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Fujifilm GFX 50S vs Sony A7S II

The Fujifilm GFX 50S and the Sony Alpha 7S II are two professional cameras that were revealed to the public, respectively, in September 2016 and September 2015. Both the GFX 50S and the A7S II are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S) and a full frame (A7S II) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S
versus
Sony A7S II
Fujifilm GFX 50S   Sony A7S II
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Sony E mount lenses
51.1 MP, Medium Format Sensor 12 MP, Full Frame Sensor
1080/30p Video 4K/30p Video
ISO 100-12,800 (50 - 102,400) ISO 100-102,400 (50 - 409,600)
Viewfinder optional Electronic viewfinder (2400k dots)
3.2 LCD, 2360k dots 3.0 LCD, 1229k dots
Fully flexible touchscreen Tilting screen (not touch-sensitive)
3 shutter flaps per second 5 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Weathersealed bodyWeathersealed body
400 shots per battery charge370 shots per battery charge
148 x 94 x 91 mm, 740 g 127 x 96 x 60 mm, 627 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S and the Sony A7S II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

Size Fujifilm GFX 50S vs Sony A7S II
Compare GFX 50S versus A7S II top
Comparison GFX 50S or A7S II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is notably smaller (12 percent) than the Fujifilm GFX 50S. Moreover, the A7S II is markedly lighter (15 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the A7S II can take 370 images on a single charge of its NP-FW50 power pack. The power pack in the A7S II can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499 i
2.
 
Sony A7S II 127 mm 96 mm 60 mm 627 g 370 Y Sep 2015 2,999i
3.
 
Canon 6D Mark II 144 mm 111 mm 75 mm 765 g 1200 Y Jun 2017 1,999 i
4.
 
Canon 5D Mark IV 151 mm 116 mm 76 mm 890 g 900 Y Aug 2016 3,499 i
5.
 
Canon 80D 139 mm 105 mm 79 mm 730 g 960 Y Feb 2016 1,199i
6.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 i
7.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i
8.
 
Hasselblad X1D II 148 mm 97 mm 70 mm 766 g .. Y Jun 2019 5,750 i
9.
 
Hasselblad X1D 150 mm 98 mm 71 mm 725 g .. Y Jun 2016 8,995i
10.
 
Leica M10 139 mm 80 mm 39 mm 660 g 210 Y Jan 2017 6,595 i
11.
 
Leica SL 147 mm 104 mm 39 mm 847 g 400 Y Oct 2015 7,450i
12.
 
Nikon D7500 136 mm 104 mm 73 mm 720 g 950 Y Apr 2017 1,299 i
13.
 
Sony A7S III 127 mm 97 mm 81 mm 699 g 600 Y Jul 2020 3,499 i
14.
 
Sony A99 II 143 mm 104 mm 76 mm 849 g 490 Y Sep 2016 3,199 i
15.
 
Sony A7R II 127 mm 96 mm 60 mm 625 g 290 Y Jun 2015 3,199i
16.
 
Sony A7 II 127 mm 96 mm 60 mm 599 g 350 Y Nov 2014 1,999i
17.
 
Sony A7S 127 mm 94 mm 48 mm 489 g 380 Y Apr 2014 2,499i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7S II was launched at a markedly lower price (by 54 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 42 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the A7S II offers a 3:2 aspect.

Fujifilm GFX 50S and Sony A7S II sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the A7S II (12MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 8.40μm for the A7S II). However, the GFX 50S is a somewhat more recent model (by 1 year) than the A7S II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Sony A7S II are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.

GFX 50S versus A7S II MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
2.
 
Sony A7S II Full Frame 12.0 4240 28324K/30p23.613.3299385
3.
 
Canon 6D Mark II Full Frame 26.0 6240 41601080/60p24.411.9286285
4.
 
Canon 5D Mark IV Full Frame 30.1 6720 44804K/30p24.813.6299591
5.
 
Canon 80D APS-C 24.0 6000 40001080/60p23.613.2113579
6.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p........
7.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
8.
 
Hasselblad X1D II Medium Format 51.3 8272 6200none........
9.
 
Hasselblad X1D Medium Format 51.3 8272 62001080/25p26.214.84489102
10.
 
Leica M10 Full Frame 23.8 5952 3992none24.413.2213386
11.
 
Leica SL Full Frame 24.0 6000 40004K/30p25.013.4182188
12.
 
Nikon D7500 APS-C 20.7 5568 37124K/30p24.314.0148386
13.
 
Sony A7S III Full Frame 12.0 4240 28324K/120p23.713.9252086
14.
 
Sony A99 II Full Frame 42.2 7952 53044K/30p25.413.4231792
15.
 
Sony A7R II Full Frame 42.2 7952 53044K/30p26.013.9343498
16.
 
Sony A7 II Full Frame 24.0 6000 40001080/60p24.913.6244990
17.
 
Sony A7S Full Frame 12.0 4240 28321080/60p23.913.2370287

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7S II provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7S II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Sony A7S II, and comparable cameras.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 50Soptional Y3.2 / 2360 full-flex Y 1/4000s 3.0 n n
2.
 
Sony A7S II2400 n3.0 / 1229 tilting n 1/8000s 5.0 n Y
3.
 
Canon 6D Mark IIoptical Y3.0 / 1040 swivel Y 1/4000s 6.5 n n
4.
 
Canon 5D Mark IVoptical Y3.2 / 1620 fixed Y 1/8000s 7.0 n n
5.
 
Canon 80Doptical Y3.0 / 1040 swivel Y 1/8000s 7.0 Y n
6.
 
Fujifilm GFX 100S3690 Y3.2 / 2360 full-flex Y 1/4000s 5.0 n Y
7.
 
Fujifilm GFX 50R3690 n3.2 / 2360 tilting Y 1/4000s 3.0 n n
8.
 
Hasselblad X1D II3690 n3.6 / 2360 fixed Y 1/2000s 2.7 n n
9.
 
Hasselblad X1D2360 n3.0 / 920 fixed Y 1/2000s 2.3 n n
10.
 
Leica M10optical n3.0 / 1037 fixed n 1/4000s 5.0 n n
11.
 
Leica SL4400 Y3.0 / 1040 fixed Y 1/8000s 11.0 n n
12.
 
Nikon D7500optical Y3.2 / 922 tilting Y 1/8000s 8.0 Y n
13.
 
Sony A7S III9440 n3.0 / 1440 swivel Y 1/8000s 10.0 n Y
14.
 
Sony A99 II2400 Y3.0 / 1229 full-flex n 1/8000s 12.0 n Y
15.
 
Sony A7R II2400 n3.0 / 1229 tilting n 1/8000s 5.0 n Y
16.
 
Sony A7 II2400 n3.0 / 1230 tilting n 1/8000s 5.0 n Y
17.
 
Sony A7S2400 n3.0 / 921 tilting n 1/8000s 5.0 n n

One feature that is present on the GFX 50S, but is missing on the A7S II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S writes its imaging data to SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7S II only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the A7S II can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 50SYstereo / monoYYmicro3.0Y--
2.
 
Sony A7S IIYstereo / monoYYmicro2.0YY-
3.
 
Canon 6D Mark IIYstereo / monoY-mini2.0YYY
4.
 
Canon 5D Mark IVYmono / monoYYmini3.0YY-
5.
 
Canon 80DYstereo / monoYYmini2.0YY-
6.
 
Fujifilm GFX 100SYstereo / monoYYmicro3.2Y-Y
7.
 
Fujifilm GFX 50RYstereo / monoYYmicro3.0Y-Y
8.
 
Hasselblad X1D IIYstereo / monoYY-3.0Y--
9.
 
Hasselblad X1DYstereo / monoYYmini3.0Y--
10.
 
Leica M10Y- / -----Y--
11.
 
Leica SLYstereo / monoYYfull3.0Y--
12.
 
Nikon D7500Ystereo / monoYYmini2.0Y-Y
13.
 
Sony A7S IIIYstereo / monoYYfull3.2Y-Y
14.
 
Sony A99 IIYstereo / monoYYmicro2.0YYY
15.
 
Sony A7R IIYstereo / monoYYmicro2.0YY-
16.
 
Sony A7 IIYstereo / monoYYmicro2.0YY-
17.
 
Sony A7SYstereo / monoYYmicro2.0YY-

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the A7S II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the A7S II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7S II was succeeded by the Sony A7S III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.

Review summary

So what is the bottom line? Is there a clear favorite between the Fujifilm GFX 50S and the Sony A7S II? Which camera is better? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 12MP) with a 102% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1229k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Is somewhat more recent (announced 1 year after the A7S II).

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Reasons to prefer the Sony Alpha 7S II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (127x96mm vs 148x94mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 113g or 15 percent) and is thus easier to take along.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in September 2015).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (17 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S 17:12 A7S II

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 50S or the A7S II perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50S....4.5/585/1005/54.5/5 Sep 2016 6,499 i
2.
 
Sony A7S II5/5+....4.5/55/5 Sep 2015 2,999i
3.
 
Canon 6D Mark II4/5+4/580/1004.5/54/5 Jun 2017 1,999 i
4.
 
Canon 5D Mark IV4.5/5+ +4/587/1004.5/54.5/5 Aug 2016 3,499 i
5.
 
Canon 80D4/5+ +4.5/584/1004.5/54.5/5 Feb 2016 1,199i
6.
 
Fujifilm GFX 100S5/5+ +5/590/1005/55/5 Jan 2021 5,999 i
7.
 
Fujifilm GFX 50R5/5..5/584/1004.5/54.5/5 Sep 2018 4,499 i
8.
 
Hasselblad X1D II....4/5..4/54/5 Jun 2019 5,750 i
9.
 
Hasselblad X1D..o..81/100..4/5 Jun 2016 8,995i
10.
 
Leica M104.5/5......4/54.5/5 Jan 2017 6,595 i
11.
 
Leica SL4/5..4/584/1004.5/54/5 Oct 2015 7,450i
12.
 
Nikon D75004.5/5+ +4.5/586/1005/54.5/5 Apr 2017 1,299 i
13.
 
Sony A7S III..+ +5/591/1004.5/55/5 Jul 2020 3,499 i
14.
 
Sony A99 II....4.5/585/1004.5/54.5/5 Sep 2016 3,199 i
15.
 
Sony A7R II5/5+ +5/590/1005/55/5 Jun 2015 3,199i
16.
 
Sony A7 II5/5+4/582/1004.5/55/5 Nov 2014 1,999i
17.
 
Sony A7S4/5....86/1004.5/55/5 Apr 2014 2,499i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Fujifilm GFX 50S:
Check Amazon price
Sony A7S II:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Fujifilm GFX 50S vs Sony A7S II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S Sony A7S II
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Sony E mount lenses
    Launch Date September 2016 September 2015
    Launch Price USD 6,499 USD 2,999
    Sensor Specs Fujifilm GFX 50S Sony A7S II
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor Full Frame Sensor
    Sensor Size 44.0 x 33.0 mm 35.6 x 23.8 mm
    Sensor Area 1452 mm2 847.28 mm2
    Sensor Diagonal 55 mm 42.8 mm
    Crop Factor 0.79x 1.0x
    Sensor Resolution 51.1 Megapixels 12 Megapixels
    Image Resolution 8256 x 6192 pixels 4240 x 2832 pixels
    Pixel Pitch 5.33 μm 8.40 μm
    Pixel Density 3.52 MP/cm2 1.42 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/30p Video 4K/30p Video
    ISO Setting 100 - 12,800 ISO 100 - 102,400 ISO
    ISO Boost 50 - 102,400 ISO 50 - 409,600 ISO
    Image Processor X Processor Pro BIONZ X
    DXO Sensor Quality (score) .. 85
    DXO Color Depth (bits) .. 23.6
    DXO Dynamic Range (EV) .. 13.3
    DXO Low Light (ISO) .. 2993
    Screen Specs Fujifilm GFX 50S Sony A7S II
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.78x
    Viewfinder Resolution 2400k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 1229k dots
    LCD Attachment Fully flexible screen Tilting screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Fujifilm GFX 50S Sony A7S II
    Focus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/8000s
    Continuous Shooting 3 shutter flaps/s 5 shutter flaps/s
    Electronic Shutterup to 1/16000sYES
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 50S Sony A7S II
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Fujifilm GFX 50S Sony A7S II
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-T125 NP-FW50
    Battery Life (CIPA)400 shots per charge370 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    127 x 96 x 60 mm
    (5.0 x 3.8 x 2.4 in)
    Camera Weight 740 g (26.1 oz) 627 g (22.1 oz)

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    You are here Home  »  CAM-parator  »  Fujifilm GFX 50S vs Sony A7S II

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