Fujifilm GFX 50R vs Canon 1Ds
The Fujifilm GFX 50R and the Canon EOS-1Ds are two professional cameras that were officially introduced, respectively, in September 2018 and September 2002. The GFX 50R is a mirrorless interchangeable lens camera, while the 1Ds is a DSLR. The cameras are based on a medium format (GFX 50R) and a full frame (1Ds) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Canon provides 11 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Canon EOS-1Ds? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50R and the Canon 1Ds. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1Ds is considerably larger (58 percent) than the Fujifilm GFX 50R. Moreover, the 1Ds is substantially heavier (63 percent) than the GFX 50R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 50R gets 400 shots out of its Fujifilm NP-T125 battery, while the 1Ds can take 600 images on a single charge of its Canon NP-E3 power pack. As can be seen in the images above, the 1Ds has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
2. | Canon 1Ds | 156 mm | 158 mm | 80 mm | 1265 g | 600 | Y | Sep 2002 | 8,999 | ebay.com | |
3. | Canon 1D Mark III | 156 mm | 157 mm | 80 mm | 1155 g | 2200 | Y | Feb 2007 | 4,499 | ebay.com | |
4. | Canon 1D Mark IV | 156 mm | 157 mm | 80 mm | 1230 g | 1500 | Y | Oct 2009 | 4,999 | ebay.com | |
5. | Canon 1Ds Mark II | 156 mm | 158 mm | 80 mm | 1215 g | 1200 | Y | Sep 2004 | 7,999 | ebay.com | |
6. | Canon 1Ds Mark III | 150 mm | 160 mm | 80 mm | 1385 g | 1800 | Y | Aug 2007 | 7,999 | ebay.com | |
7. | Canon 5D | 152 mm | 113 mm | 75 mm | 895 g | 400 | Y | Aug 2005 | 3,299 | ebay.com | |
8. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
9. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
10. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
11. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
12. | Fujifilm GFX 100 | 156 mm | 144 mm | 75 mm | 1320 g | 800 | Y | May 2019 | 9,999 | ebay.com | |
13. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | 5,999 | amazon.com | |
14. | Hasselblad X1D | 150 mm | 98 mm | 71 mm | 725 g | .. | Y | Jun 2016 | 8,995 | ebay.com | |
15. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
16. | Leica M-E Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Jun 2019 | 3,999 | ebay.com | |
17. | Leica Q2 | 130 mm | 80 mm | 92 mm | 718 g | 370 | Y | Mar 2019 | 4,995 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GFX 50R was launched at a markedly lower price (by 50 percent) than the 1Ds, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Canon 1Ds a full frame sensor. The sensor area in the 1Ds is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50R has a native 4:3 aspect ratio, while the one in the 1Ds offers a 3:2 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the 1Ds (11MP), but the GFX 50R has smaller individual pixels (pixel pitch of 5.33μm versus 8.83μm for the 1Ds). However, the GFX 50R is a much more recent model (by 16 years) than the 1Ds, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 1Ds are 20.3 x 13.5 inches or 51.6 x 34.3 cm for good quality, 16.3 x 10.8 inches or 41.3 x 27.5 cm for very good quality, and 13.5 x 9 inches or 34.4 x 22.9 cm for excellent quality prints.
The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon EOS-1Ds are ISO 100 to ISO 1250, with the possibility to increase the ISO range to 50-1250.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
2. | Canon 1Ds | Full Frame | 11.0 | 4064 | 2704 | none | 21.8 | 11.0 | 954 | 63 | |
3. | Canon 1D Mark III | APS-H | 10.1 | 3888 | 2592 | none | 22.7 | 11.7 | 1078 | 71 | |
4. | Canon 1D Mark IV | APS-H | 16.0 | 4896 | 3264 | 1080/30p | 22.8 | 12.0 | 1320 | 74 | |
5. | Canon 1Ds Mark II | Full Frame | 16.6 | 4992 | 3328 | none | 23.3 | 11.3 | 1480 | 74 | |
6. | Canon 1Ds Mark III | Full Frame | 21.0 | 5616 | 3744 | none | 24.0 | 12.0 | 1663 | 80 | |
7. | Canon 5D | Full Frame | 12.7 | 4368 | 2912 | none | 22.9 | 11.1 | 1368 | 71 | |
8. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
9. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
10. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
11. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
12. | Fujifilm GFX 100 | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.7 | 14.5 | 3227 | 99 | |
13. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
14. | Hasselblad X1D | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 26.2 | 14.8 | 4489 | 102 | |
15. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
16. | Leica M-E Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 25.2 | 14.2 | 2821 | 94 | |
17. | Leica Q2 | Full Frame | 46.7 | 8368 | 5584 | 4K/30p | 26.4 | 13.5 | 2491 | 96 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The GFX 50R indeed provides movie recording capabilities, while the 1Ds does not. The highest resolution format that the GFX 50R can use is 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), while the 1Ds has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 50R has a higher magnification than the one of the 1Ds (0.77x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Fujifilm GFX 50R and Canon 1Ds in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
2. | Canon 1Ds | optical | Y | 2.0 / 120 | fixed | n | 1/8000s | 3.0/s | n | n | |
3. | Canon 1D Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 10.0/s | n | n | |
4. | Canon 1D Mark IV | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 10.0/s | n | n | |
5. | Canon 1Ds Mark II | optical | Y | 2.0 / 230 | fixed | n | 1/8000s | 4.0/s | n | n | |
6. | Canon 1Ds Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
7. | Canon 5D | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 3.0/s | n | n | |
8. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
9. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
10. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
11. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
12. | Fujifilm GFX 100 | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
13. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
14. | Hasselblad X1D | 2360 | n | 3.0 / 920 | fixed | Y | 1/2000s | 2.3/s | n | n | |
15. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
16. | Leica M-E Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
17. | Leica Q2 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50R has a touchscreen, while the 1Ds has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50R writes its imaging data to SDXC cards, while the 1Ds uses Compact Flash cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the 1Ds only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Canon EOS-1Ds and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
2. | Canon 1Ds | Y | - / - | - | - | - | FW | - | - | - | |
3. | Canon 1D Mark III | Y | - / - | - | - | - | 2.0 | - | - | - | |
4. | Canon 1D Mark IV | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
5. | Canon 1Ds Mark II | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Canon 1Ds Mark III | Y | mono / - | - | - | - | 2.0 | - | - | - | |
7. | Canon 5D | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
9. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
10. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
11. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
12. | Fujifilm GFX 100 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
13. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
14. | Hasselblad X1D | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
15. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
16. | Leica M-E Typ 240 | Y | mono / - | - | - | - | 2.0 | - | - | - | |
17. | Leica Q2 | Y | stereo / mono | - | - | - | - | Y | - | Y |
It is notable that the GFX 50R offers wifi support, while the 1Ds does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the GFX 50R and the 1Ds have been discontinued, but can regularly be found used on ebay. The 1Ds was replaced by the Canon 1Ds Mark II, while the GFX 50R does not have a direct successor. Further information on the features and operation of the GFX 50R and 1Ds can be found, respectively, in the Fujifilm GFX 50R Manual (free pdf) or the online Canon 1Ds Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 50R or the Canon 1Ds – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm GFX 50R:
- More detail: Offers more megapixels (51.1 vs 11MP) with a 111% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.70x).
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 120k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (161x97mm vs 156x158mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 490g or 39 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Reflects 16 years of technical progress since the 1Ds launch.
Reasons to prefer the Canon EOS-1Ds:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (600 versus 400) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in September 2002).
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the match-up (23 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Canon 1Ds place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50R and the 1Ds in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
2. | Canon 1Ds | .. | .. | .. | + + | .. | .. | Sep 2002 | 8,999 | ebay.com | |
3. | Canon 1D Mark III | .. | .. | .. | .. | .. | .. | Feb 2007 | 4,499 | ebay.com | |
4. | Canon 1D Mark IV | 5/5 | .. | .. | 89/100 | .. | .. | Oct 2009 | 4,999 | ebay.com | |
5. | Canon 1Ds Mark II | .. | .. | .. | + + | .. | .. | Sep 2004 | 7,999 | ebay.com | |
6. | Canon 1Ds Mark III | .. | .. | .. | + + | 4.5/5 | .. | Aug 2007 | 7,999 | ebay.com | |
7. | Canon 5D | .. | 88/100 | .. | + + | o | .. | Aug 2005 | 3,299 | ebay.com | |
8. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
9. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
10. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
11. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
12. | Fujifilm GFX 100 | 4.5/5 | + + | 4.8/5 | 90/100 | 5/5 | 4.5/5 | May 2019 | 9,999 | ebay.com | |
13. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | 5,999 | amazon.com | |
14. | Hasselblad X1D | .. | o | .. | 81/100 | .. | 4/5 | Jun 2016 | 8,995 | ebay.com | |
15. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
16. | Leica M-E Typ 240 | .. | .. | .. | .. | .. | .. | Jun 2019 | 3,999 | ebay.com | |
17. | Leica Q2 | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4/5 | Mar 2019 | 4,995 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II N vs Fujifilm GFX 50R
- Canon 1Ds vs Canon S120
- Canon 1Ds vs Fujifilm X-A2
- Canon 1Ds vs Kodak S-1
- Canon 1Ds vs Leica Digilux 3
- Canon 1Ds vs Leica V-LUX 1
- Canon 1Ds vs Sony NEX-F3
- Fujifilm GFX 50R vs Fujifilm X70
- Fujifilm GFX 50R vs Nikon D850
- Fujifilm GFX 50R vs Panasonic G80
- Fujifilm GFX 50R vs Sony A7 III
- Fujifilm GFX 50R vs Sony NEX-5T
Specifications: Fujifilm GFX 50R vs Canon 1Ds
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm GFX 50R | Canon 1Ds |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Fujifilm G mount lenses | Canon EF mount lenses |
Launch Date | September 2018 | September 2002 |
Launch Price | USD 4,499 | USD 8,999 |
Sensor Specs | Fujifilm GFX 50R | Canon 1Ds |
Sensor Technology | CMOS | CMOS |
Sensor Format | Medium Format Sensor | Full Frame Sensor |
Sensor Size | 44.0 x 33.0 mm | 36.0 x 23.8 mm |
Sensor Area | 1452 mm2 | 856.8 mm2 |
Sensor Diagonal | 55 mm | 43.2 mm |
Crop Factor | 0.79x | 1.0x |
Sensor Resolution | 51.1 Megapixels | 11 Megapixels |
Image Resolution | 8256 x 6192 pixels | 4064 x 2704 pixels |
Pixel Pitch | 5.33 μm | 8.83 μm |
Pixel Density | 3.52 MP/cm2 | 1.28 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | no Video |
ISO Setting | 100 - 12,800 ISO | 100 - 1,250 ISO |
ISO Boost | 50 - 102,400 ISO | 50 - 1,250 ISO |
Image Processor | X Processor Pro | DIGIC |
DXO Sensor Quality (score) | .. | 63 |
DXO Color Depth (bits) | .. | 21.8 |
DXO Dynamic Range (EV) | .. | 11.0 |
DXO Low Light (ISO) | .. | 954 |
Screen Specs | Fujifilm GFX 50R | Canon 1Ds |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.77x | 0.70x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 3.2inch | 2.0inch |
LCD Resolution | 2360k dots | 120k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Fujifilm GFX 50R | Canon 1Ds |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 3 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | CF cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Fujifilm GFX 50R | Canon 1Ds |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 3.0 | Firewire |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Fujifilm GFX 50R | Canon 1Ds |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Fujifilm NP-T125 | Canon NP-E3 |
Battery Life (CIPA) | 400 shots per charge | 600 shots per charge |
Body Dimensions |
161 x 97 x 66 mm (6.3 x 3.8 x 2.6 in) |
156 x 158 x 80 mm (6.1 x 6.2 x 3.1 in) |
Camera Weight | 775 g (27.3 oz) | 1265 g (44.6 oz) |
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