Canon R vs Fujifilm GFX 50S
The Canon EOS R and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in September 2018 and September 2016. Both the Canon R and the GFX 50S are mirrorless interchangeable lens cameras that are based on a full frame (Canon R) and a medium format (GFX 50S) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon R||Fujifilm GFX 50S|
|Mirrorless system camera||Mirrorless system camera|
|Canon RF mount lenses||Fujifilm G mount lenses|
|30.1 MP, Full Frame Sensor||51.1 MP, Medium Format Sensor|
|4K/30p Video||1080/30p Video|
|ISO 100-40,000 (50 - 102,400)||ISO 100-12,800 (50 - 102,400)|
|Electronic viewfinder (3690k dots)||Viewfinder optional|
|3.2 LCD, 2100k dots||3.2 LCD, 2360k dots|
|Swivel touchscreen||Fully flexible touchscreen|
|8 shutter flaps per second||3 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|370 shots per battery charge||400 shots per battery charge|
|139 x 98 x 84 mm, 660 g||148 x 94 x 91 mm, 740 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon R and the Fujifilm GFX 50S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is somewhat larger (2 percent) than the Canon R. Moreover, the GFX 50S is markedly heavier (12 percent) than the Canon R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Canon R gets 370 shots out of its LP-E6N battery, while the GFX 50S can take 400 images on a single charge of its NP-T125 power pack. The power pack in the Canon R can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|Canon 90D||141 mm||105 mm||77 mm||701 g||1300||Y||Aug 2019||1,199|
|Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995|
|Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499|
|Samsung NX1||139 mm||102 mm||66 mm||550 g||500||Y||Sep 2014||1,499|
|Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The Canon R was launched at a markedly lower price (by 65 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R features a full frame sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 68 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the Canon R has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 51.1MP, the GFX 50S offers a higher resolution than the Canon R (30.1MP), but the GFX 50S has marginally smaller individual pixels (pixel pitch of 5.33μm versus 5.36μm for the Canon R). It is noteworthy in this context that the Canon R is a somewhat more recent model (by 1 year and 11 months) than the GFX 50S, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon R are 33.6 x 22.4 inches or 85.3 x 56.9 cm for good quality, 26.9 x 17.9 inches or 68.3 x 45.5 cm for very good quality, and 22.4 x 14.9 inches or 56.9 x 37.9 cm for excellent quality prints.
The Canon R has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||..||..||..||..|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the Canon R provides a higher video resolution than the GFX 50S. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the Canon R has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Canon R and Fujifilm GFX 50S along with similar information for a selection of comparators.
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Canon R and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the Canon R only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|Hasselblad X1D II||Y||stereo||mono||Y||Y||-||3.0||Y||-||-|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the Canon R) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the Canon R and the GFX 50S are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Canon and Fujifilm. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is the Canon R better than the Fujifilm GFX 50S or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS R:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Less heavy: Is lighter (by 80g or 11 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 11 months after the GFX 50S).
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 30.1MP), which boosts linear resolution by 28%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 2100k dots).
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the Canon R is the clear winner of the match-up (11 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the Canon R or the GFX 50S perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon R||o||79/100||4.5/5||4/5||4/5||Sep 2018||2,299|
|Fujifilm GFX 50S||..||85/100||5/5||5/5||4.5/5||Sep 2016||6,499|
|Canon 90D||+||85/100||4.5/5||4.5/5||4.5/5||Aug 2019||1,199|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Fujifilm GFX 50R||..||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499|
|Hasselblad X1D II||..||..||4/5||..||4/5||Jun 2019||5,750|
|Hasselblad X1D||o||81/100||..||..||4/5||Jun 2016||8,995|
|Leica M10||..||..||4/5||..||4.5/5||Jan 2017||6,595|
|Leica SL||..||84/100||4.5/5||4/5||4/5||Oct 2015||7,450|
|Nikon Z6||..||..||4.5/5||4.5/5||5/5||Aug 2018||1,999|
|Nikon D750||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299|
|Nikon Df||..||81/100||4/5||4/5||4/5||Nov 2013||2,749|
|Panasonic GH5s||..||84/100||4.5/5||5/5||4.5/5||Jan 2018||2,499|
|Samsung NX1||..||87/100||5/5||4.5/5||5/5||Sep 2014||1,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 20D vs Fujifilm GFX 50S
- Canon M50 vs Canon R
- Canon R vs Canon T1i
- Canon R vs Nikon A1000
- Canon R vs Olympus E-420
- Canon R vs Olympus E-620
- Canon R vs Olympus E-M5
- Canon R vs Olympus E-PL9
- Canon R vs Panasonic GF6
- Fujifilm GFX 50S vs Nikon D3200
- Fujifilm GFX 50S vs Olympus E-P2
- Fujifilm GFX 50S vs Sony A77
Specifications: Canon R vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R||Fujifilm GFX 50S|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Fujifilm G mount lenses|
|Launch Date||September 2018||September 2016|
|Launch Price||USD 2,299||USD 6,499|
|Sensor Specs||Canon R||Fujifilm GFX 50S|
|Sensor Format||Full Frame Sensor||Medium Format Sensor|
|Sensor Size||36.0 x 24.0 mm||44.0 x 33.0 mm|
|Sensor Area||864 mm2||1452 mm2|
|Sensor Diagonal||43.3 mm||55 mm|
|Sensor Resolution||30.1 Megapixels||51.1 Megapixels|
|Image Resolution||6720 x 4480 pixels||8256 x 6192 pixels|
|Pixel Pitch||5.36 μm||5.33 μm|
|Pixel Density||3.48 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||100 - 40,000 ISO||100 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC 8||X Processor Pro|
|DXO Sensor Quality (score)||89||..|
|DXO Color Depth (bits)||24.5||..|
|DXO Dynamic Range (EV)||13.5||..|
|DXO Low Light (ISO)||2742||..|
|Screen Specs||Canon R||Fujifilm GFX 50S|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||2100k dots||2360k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Shooting Specs||Canon R||Fujifilm GFX 50S|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||YES||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-II||Dual UHS-II|
|Connectivity Specs||Canon R||Fujifilm GFX 50S|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 3.1||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon R||Fujifilm GFX 50S|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
139 x 98 x 84 mm
(5.5 x 3.9 x 3.3 in)
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
|Camera Weight||660 g (23.3 oz)||740 g (26.1 oz)|
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