Fujifilm GFX 50S vs Nikon D1X
The Fujifilm GFX 50S and the Nikon D1X are two professional cameras that were announced, respectively, in September 2016 and February 2001. The GFX 50S is a mirrorless interchangeable lens camera, while the D1X is a DSLR. The cameras are based on a medium format (GFX 50S) and an APS-C (D1X) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 5.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Nikon D1X? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm GFX 50S and the Nikon D1X is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D1X is considerably larger (73 percent) than the Fujifilm GFX 50S. Moreover, the D1X is substantially heavier (49 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the D1X can take 1200 images on a single charge of its EN-4 power pack. As can be seen in the images above, the D1X has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the GFX 50S, Fujifilm provides the VG-GFX1 vertical grip as an optional accessory (see here on ebay).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||ebay.com|
|2.||Nikon D1X||157 mm||153 mm||85 mm||1100 g||1200||Y||Feb 2001||5,999||ebay.com|
|3.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||amazon.com|
|4.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|5.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999||amazon.com|
|6.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999||amazon.com|
|7.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499||amazon.com|
|8.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750||amazon.com|
|9.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995||ebay.com|
|10.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595||ebay.com|
|11.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||ebay.com|
|12.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||amazon.com|
|13.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999||ebay.com|
|14.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999||ebay.com|
|15.||Nikon D2X||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999||ebay.com|
|16.||Nikon D1H||157 mm||153 mm||85 mm||1100 g||1200||Y||Feb 2001||4,499||ebay.com|
|17.||Nikon D1||157 mm||153 mm||85 mm||1100 g||..||Y||Jun 1999||5,499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D1X was somewhat cheaper (by 8 percent) than the GFX 50S at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Nikon D1X an APS-C sensor. The sensor area in the D1X is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the D1X offers a 3:2 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the D1X (5.9MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 7.92μm for the D1X). However, the GFX 50S is a much more recent model (by 15 years and 7 months) than the D1X, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Nikon D1X are 15 x 9.8 inches or 38.2 x 24.9 cm for good quality, 12 x 7.8 inches or 30.6 x 19.9 cm for very good quality, and 10 x 6.5 inches or 25.5 x 16.6 cm for excellent quality prints.
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D1X are ISO 125 to ISO 800, with the possibility to increase the ISO range to 125-3200.
In terms of underlying technology, the GFX 50S is build around a CMOS sensor, while the D1X uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|3.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|5.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|6.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|7.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|8.||Hasselblad X1D II||Medium Format||51.3||8272||6200||1080/25p||25.7||14.5||3234||99|
|9.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|10.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|11.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|13.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|14.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GFX 50S indeed provides movie recording capabilities, while the D1X does not. The highest resolution format that the GFX 50S can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D1X has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Nikon D1X, and comparable cameras.
|1.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|2.||Nikon D1X||optical||Y||2.0 / 120||fixed||n||1/16000s||3.0/s||n||n|
|3.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|4.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|6.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|7.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|8.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7/s||n||n|
|9.||Hasselblad X1D||2360||n||3.0 / 920||fixed||Y||1/2000s||2.3/s||n||n|
|10.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|11.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|12.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0/s||Y||n|
|13.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|14.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0/s||n||n|
|15.||Nikon D2X||optical||Y||2.5 / 235||fixed||n||1/8000s||5.0/s||n||n|
|16.||Nikon D1H||optical||Y||2.0 / 120||fixed||n||1/16000s||5.0/s||n||n|
|17.||Nikon D1||optical||Y||2.0 / 120||fixed||n||1/16000s||1.5/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50S has a touchscreen, while the D1X has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50S writes its imaging data to SDXC cards, while the D1X uses Compact Flash cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the D1X only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Nikon D1X and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|2.||Nikon D1X||Y||- / -||-||-||-||FW||-||-||-|
|3.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|4.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|6.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|7.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|8.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|9.||Hasselblad X1D||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|10.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|11.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|12.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|13.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|14.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|15.||Nikon D2X||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Nikon D1H||Y||- / -||-||-||-||FW||-||-||-|
|17.||Nikon D1||Y||- / -||-||-||-||FW||-||-||-|
It is notable that the GFX 50S offers wifi support, while the D1X does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the GFX 50S and the D1X have been discontinued, but can regularly be found used on ebay. The D1X was replaced by the Nikon D2X, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the GFX 50S and D1X can be found, respectively, in the Fujifilm GFX 50S Manual (free pdf) or the online Nikon D1X Manual.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 50S or the Nikon D1X – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 5.9MP) with a 187% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 120k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (148x94mm vs 157x153mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 360g or 33 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 15 years and 7 months of technical progress since the D1X launch.
Reasons to prefer the Nikon D1X:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (1200 versus 400) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in February 2001).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the match-up (19 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Nikon D1X place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GFX 50S or the D1X perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499||ebay.com|
|2.||Nikon D1X||..||..||..||+ +||..||..||Feb 2001||5,999||ebay.com|
|3.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499||amazon.com|
|4.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|5.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999||amazon.com|
|6.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999||amazon.com|
|7.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499||amazon.com|
|8.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750||amazon.com|
|9.||Hasselblad X1D||..||o||..||81/100||..||4/5||Jun 2016||8,995||ebay.com|
|10.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595||ebay.com|
|11.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450||ebay.com|
|12.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299||amazon.com|
|13.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999||ebay.com|
|14.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999||ebay.com|
|15.||Nikon D2X||..||..||..||+ +||..||..||Sep 2004||4,999||ebay.com|
|16.||Nikon D1H||..||..||..||+ +||..||..||Feb 2001||4,499||ebay.com|
|17.||Nikon D1||..||..||..||+ +||..||..||Jun 1999||5,499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 70D vs Nikon D1X
- Canon 7D II vs Nikon D1X
- Canon SL2 vs Fujifilm GFX 50S
- Canon T6i vs Fujifilm GFX 50S
- Fujifilm GFX 50S vs Leica D-LUX 7
- Fujifilm GFX 50S vs Panasonic FZ1000
- Fujifilm GFX 50S vs Panasonic GX1
- Fujifilm GFX 50S vs Sony A7R
- Fujifilm X30 vs Nikon D1X
- Nikon D1X vs Nikon D3300
- Nikon D1X vs Pentax K-3
- Nikon D1X vs Sony NEX-5
Specifications: Fujifilm GFX 50S vs Nikon D1X
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50S||Nikon D1X|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm G mount lenses||Nikon F mount lenses|
|Launch Date||September 2016||February 2001|
|Launch Price||USD 6,499||USD 5,999|
|Sensor Specs||Fujifilm GFX 50S||Nikon D1X|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||44.0 x 33.0 mm||23.7 x 15.6 mm|
|Sensor Area||1452 mm2||369.72 mm2|
|Sensor Diagonal||55 mm||28.4 mm|
|Sensor Resolution||51.1 Megapixels||5.9 Megapixels|
|Image Resolution||8256 x 6192 pixels||3008 x 1960 pixels|
|Pixel Pitch||5.33 μm||7.92 μm|
|Pixel Density||3.52 MP/cm2||1.59 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100 - 12,800 ISO||125 - 800 ISO|
|ISO Boost||50 - 102,400 ISO||125 - 3,200 ISO|
|Screen Specs||Fujifilm GFX 50S||Nikon D1X|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||96%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.2inch||2.0inch|
|LCD Resolution||2360k dots||120k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 50S||Nikon D1X|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||3 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|Connectivity Specs||Fujifilm GFX 50S||Nikon D1X|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||Firewire|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm GFX 50S||Nikon D1X|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||1200 shots per charge|
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
157 x 153 x 85 mm
(6.2 x 6.0 x 3.3 in)
|Camera Weight||740 g (26.1 oz)||1100 g (38.8 oz)|
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