Fujifilm GFX 50S vs Leica X-U Typ 113
The Fujifilm GFX 50S and the Leica X-U (Typ 113) are two digital cameras that were revealed to the public, respectively, in September 2016 and January 2016. The GFX 50S is a mirrorless interchangeable lens camera, while the X-U Typ 113 is a fixed lens compact. The cameras are based on a medium format (GFX 50S) and an APS-C (X-U Typ 113) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Leica provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Leica X-U (Typ 113)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm GFX 50S and the Leica X-U Typ 113 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica X-U Typ 113 is notably smaller (21 percent) than the Fujifilm GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the X-U Typ 113 is water-proof up to 3m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X-U Typ 113 has a lens built in, whereas the GFX 50S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|2.||Leica X-U Typ 113||140 mm||79 mm||88 mm||635 g||450||Y||Jan 2016||2,950|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon G1 X Mark III||115 mm||78 mm||51 mm||399 g||200||Y||Oct 2017||1,299|
|5.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|6.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|7.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|8.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|9.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|10.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|11.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995|
|12.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|13.||Leica Q Typ 116||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249|
|14.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|15.||Leica X Vario||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850|
|16.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|17.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-U Typ 113 was launched at a lower price than the GFX 50S, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Leica X-U Typ 113 an APS-C sensor. The sensor area in the X-U Typ 113 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the X-U Typ 113 offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 51.1MP, the GFX 50S offers a higher resolution than the X-U Typ 113 (16.1MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.80μm for the X-U Typ 113) due to its larger sensor. Moreover, the GFX 50S is a somewhat more recent model (by 7 months) than the X-U Typ 113, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Leica X-U Typ 113 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica X-U (Typ 113) are ISO 100 to ISO 12500 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|1.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|2.||Leica X-U Typ 113||APS-C||16.1||4928||3264||1080/30p||..||..||..||..|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon G1 X Mark III||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|5.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|7.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|8.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|9.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|10.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|11.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|12.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|13.||Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|14.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|15.||Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|17.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The GFX 50S and the X-U Typ 113 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-TL1 for the GFX 50S and the Visoflex (Typ 020) for the X-U Typ 113 – are available as accessories. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Leica X-U Typ 113, and comparable cameras.
|1.||Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|2.||Leica X-U Typ 113||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n|
|3.||Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Canon G1 X Mark III||2360||n||3.0||1040||swivel||Y||1/2000s||9.0||Y||Y|
|5.||Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|7.||Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y|
|8.||Fujifilm GFX 100S||3690||Y||3.2||2360||full-flex||Y||1/4000s||5.0||n||Y|
|9.||Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|10.||Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n|
|13.||Leica Q Typ 116||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y|
|15.||Leica X Vario||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n|
One feature that is present on the GFX 50S, but is missing on the X-U Typ 113 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 50S and the X-U Typ 113 write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-U Typ 113 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the X-U Typ 113 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Leica X-U (Typ 113) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|2.||Leica X-U Typ 113||Y||stereo||mono||-||-||-||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon G1 X Mark III||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|5.||Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|7.||Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-|
|8.||Fujifilm GFX 100S||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|9.||Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|10.||Hasselblad X1D II||Y||stereo||mono||Y||Y||-||3.0||Y||-||-|
|13.||Leica Q Typ 116||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|15.||Leica X Vario||Y||stereo||mono||-||-||mini||2.0||-||-||-|
It is notable that the GFX 50S has a microphone port, which is missing on the X-U Typ 113. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the X-U Typ 113) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the X-U Typ 113 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the X-U Typ 113 from Leica. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
So what is the bottom line? Is the Fujifilm GFX 50S better than the Leica X-U Typ 113 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 16.1MP) with a 75% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 7 months after the X-U Typ 113).
Arguments in favor of the Leica X-U (Typ 113):
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GFX 50S necessitates an extra lens.
- More compact: Is smaller (140x79mm vs 148x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 50S).
- Longer lasting: Gets more shots (450 versus 400) out of a single battery charge.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 3m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (23 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Leica X-U Typ 113 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50S or the X-U Typ 113. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 50S||..||..||85/100||5/5||4.5/5||Sep 2016||6,499|
|2.||Leica X-U Typ 113||3.5/5||..||..||..||3.5/5||Jan 2016||2,950|
|3.||Canon 6D Mark II||4/5||+||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon G1 X Mark III||5/5||+||79/100||4.5/5||4.5/5||Oct 2017||1,299|
|5.||Canon 5D Mark IV||4.5/5||+ +||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|6.||Canon 80D||4/5||+ +||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|7.||Canon G3 X||3.5/5||+||..||4.5/5||4/5||Jun 2015||999|
|8.||Fujifilm GFX 100S||5/5||+ +||90/100||..||5/5||Jan 2021||5,999|
|9.||Fujifilm GFX 50R||5/5||..||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|10.||Hasselblad X1D II||..||..||..||4/5||4/5||Jun 2019||5,750|
|11.||Hasselblad X1D||..||o||81/100||..||4/5||Jun 2016||8,995|
|12.||Leica M10||4.5/5||..||..||4/5||4.5/5||Jan 2017||6,595|
|13.||Leica Q Typ 116||5/5||..||80/100||4.5/5||4.5/5||Jun 2015||4,249|
|14.||Leica SL||4/5||..||84/100||4.5/5||4/5||Oct 2015||7,450|
|15.||Leica X Vario||3/5||..||..||4/5||4/5||Jun 2013||2,850|
|16.||Nikon D7500||4.5/5||+ +||86/100||5/5||4.5/5||Apr 2017||1,299|
|17.||Nikon Df||4/5||..||81/100||4/5||4/5||Nov 2013||2,749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Fujifilm GFX 50S vs Leica X-U Typ 113
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50S||Leica X-U Typ 113|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm G mount lenses||35mm f/1.7|
|Launch Date||September 2016||January 2016|
|Launch Price||USD 6,499||USD 2,950|
|Sensor Specs||Fujifilm GFX 50S||Leica X-U Typ 113|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||44.0 x 33.0 mm||23.6 x 15.7 mm|
|Sensor Area||1452 mm2||370.52 mm2|
|Sensor Diagonal||55 mm||28.3 mm|
|Sensor Resolution||51.1 Megapixels||16.1 Megapixels|
|Image Resolution||8256 x 6192 pixels||4928 x 3264 pixels|
|Pixel Pitch||5.33 μm||4.80 μm|
|Pixel Density||3.52 MP/cm2||4.34 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 12,500 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Screen Specs||Fujifilm GFX 50S||Leica X-U Typ 113|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||920k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 50S||Leica X-U Typ 113|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 50S||Leica X-U Typ 113|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm GFX 50S||Leica X-U Typ 113|
|Environmental Sealing||Weathersealed body||Waterproof body (3m)|
|Battery Life (CIPA)||400 shots per charge||450 shots per charge|
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
140 x 79 x 88 mm
(5.5 x 3.1 x 3.5 in)
|Camera Weight||740 g (26.1 oz)||635 g (22.4 oz)|
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