Olympus E-M5 II vs Panasonic TZ100
The Olympus OM-D E-M5 Mark II and the Panasonic Lumix DMC-TZ100 (labelled Panasonic ZS100 in some countries) are two digital cameras that were officially introduced, respectively, in February 2015 and January 2016. The E-M5 II is a mirrorless interchangeable lens camera, while the TZ100 is a fixed lens compact. The cameras are based on a Four Thirds (E-M5 II) and an one-inch (TZ100) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-M5 II||Panasonic TZ100|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||25-250mm f/2.8-5.9|
|15.9 MP, Four Thirds Sensor||20 MP, 1" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 200-25,600||ISO 125-12,800 (80 - 25,600)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (1166k dots)|
|3.0 LCD, 1037k dots||3.0 LCD, 1040k dots|
|Swivel touchscreen||Fixed touchscreen|
|10 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||not weather sealed|
|310 shots per battery charge||300 shots per battery charge|
|124 x 85 x 45 mm, 469 g||111 x 65 x 44 mm, 312 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark II and the Panasonic Lumix DMC-TZ100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-M5 II and the Panasonic TZ100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TZ100 is considerably smaller (32 percent) than the Olympus E-M5 II. It is worth mentioning in this context that the E-M5 II is splash and dust resistant, while the TZ100 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ100 has a lens built in, whereas the E-M5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 II and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the E-M5 II gets 310 shots out of its BLN-1 battery, while the TZ100 can take 300 images on a single charge of its DMW-BLG10 power pack. The power pack in the TZ100 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-M5 II||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Panasonic TZ100||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699|
|Canon G5 X||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799|
|Canon M3||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679|
|Olympus E-M5 III||4.9 in||3.3 in||2.0 in||14.6 oz||310||Y||Oct 2019||1,199|
|Olympus PEN-F||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199|
|Olympus E-M10 II||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649|
|Olympus E-M10||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699|
|Olympus E-M1||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399|
|Olympus E-P5||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999|
|Olympus E-M5||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299|
|Panasonic TZ200||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799|
|Panasonic G85||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899|
|Panasonic GX85||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799|
|Panasonic LX15||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699|
|Panasonic GX8||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199|
|Sony RX100 IV||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TZ100 was launched at a lower price than the E-M5 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-M5 II features a Four Thirds sensor and the Panasonic TZ100 an one-inch sensor. The sensor area in the TZ100 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the E-M5 II has a native 4:3 aspect ratio, while the one in the TZ100 offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the TZ100 offers a higher resolution of 20 megapixels, compared with 15.9 MP of the E-M5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.76μm for the E-M5 II). However, it should be noted that the TZ100 is a somewhat more recent model (by 10 months) than the E-M5 II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
The resolution advantage of the Panasonic TZ100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ100 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
Unlike the TZ100, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus OM-D E-M5 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-TZ100 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the TZ100 provides a better video resolution than the E-M5 II. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 II offers a substantially higher resolution than the one in the TZ100 (2360k vs 1166k dots). The adjacent table lists some of the other core features of the Olympus E-M5 II and Panasonic TZ100 along with similar information for a selection of comparators.
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The TZ100 has one, while the E-M5 II does not. While the built-in flash of the TZ100 is not very powerful, it can at times be useful as a fill-in light.The E-M5 II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the TZ100 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M5 II and the Panasonic TZ100 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-M5 II and the TZ100 write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the TZ100 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark II and Panasonic Lumix DMC-TZ100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the E-M5 II has a hotshoe, while the TZ100 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Olympus E-M5 II (unlike the TZ100) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-M5 II and the TZ100 have been discontinued, but can regularly be found used on eBay. The E-M5 II was replaced by the Olympus E-M5 III, while the TZ100 was followed by the Panasonic TZ200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Olympus E-M5 II or the Panasonic TZ100 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus OM-D E-M5 Mark II:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.46x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in February 2015).
Arguments in favor of the Panasonic Lumix DMC-TZ100:
- More detail: Has more megapixels (20 vs 15.9MP), which boosts linear resolution by 14%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Ready to shoot: Has an integrated lens, whereas the E-M5 II necessitates an extra lens.
- More compact: Is smaller (111x65mm vs 124x85mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the E-M5 II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (10 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 II is the clear winner of the match-up (14 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M5 II and the Panasonic TZ100 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M5 II or the TZ100. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-M5 II||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Panasonic TZ100||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699|
|Canon G5 X||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Canon M3||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679|
|Olympus E-M5 III||+||82/100||4.5/5||5/5||4.5/5||Oct 2019||1,199|
|Olympus PEN-F||..||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Olympus E-M10 II||+ +||80/100||5/5||5/5||5/5||Aug 2015||649|
|Olympus E-M10||..||80/100||5/5||4.5/5||5/5||Jan 2014||699|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Olympus E-P5||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999|
|Olympus E-M5||+ +||80/100||4.5/5||5/5||5/5||Feb 2012||1,299|
|Panasonic TZ200||+ +||81/100||4.5/5||..||4.5/5||Feb 2018||799|
|Panasonic G85||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Panasonic GX85||+ +||82/100||5/5||4.5/5||5/5||Apr 2016||799|
|Panasonic LX15||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699|
|Panasonic GX8||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds Mark II vs Panasonic TZ100
- Canon 6D vs Olympus E-M5 II
- Canon 800D vs Olympus E-M5 II
- Canon Rebel vs Olympus E-M5 II
- Canon T100 vs Olympus E-M5 II
- Fujifilm GFX 50S vs Olympus E-M5 II
- Fujifilm X-Pro2 vs Olympus E-M5 II
- Fujifilm X-T1 vs Panasonic TZ100
- Nikon D50 vs Olympus E-M5 II
- Nikon P7800 vs Olympus E-M5 II
- Olympus E-M1X vs Panasonic TZ100
- Olympus E-M5 II vs Panasonic LX100 II
Specifications: Olympus E-M5 II vs Panasonic TZ100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M5 II||Panasonic TZ100|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||25-250mm f/2.8-5.9|
|Launch Date||February 2015||January 2016|
|Launch Price||USD 1,099||USD 699|
|Sensor Specs||Olympus E-M5 II||Panasonic TZ100|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||15.9 Megapixels||20 Megapixels|
|Image Resolution||4608 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.76 μm||2.41 μm|
|Pixel Density||7.08 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||125 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||80 - 25,600 ISO|
|Image Processor||TruePic VII||Venus|
|DXO Sensor Quality (score)||73||70|
|DXO Color Depth (bits)||23.0||22.8|
|DXO Dynamic Range (EV)||12.5||12.5|
|DXO Low Light (ISO)||842||559|
|Screen Specs||Olympus E-M5 II||Panasonic TZ100|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||1040k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Olympus E-M5 II||Panasonic TZ100|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Olympus E-M5 II||Panasonic TZ100|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Olympus E-M5 II||Panasonic TZ100|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||310 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
111 x 65 x 44 mm
(4.4 x 2.6 x 1.7 in)
|Camera Weight||469 g (16.5 oz)||312 g (11.0 oz)|
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