Fujifilm GFX 50S vs Canon 1D Mark III

The Fujifilm GFX 50S and the Canon EOS-1D Mark III are two professional cameras that were revealed to the public, respectively, in September 2016 and February 2007. The GFX 50S is a mirrorless interchangeable lens camera, while the 1D Mark III is a DSLR. The cameras are based on a medium format (GFX 50S) and an APS-H (1D Mark III) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Canon provides 10.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50S		Canon 1D Mark III
Mirrorless system camera		Digital single lens reflex
Fujifilm G mount lenses		Canon EF mount lenses
51.1 MP – Medium Format sensor		10.1 MP – APS-H sensor
1080/30p Video		no Video
ISO 100-12,800 (50 - 102,400)		ISO 100-3,200 (50 - 6,400)
Viewfinder optional		Optical viewfinder
3.2" LCD – 2360k dots		3.0" LCD – 230k dots
Fully flexible touchscreen		Fixed screen (not touch-sensitive)
3 shutter flaps per second		10 shutter flaps per second
Weathersealed body		Weathersealed body
400 shots per battery charge		2200 shots per battery charge
148 x 94 x 91 mm, 740 g		156 x 157 x 80 mm, 1155 g

Check GFX 50S offers at
ebay.com
Check 1D Mark III offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Canon EOS-1D Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 50S and the Canon 1D Mark III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D Mark III is considerably larger (76 percent) than the Fujifilm GFX 50S. Moreover, the 1D Mark III is substantially heavier (56 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S gets 400 shots out of its Fujifilm NP-T125 battery, while the 1D Mark III can take 2200 images on a single charge of its Canon LP-E4 power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the GFX 50S, Fujifilm provides the VG-GFX1 vertical grip as an optional accessory (see here on ebay).

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
2.		Canon 1D Mark III	156 mm	157 mm	80 mm	1155 g	2200	Y	Feb 2007	US$ 4 499	ebay.com
3.		Canon 1D Mark II	156 mm	158 mm	80 mm	1535 g	1200	Y	Jan 2004	US$ 4 499	ebay.com
4.		Canon 1D Mark IV	156 mm	157 mm	80 mm	1230 g	1500	Y	Oct 2009	US$ 4 999	ebay.com
5.		Canon 1Ds	156 mm	158 mm	80 mm	1265 g	600	Y	Sep 2002	US$ 8 999	ebay.com
6.		Canon 1Ds Mark III	150 mm	160 mm	80 mm	1385 g	1800	Y	Aug 2007	US$ 7 999	ebay.com
7.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	US$ 3 499	amazon.com
8.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
9.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
10.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
11.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
12.		Hasselblad X1D	150 mm	98 mm	71 mm	725 g	..	Y	Jun 2016	US$ 8 995	ebay.com
13.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	US$ 5 749	ebay.com
14.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	US$ 6 599	ebay.com
15.		Leica Q3	130 mm	80 mm	93 mm	743 g	350	Y	May 2023	US$ 5 999	amazon.com
16.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	US$ 7 449	ebay.com
17.		Nikon D3	160 mm	157 mm	88 mm	1300 g	4300	Y	Aug 2007	US$ 4 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 1D Mark III was launched at a markedly lower price (by 31 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Canon 1D Mark III an APS-H sensor. The sensor area in the 1D Mark III is 64 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.3. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the 1D Mark III offers a 3:2 aspect.

With 51.1MP, the GFX 50S offers a higher resolution than the 1D Mark III (10.1MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 7.21μm for the 1D Mark III). However, the GFX 50S is a much more recent model (by 9 years and 6 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon EOS-1D Mark III are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 50-6400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
2.		Canon 1D Mark III	APS-H	10.1	3888	2592	none	22.7	11.7	1078	71
3.		Canon 1D Mark II	APS-H	8.2	3504	2336	none	22.3	11.1	1003	66
4.		Canon 1D Mark IV	APS-H	16.0	4896	3264	1080/30p	22.8	12.0	1320	74
5.		Canon 1Ds	Full Frame	11.0	4064	2704	none	21.8	11.0	954	63
6.		Canon 1Ds Mark III	Full Frame	21.0	5616	3744	none	24.0	12.0	1663	80
7.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
8.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
9.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
10.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
11.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
12.		Hasselblad X1D	Medium Format	51.3	8272	6200	1080/25p	26.2	14.8	4489	102
13.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
14.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
15.		Leica Q3	Full Frame	60.3	9528	6328	8K/30p	25.4	14.7	3216	96
16.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
17.		Nikon D3	Full Frame	12.1	4256	2832	none	23.5	12.2	2290	81
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The GFX 50S indeed provides movie recording capabilities, while the 1D Mark III does not. The highest resolution format that the GFX 50S can use is 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the 1D Mark III has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Fujifilm GFX 50S and Canon 1D Mark III along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
2.		Canon 1D Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	10.0/s	n	n
3.		Canon 1D Mark II	optical	Y	2.0 / 230	fixed	n	1/8000s	8.3/s	n	n
4.		Canon 1D Mark IV	optical	Y	3.0 / 920	fixed	n	1/8000s	10.0/s	n	n
5.		Canon 1Ds	optical	Y	2.0 / 120	fixed	n	1/8000s	3.0/s	n	n
6.		Canon 1Ds Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	5.0/s	n	n
7.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
8.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
9.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
10.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
11.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
12.		Hasselblad X1D	2360	n	3.0 / 920	fixed	Y	1/2000s	2.3/s	n	n
13.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
14.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
15.		Leica Q3	5760	n	3.0 / 1840	tilting	Y	1/2000s	15.0/s	n	Y
16.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
17.		Nikon D3	optical	Y	3.0 / 922	fixed	n	1/8000s	11.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50S has a touchscreen, while the 1D Mark III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S writes its imaging data to SDXC cards, while the 1D Mark III uses Compact Flash or SDHC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50S supports UHS-II cards (on both slots), while the 1D Mark III cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Canon EOS-1D Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
2.		Canon 1D Mark III	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon 1D Mark II	Y	- / -	-	-	-	1.1	-	-	-
4.		Canon 1D Mark IV	Y	stereo / -	Y	-	mini	2.0	-	-	-
5.		Canon 1Ds	Y	- / -	-	-	-	FW	-	-	-
6.		Canon 1Ds Mark III	Y	mono / -	-	-	-	2.0	-	-	-
7.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
8.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
9.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
10.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
11.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
12.		Hasselblad X1D	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
13.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
14.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
15.		Leica Q3	Y	stereo / mono	-	-	micro	3.1	Y	-	Y
16.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-
17.		Nikon D3	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the GFX 50S offers wifi support, while the 1D Mark III does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the GFX 50S and the 1D Mark III have been discontinued, but can regularly be found used on ebay. The 1D Mark III was replaced by the Canon 1D Mark IV, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the GFX 50S and 1D Mark III can be found, respectively, in the Fujifilm GFX 50S Manual (free pdf) or the online Canon 1D Mark III Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Fujifilm GFX 50S or the Canon 1D Mark III – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Fujifilm GFX 50S:

• More detail: Offers more megapixels (51.1 vs 10.1MP) with a 121% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can record not only still images but also 1080/30p movies.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 230k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (148x94mm vs 156x157mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 415g or 36 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 9 years and 6 months of technical progress since the 1D Mark III launch.

Arguments in favor of the Canon EOS-1D Mark III:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Gets more shots (2200 versus 400) out of a single battery charge.
• More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in February 2007).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (20 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Canon 1D Mark III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50S or the 1D Mark III. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
2.		Canon 1D Mark III	..	..	..	..	..	..	Feb 2007	US$ 4 499	ebay.com
3.		Canon 1D Mark II	..	..	..	+ +	..	..	Jan 2004	US$ 4 499	ebay.com
4.		Canon 1D Mark IV	5/5	..	..	89/100	..	..	Oct 2009	US$ 4 999	ebay.com
5.		Canon 1Ds	..	..	..	+ +	..	..	Sep 2002	US$ 8 999	ebay.com
6.		Canon 1Ds Mark III	..	..	..	+ +	4.5/5	..	Aug 2007	US$ 7 999	ebay.com
7.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	US$ 3 499	amazon.com
8.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
9.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
10.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
11.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
12.		Hasselblad X1D	..	o	..	81/100	..	4/5	Jun 2016	US$ 8 995	ebay.com
13.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	US$ 5 749	ebay.com
14.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	US$ 6 599	ebay.com
15.		Leica Q3	5/5	..	4.5/5	..	..	4.5/5	May 2023	US$ 5 999	amazon.com
16.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	US$ 7 449	ebay.com
17.		Nikon D3	..	..	..	+ +	5/5	4.5/5	Aug 2007	US$ 4 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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