400 ISO|
|ISO Boost||200 - 51,200 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||38|
|DXO Color Depth (bits)||..||19.3|
|DXO Dynamic Range (EV)||..||11.0|
|DXO Low Light (ISO)||..||97|
|Screen Specs||Fujifilm X-A7||Panasonic FZ330|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.5inch||3.0inch|
|LCD Resolution||2760k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Fujifilm X-A7||Panasonic FZ330|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||6 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-A7||Panasonic FZ330|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm X-A7||Panasonic FZ330|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||380 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
119 x 68 x 41 mm
(4.7 x 2.7 x 1.6 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||320 g (11.3 oz)||691 g (24.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.