Canon 250D vs Sony NEX-3N
The Canon EOS 250D (called Canon SL3 in some regions) and the Sony Alpha NEX-3N are two digital cameras that were announced, respectively, in April 2019 and February 2013. The 250D is a DSLR, while the NEX-3N is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 250D and the Sony Alpha NEX-3N? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon 250D and the Sony NEX-3N is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-3N is considerably smaller (40 percent) than the Canon 250D. Moreover, the NEX-3N is substantially lighter (40 percent) than the 250D. In this context, it is worth noting that neither the 250D nor the NEX-3N are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (250D) and the Sony E-Mount Lens Catalog (NEX-3N). Mirrorless cameras, such as the NEX-3N, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 250D gets 1070 shots out of its Canon LP-E17 battery, while the NEX-3N can take 480 images on a single charge of its Sony NP-FW50 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 250D | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | 599 | amazon.com | |
2. | Sony NEX-3N | 110 mm | 62 mm | 35 mm | 269 g | 480 | n | Feb 2013 | 499 | ebay.com | |
3. | Canon 77D | 131 mm | 100 mm | 76 mm | 540 g | 600 | n | Feb 2017 | 899 | ebay.com | |
4. | Canon 200D | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | 549 | ebay.com | |
5. | Canon 760D | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | 649 | ebay.com | |
6. | Canon 800D | 131 mm | 100 mm | 76 mm | 532 g | 600 | n | Feb 2017 | 749 | ebay.com | |
7. | Canon 850D | 131 mm | 103 mm | 76 mm | 515 g | 800 | n | Feb 2020 | 749 | ebay.com | |
8. | Canon 2000D | 129 mm | 101 mm | 78 mm | 475 g | 500 | n | Feb 2018 | 449 | amazon.com | |
9. | Canon 4000D | 129 mm | 102 mm | 77 mm | 436 g | 500 | n | Feb 2018 | 399 | amazon.com | |
10. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | 779 | ebay.com | |
11. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | 599 | ebay.com | |
12. | Fujifilm X-T100 | 121 mm | 83 mm | 47 mm | 448 g | 430 | n | May 2018 | 599 | ebay.com | |
13. | Sony A5000 | 110 mm | 63 mm | 36 mm | 269 g | 420 | n | Jan 2014 | 449 | ebay.com | |
14. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
15. | Sony NEX-3 | 117 mm | 62 mm | 33 mm | 297 g | 330 | n | May 2010 | 599 | ebay.com | |
16. | Sony NEX-5 | 111 mm | 59 mm | 38 mm | 287 g | 330 | n | May 2010 | 699 | ebay.com | |
17. | Sony NEX-F3 | 117 mm | 67 mm | 42 mm | 314 g | 470 | n | May 2012 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The NEX-3N was launched at a somewhat lower price (by 17 percent) than the 250D, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-3N is 10 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (250D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon 250D offers a higher resolution of 24 megapixels, compared with 16 MP of the Sony NEX-3N. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 4.78μm for the NEX-3N). However, it should be noted that the 250D is much more recent (by 6 years and 1 month) than the NEX-3N, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon 250D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 250D for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony NEX-3N are 24.6 x 16.3 inches or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.6 x 27.6 cm for excellent quality prints.
The 250D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 250D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha NEX-3N are ISO 200 to ISO 16000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 250D | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
2. | Sony NEX-3N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.8 | 12.5 | 1067 | 74 | |
3. | Canon 77D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.3 | 971 | 78 | |
4. | Canon 200D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
5. | Canon 760D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
6. | Canon 800D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.1 | 1586 | 80 | |
7. | Canon 850D | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.5 | 1873 | 83 | |
8. | Canon 2000D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 11.9 | 1009 | 71 | |
9. | Canon 4000D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.4 | 695 | 63 | |
10. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
11. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
12. | Fujifilm X-T100 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1829 | 83 | |
13. | Sony A5000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.8 | 13.0 | 1089 | 79 | |
14. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
15. | Sony NEX-3 | APS-C | 14.0 | 4592 | 3056 | 720/30p | 22.1 | 12.0 | 830 | 68 | |
16. | Sony NEX-5 | APS-C | 14.0 | 4592 | 3056 | 1080/60i | 22.2 | 12.2 | 796 | 69 | |
17. | Sony NEX-F3 | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.7 | 12.3 | 1114 | 73 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 250D provides a higher video resolution than the NEX-3N. It can shoot video footage at 4K/25p, while the Sony is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the 250D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-3N relies on live view and the rear LCD for framing. That said, the NEX-3N can be equipped with an optional viewfinder – the FDA-SV1. The table below summarizes some of the other core capabilities of the Canon 250D and Sony NEX-3N in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 250D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
2. | Sony NEX-3N | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 4.0/s | Y | n | |
3. | Canon 77D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
4. | Canon 200D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
5. | Canon 760D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
6. | Canon 800D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
7. | Canon 850D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.5/s | Y | n | |
8. | Canon 2000D | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Canon 4000D | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
10. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
11. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
12. | Fujifilm X-T100 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
13. | Sony A5000 | none | n | 3.0 / 461 | tilting | n | 1/4000s | 3.5/s | Y | n | |
14. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
15. | Sony NEX-3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
16. | Sony NEX-5 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
17. | Sony NEX-F3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 5.5/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 250D has a touchscreen, while the NEX-3N has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The Canon 250D has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 250D writes its imaging data to SDXC cards, while the NEX-3N uses SDXC or Memory Stick PRO Duo cards. The 250D supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-3N cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 250D and Sony Alpha NEX-3N and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 250D | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
2. | Sony NEX-3N | - | stereo / mono | - | - | micro | 2.0 | - | - | - | |
3. | Canon 77D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon 200D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
5. | Canon 760D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
6. | Canon 800D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
7. | Canon 850D | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
8. | Canon 2000D | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
9. | Canon 4000D | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
10. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
11. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
12. | Fujifilm X-T100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
13. | Sony A5000 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
14. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony NEX-3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Sony NEX-5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Sony NEX-F3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the 250D has a hotshoe, while the NEX-3N does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The 250D is a recent model that features in the current product line-up of Canon. In contrast, the NEX-3N has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the NEX-3N was succeeded by the Sony A5000. Further information on the features and operation of the 250D and NEX-3N can be found, respectively, in the Canon 250D Manual (free pdf) or the online Sony NEX-3N Manual.
Review summary
So how do things add up? Is the Canon 250D better than the Sony NEX-3N or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 250D:
- More detail: Offers more megapixels (24 vs 16MP) with a 22% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/25p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (1070 versus 480) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 1 month of technical progress since the NEX-3N launch.
Reasons to prefer the Sony Alpha NEX-3N:
- More compact: Is smaller (110x62mm vs 122x93mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 180g or 40 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the 250D is the clear winner of the match-up (16 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 250D and the Sony NEX-3N place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 250D and the NEX-3N in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 250D | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | 599 | amazon.com | |
2. | Sony NEX-3N | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | 499 | ebay.com | |
3. | Canon 77D | 4.5/5 | .. | 4/5 | 82/100 | 4.5/5 | 4/5 | Feb 2017 | 899 | ebay.com | |
4. | Canon 200D | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | 549 | ebay.com | |
5. | Canon 760D | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | 649 | ebay.com | |
6. | Canon 800D | 4.5/5 | .. | 3.5/5 | 80/100 | 4.5/5 | 4/5 | Feb 2017 | 749 | ebay.com | |
7. | Canon 850D | 4/5 | + | 3/5 | 80/100 | 4/5 | 3.5/5 | Feb 2020 | 749 | ebay.com | |
8. | Canon 2000D | 3/5 | o | 3.5/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 449 | amazon.com | |
9. | Canon 4000D | 2.5/5 | o | 3/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 399 | amazon.com | |
10. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | 779 | ebay.com | |
11. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | 599 | ebay.com | |
12. | Fujifilm X-T100 | 4/5 | + | 4.5/5 | 79/100 | 4/5 | 4.5/5 | May 2018 | 599 | ebay.com | |
13. | Sony A5000 | 3/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2014 | 449 | ebay.com | |
14. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
15. | Sony NEX-3 | .. | .. | .. | 70/100 | 4.5/5 | 4/5 | May 2010 | 599 | ebay.com | |
16. | Sony NEX-5 | 3/5 | + + | .. | 71/100 | 4.5/5 | 4/5 | May 2010 | 699 | ebay.com | |
17. | Sony NEX-F3 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | May 2012 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 250D vs Canon 550D
- Canon 250D vs Canon SX730
- Canon 250D vs Epson R-D1
- Canon 250D vs Olympus E-3
- Canon 250D vs Panasonic GH4
- Canon 250D vs Sony A5000
- Canon M vs Sony NEX-3N
- Canon SX730 vs Sony NEX-3N
- Canon T1i vs Sony NEX-3N
- Olympus E-PL3 vs Sony NEX-3N
- Panasonic GH2 vs Sony NEX-3N
- Panasonic GX800 vs Sony NEX-3N
Specifications: Canon 250D vs Sony NEX-3N
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 250D | Sony NEX-3N |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Sony E mount lenses |
Launch Date | April 2019 | February 2013 |
Launch Price | USD 599 | USD 499 |
Sensor Specs | Canon 250D | Sony NEX-3N |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | APS-C Sensor |
Sensor Size | 22.3 x 14.9 mm | 23.4 x 15.6 mm |
Sensor Area | 332.27 mm2 | 365.04 mm2 |
Sensor Diagonal | 26.8 mm | 28.1 mm |
Crop Factor | 1.6x | 1.5x |
Sensor Resolution | 24 Megapixels | 16 Megapixels |
Image Resolution | 6000 x 4000 pixels | 4912 x 3264 pixels |
Pixel Pitch | 3.72 μm | 4.78 μm |
Pixel Density | 7.22 MP/cm2 | 4.39 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/25p Video | 1080/60i Video |
ISO Setting | 100 - 25,600 ISO | 200 - 16,000 ISO |
ISO Boost | 100 - 51,200 ISO | no Enhancement |
Image Processor | DIGIC 8 | BIONZ |
DXO Sensor Quality (score) | .. | 74 |
DXO Color Depth (bits) | .. | 22.8 |
DXO Dynamic Range (EV) | .. | 12.5 |
DXO Low Light (ISO) | .. | 1067 |
Screen Specs | Canon 250D | Sony NEX-3N |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.54x | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 460k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon 250D | Sony NEX-3N |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 5 shutter flaps/s | 4 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Canon 250D | Sony NEX-3N |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Canon 250D | Sony NEX-3N |
Battery Type | Canon LP-E17 | Sony NP-FW50 |
Battery Life (CIPA) | 1070 shots per charge | 480 shots per charge |
Body Dimensions |
122 x 93 x 70 mm (4.8 x 3.7 x 2.8 in) |
110 x 62 x 35 mm (4.3 x 2.4 x 1.4 in) |
Camera Weight | 449 g (15.8 oz) | 269 g (9.5 oz) |
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