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Fujifilm GFX 50R vs Olympus E-M5 II

The Fujifilm GFX 50R and the Olympus OM-D E-M5 Mark II are two digital cameras that were revealed to the public, respectively, in September 2018 and February 2015. Both the GFX 50R and the E-M5 II are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50R) and a Four Thirds (E-M5 II) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Olympus provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50R versus Olympus E-M5 II
Fujifilm GFX 50R Olympus E-M5 II
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Micro Four Thirds lenses
51.1 MP, Medium Format Sensor 15.9 MP, Four Thirds Sensor
1080/30p Video 1080/60p Video
ISO 100-12,800 (50 - 102,400) ISO 200-25,600
Electronic viewfinder (3690k dots) Electronic viewfinder (2360k dots)
3.2 LCD, 2360k dots 3.0 LCD, 1037k dots
Tilting touchscreen Swivel touchscreen
3 shutter flaps per second 10 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Weathersealed bodyWeathersealed body
400 shots per battery charge310 shots per battery charge
161 x 97 x 66 mm, 775 g 124 x 85 x 45 mm, 469 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 50R and the Olympus E-M5 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the GFX 50R is only available in black.

Size Fujifilm GFX 50R vs Olympus E-M5 II
Compare GFX 50R versus E-M5 II top
Comparison GFX 50R or E-M5 II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is considerably smaller (33 percent) than the Fujifilm GFX 50R. Moreover, the E-M5 II is substantially lighter (39 percent) than the GFX 50R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50R gets 400 shots out of its NP-T125 battery, while the E-M5 II can take 310 images on a single charge of its BLN-1 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

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Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life 1
Weather
Sealing
Camera
Launch 2
Launch
Price (USD)
Street
Price
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i
 
Olympus E-M5 II 124 mm 85 mm 45 mm 469 g 310 Y Feb 2015 1,099i
 
Canon 6D Mark II 144 mm 111 mm 75 mm 765 g 1200 Y Jun 2017 1,999 i
 
Canon 5DS 152 mm 116 mm 76 mm 930 g 700 Y Feb 2015 3,699 i
 
Canon 5DS R 152 mm 116 mm 76 mm 930 g 700 Y Feb 2015 3,699 i
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499 i
 
Hasselblad X1D II 148 mm 97 mm 70 mm 766 g .. Y Jun 2019 5,750 i
 
Leica Q2 130 mm 80 mm 92 mm 718 g 370 Y Mar 2019 4,995 i
 
Leica M-E Typ 240 139 mm 80 mm 42 mm 680 g .. Y Jun 2019 3,999 i
 
Nikon D7500 136 mm 104 mm 73 mm 720 g 950 Y Apr 2017 1,299 i
 
Nikon D850 146 mm 124 mm 79 mm 1005 g 1840 Y Jul 2017 3,299 i
 
Olympus E-M5 III 125 mm 85 mm 50 mm 414 g 310 Y Oct 2019 1,199 i
 
Olympus E-M10 II 120 mm 83 mm 47 mm 390 g 320 n Aug 2015 649i
 
Olympus E-M10 119 mm 82 mm 46 mm 396 g 320 n Jan 2014 699i
 
Olympus E-M1 130 mm 94 mm 63 mm 497 g 350 Y Sep 2013 1,399i
 
Olympus E-M5 122 mm 89 mm 43 mm 425 g 360 Y Feb 2012 1,299i
 
Sony A9 127 mm 96 mm 63 mm 673 g 650 Y Apr 2017 4,499i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M5 II was launched at a markedly lower price (by 76 percent) than the GFX 50R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 85 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

In terms of underlying technology, both cameras are build around CMOS sensors.

Fujifilm GFX 50R and Olympus E-M5 II sensor measures

With 51.1MP, the GFX 50R offers a higher resolution than the E-M5 II (15.9MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.76μm for the E-M5 II) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 3 years and 7 months) than the E-M5 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

Unlike the GFX 50R, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

GFX 50R versus E-M5 II MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
 
Olympus E-M5 II Four Thirds 15.9 4608 34561080/60p23.012.584273
 
Canon 6D Mark II Full Frame 26.0 6240 41601080/60p24.411.9286285
 
Canon 5DS Full Frame 50.3 8688 57921080/30p24.712.4238187
 
Canon 5DS R Full Frame 50.3 8688 57921080/30p24.612.4230886
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
 
Hasselblad X1D II Medium Format 51.3 8272 6200none........
 
Leica Q2 Full Frame 46.7 8368 55844K/30p26.413.5249196
 
Leica M-E Typ 240 Full Frame 23.7 5952 39761080/25p........
 
Nikon D7500 APS-C 20.7 5568 37124K/30p24.314.0148386
 
Nikon D850 Full Frame 45.4 8256 55044K/30p26.414.82660100
 
Olympus E-M5 III Four Thirds 20.2 5184 38884k/24p........
 
Olympus E-M10 II Four Thirds 15.9 4608 34561080/60p23.112.584273
 
Olympus E-M10 Four Thirds 15.9 4608 34561080/30p22.812.388472
 
Olympus E-M1 Four Thirds 15.9 4608 34561080/30p23.012.775773
 
Olympus E-M5 Four Thirds 15.9 4608 34561080/60i22.812.382671
 
Sony A9 Full Frame 24.0 6000 40004K/30p24.913.3351792

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M5 II provides a faster frame rate than the GFX 50R. It can shoot movie footage at 1080/60p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 50R offers a substantially higher resolution than the one in the E-M5 II (3690k vs 2360k dots). The adjacent table lists some of the other core features of the Fujifilm GFX 50R and Olympus E-M5 II along with similar information for a selection of comparators.

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Core Features
  Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n
 
Olympus E-M5 II2360 n 3.0 1037 swivel Y 1/8000s 10.0 n Y
 
Canon 6D Mark IIoptical Y 3.0 1040 swivel Y 1/4000s 6.5 n n
 
Canon 5DSoptical Y 3.2 1040 fixed n 1/8000s 5.0 n n
 
Canon 5DS Roptical Y 3.2 1040 fixed n 1/8000s 5.0 n n
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n
 
Hasselblad X1D II3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n
 
Leica Q23680 n 3.0 1040 fixed Y 1/2000s 20.0 n Y
 
Leica M-E Typ 240optical n 3.0 920 fixed n 1/4000s 3.0 n n
 
Nikon D7500optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n
 
Nikon D850optical Y 3.2 2359 tilting Y 1/8000s 9.0 n n
 
Olympus E-M5 III2360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y
 
Olympus E-M10 II2360 n 3.0 1040 tilting Y 1/4000s 8.0 Y Y
 
Olympus E-M101440 n 3.0 1037 tilting Y 1/4000s 8.0 Y Y
 
Olympus E-M12360 n 3.0 1037 tilting Y 1/8000s 10.0 n Y
 
Olympus E-M51440 n 3.0 610 tilting Y 1/4000s 9.0 n Y
 
Sony A93686 n 3.0 1440 tilting Y 1/8000s 20.0 n Y

One feature that differentiates the E-M5 II and the GFX 50R is in-body image stabilization (IBIS). The E-M5 II reduces the risk of handshake-induced blur with all attached lenses, while the GFX 50R offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The E-M5 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50R does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50R and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50R and the E-M5 II write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 II only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-Y
 
Olympus E-M5 IIYstereomonoY-micro2.0Y--
 
Canon 6D Mark IIYstereomonoY-mini2.0YYY
 
Canon 5DSYmonomonoY-mini3.0---
 
Canon 5DS RYmonomonoY-mini3.0---
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--
 
Hasselblad X1D IIYstereomonoYY-3.0Y--
 
Leica Q2Ystereomono----Y-Y
 
Leica M-E Typ 240Ymono----2.0---
 
Nikon D7500YstereomonoYYmini2.0Y-Y
 
Nikon D850YstereomonoYYmini3.0YYY
 
Olympus E-M5 IIIYstereomonoY-micro2.0Y-Y
 
Olympus E-M10 IIYstereomono--micro2.0Y--
 
Olympus E-M10Ystereomono--micro2.0Y--
 
Olympus E-M1YstereomonoY-micro2.0Y--
 
Olympus E-M5Ystereomono--mini2.0---
 
Sony A9YstereomonoYYmicro2.0YYY

It is notable that the GFX 50R has a headphone jack, which is not present on the E-M5 II This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The GFX 50R is a recent model that features in the current product line-up of Fujifilm. In contrast, the E-M5 II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-M5 II was succeeded by the Olympus E-M5 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.

Review summary

So what is the bottom line? Which of the two cameras – the Fujifilm GFX 50R or the Olympus E-M5 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

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Advantages of the Fujifilm GFX 50R:

  • More detail: Offers more megapixels (51.1 vs 15.9MP) with a 79% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.74x).
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1037k dots).
  • Longer lasting: Can take more shots (400 versus 310) on a single battery charge.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More modern: Reflects 3 years and 7 months of technical progress since the E-M5 II launch.

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Arguments in favor of the Olympus OM-D E-M5 Mark II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (124x85mm vs 161x97mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 306g or 39 percent) and is thus easier to take along.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • More affordable: Was introduced into a lower priced category (76 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in February 2015).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the match-up (16 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50R 16:12 E-M5 II

How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50R or the E-M5 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Review Scores
  Camera
Model
camera
  labs  
dp
review  
ephoto
  zine  
imaging
resource
photography
  blog  
Camera
Launch
Launch
Price (USD)
Street
Price
 
Fujifilm GFX 50R..84/1004.5/54.5/54.5/5 Sep 2018 4,499 i
 
Olympus E-M5 II+ +81/1005/54.5/55/5 Feb 2015 1,099i
 
Canon 6D Mark II+80/1004.5/54/54/5 Jun 2017 1,999 i
 
Canon 5DS+83/1004.5/55/54.5/5 Feb 2015 3,699 i
 
Canon 5DS R+83/1005/55/54.5/5 Feb 2015 3,699 i
 
Fujifilm GFX 50S..85/1005/55/54.5/5 Sep 2016 6,499 i
 
Hasselblad X1D II....4/5..4/5 Jun 2019 5,750 i
 
Leica Q2..84/1004.5/5..4/5 Mar 2019 4,995 i
 
Leica M-E Typ 240.......... Jun 2019 3,999 i
 
Nikon D7500+ +86/1005/54.5/54.5/5 Apr 2017 1,299 i
 
Nikon D850+ +89/1004.5/55/55/5 Jul 2017 3,299 i
 
Olympus E-M5 III+82/1004.5/55/54.5/5 Oct 2019 1,199 i
 
Olympus E-M10 II+ +80/1005/55/55/5 Aug 2015 649i
 
Olympus E-M10..80/1005/54.5/55/5 Jan 2014 699i
 
Olympus E-M1+ +84/1004.5/54.5/54.5/5 Sep 2013 1,399i
 
Olympus E-M5+ +80/1004.5/55/55/5 Feb 2012 1,299i
 
Sony A9+ +89/1005/55/55/5 Apr 2017 4,499i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Fujifilm GFX 50R:
Check Amazon price
Olympus E-M5 II:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

~

    Specifications: Fujifilm GFX 50R vs Olympus E-M5 II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50R Olympus E-M5 II
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Micro Four Thirds lenses
    Launch Date September 2018 February 2015
    Launch Price USD 4,499 USD 1,099
    Sensor Specs Fujifilm GFX 50R Olympus E-M5 II
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor Four Thirds Sensor
    Sensor Size 44.0 x 33.0 mm 17.3 x 13.0 mm
    Sensor Area 1452 mm2 224.9 mm2
    Sensor Diagonal 55 mm 21.6 mm
    Crop Factor 0.79x 2.0x
    Sensor Resolution 51.1 Megapixels 15.9 Megapixels
    Image Resolution 8256 x 6192 pixels 4608 x 3456 pixels
    Pixel Pitch 5.33 μm 3.76 μm
    Pixel Density 3.52 MP/cm2 7.08 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/30p Video 1080/60p Video
    ISO Setting 100 - 12,800 ISO 200 - 25,600 ISO
    ISO Boost 50 - 102,400 ISO 100 - 25,600 ISO
    Image Processor X Processor Pro TruePic VII
    DXO Sensor Quality (score) .. 73
    DXO Color Depth (bits) .. 23.0
    DXO Dynamic Range (EV) .. 12.5
    DXO Low Light (ISO) .. 842
    Screen Specs Fujifilm GFX 50R Olympus E-M5 II
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.77x 0.74x
    Viewfinder Resolution 3690k dots 2360k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 1037k dots
    LCD Attachment Tilting screen Swivel screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 50R Olympus E-M5 II
    Focus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/8000s
    Continuous Shooting 3 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-II
    Connectivity Specs Fujifilm GFX 50R Olympus E-M5 II
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket PC Sync socket
    USB Connector USB 3.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Fujifilm GFX 50R Olympus E-M5 II
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-T125 BLN-1
    Battery Life (CIPA)400 shots per charge310 shots per charge
    Body Dimensions 161 x 97 x 66 mm
    (6.3 x 3.8 x 2.6 in)
    124 x 85 x 45 mm
    (4.9 x 3.3 x 1.8 in)
    Camera Weight 775 g (27.3 oz) 469 g (16.5 oz)

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