Canon 250D vs Fujifilm GFX 50S

The Canon EOS 250D (called Canon SL3 in some regions) and the Fujifilm GFX 50S are two digital cameras that were officially introduced, respectively, in April 2019 and September 2016. The 250D is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (250D) and a medium format (GFX 50S) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 250D		Fujifilm GFX 50S
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm G mount lenses
24 MP – APS-C sensor		51.1 MP – Medium Format sensor
4K/25p Video		1080/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-12,800 (50 - 102,400)
Optical viewfinder		Viewfinder optional
3.0" LCD – 1040k dots		3.2" LCD – 2360k dots
Swivel touchscreen		Fully flexible touchscreen
5 shutter flaps per second		3 shutter flaps per second
not weather sealed		Weathersealed body
1070 shots per battery charge		400 shots per battery charge
122 x 93 x 70 mm, 449 g		148 x 94 x 91 mm, 740 g

Check 250D price at
amazon.com
Check GFX 50S offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 250D and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 250D and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The 250D can be obtained in two different colors (black, white), while the GFX 50S is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (23 percent) than the Canon 250D. Moreover, the GFX 50S is substantially heavier (65 percent) than the 250D. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the 250D does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 250D gets 1070 shots out of its Canon LP-E17 battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 250D	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	US$ 599	amazon.com
2.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
3.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	US$ 899	ebay.com
4.		Canon 200D	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	US$ 549	ebay.com
5.		Canon 760D	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	US$ 649	ebay.com
6.		Canon 800D	131 mm	100 mm	76 mm	532 g	600	n	Feb 2017	US$ 749	ebay.com
7.		Canon 850D	131 mm	103 mm	76 mm	515 g	800	n	Feb 2020	US$ 749	ebay.com
8.		Canon 2000D	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	US$ 449	amazon.com
9.		Canon 4000D	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	US$ 399	amazon.com
10.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	US$ 779	ebay.com
11.		Canon M50 Mark II	116 mm	88 mm	59 mm	387 g	305	n	Oct 2020	US$ 599	ebay.com
12.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
13.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
14.		Fujifilm X-T100	121 mm	83 mm	47 mm	448 g	430	n	May 2018	US$ 599	ebay.com
15.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	US$ 5 749	ebay.com
16.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	US$ 6 599	ebay.com
17.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	US$ 7 449	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 250D was launched at a markedly lower price (by 91 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 250D features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 250D has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

With 51.1MP, the GFX 50S offers a higher resolution than the 250D (24MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.72μm for the 250D) due to its larger sensor. However, the 250D is a much more recent model (by 2 years and 6 months) than the GFX 50S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 250D are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The 250D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 250D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 250D	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
2.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
3.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
4.		Canon 200D	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
5.		Canon 760D	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
6.		Canon 800D	APS-C	24.0	6000	4000	1080/60p	23.7	13.1	1586	80
7.		Canon 850D	APS-C	24.0	6000	4000	4K/24p	24.0	13.5	1873	83
8.		Canon 2000D	APS-C	24.0	6000	4000	1080/30p	22.6	11.9	1009	71
9.		Canon 4000D	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
10.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
11.		Canon M50 Mark II	APS-C	24.0	6000	4000	4K/24p	24.0	13.6	1939	83
12.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
13.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
14.		Fujifilm X-T100	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1829	83
15.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
16.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
17.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 250D provides a higher video resolution than the GFX 50S. It can shoot video footage at 4K/25p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the 250D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Canon 250D and Fujifilm GFX 50S in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 250D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
2.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
3.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
4.		Canon 200D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
5.		Canon 760D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
6.		Canon 800D	optical	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
7.		Canon 850D	optical	n	3.0 / 1040	swivel	Y	1/4000s	7.5/s	Y	n
8.		Canon 2000D	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
9.		Canon 4000D	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
10.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
11.		Canon M50 Mark II	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
12.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
13.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
14.		Fujifilm X-T100	2360	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
15.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
16.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
17.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The 250D has one, while the GFX 50S does not. While the built-in flash of the 250D is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon 250D and the Fujifilm GFX 50S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the 250D and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the 250D only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the 250D can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 250D and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 250D	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
2.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
3.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 200D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Canon 760D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
6.		Canon 800D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
7.		Canon 850D	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
8.		Canon 2000D	Y	mono / mono	-	-	mini	2.0	Y	Y	-
9.		Canon 4000D	Y	mono / mono	-	-	mini	2.0	Y	Y	-
10.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
11.		Canon M50 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
12.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
13.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
14.		Fujifilm X-T100	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
15.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
16.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
17.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-

It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 250D lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the 250D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The 250D is a recent model that features in the current product line-up of Canon. In contrast, the GFX 50S has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GFX 50S was succeeded by the Fujifilm GFX 50S II. Further information on the features and operation of the 250D and GFX 50S can be found, respectively, in the Canon 250D Manual (free pdf) or the online Fujifilm GFX 50S Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Canon 250D and the Fujifilm GFX 50S? Which camera is better? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS 250D:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher definition movie capture (4K/25p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (122x93mm vs 148x94mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 291g or 39 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (1070 versus 400) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
• More modern: Reflects 2 years and 6 months of technical progress since the GFX 50S launch.

Reasons to prefer the Fujifilm GFX 50S:

• More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More heavily discounted: Has been around for much longer (launched in September 2016).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (18 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 250D and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 250D or the GFX 50S perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 250D	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	US$ 599	amazon.com
2.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
3.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	US$ 899	ebay.com
4.		Canon 200D	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	US$ 549	ebay.com
5.		Canon 760D	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	US$ 649	ebay.com
6.		Canon 800D	4.5/5	..	3.5/5	80/100	4.5/5	4/5	Feb 2017	US$ 749	ebay.com
7.		Canon 850D	4/5	+	3/5	80/100	4/5	3.5/5	Feb 2020	US$ 749	ebay.com
8.		Canon 2000D	3/5	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	US$ 449	amazon.com
9.		Canon 4000D	2.5/5	o	3/5	..	3.5/5	3.5/5	Feb 2018	US$ 399	amazon.com
10.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	US$ 779	ebay.com
11.		Canon M50 Mark II	4/5	..	4/5	..	4.5/5	3.5/5	Oct 2020	US$ 599	ebay.com
12.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
13.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
14.		Fujifilm X-T100	4/5	+	4.5/5	79/100	4/5	4.5/5	May 2018	US$ 599	ebay.com
15.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	US$ 5 749	ebay.com
16.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	US$ 6 599	ebay.com
17.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	US$ 7 449	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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ebay.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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