Canon 1Ds vs Sony NEX-F3
The Canon EOS-1Ds and the Sony Alpha NEX-F3 are two digital cameras that were revealed to the public, respectively, in September 2002 and May 2012. The 1Ds is a DSLR, while the NEX-F3 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1Ds) and an APS-C (NEX-F3) sensor. The Canon has a resolution of 11 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1Ds||Sony NEX-F3|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|11 MP, Full Frame Sensor||16 MP, APS-C Sensor|
|no Video||1080/60i Video|
|ISO 100-1250||ISO 100-16000|
|Optical viewfinder||Viewfinder optional|
|2.0" LCD, 120k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3 shutter flaps per second||5.5 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|600 shots per battery charge||470 shots per battery charge|
|156 x 158 x 80 mm, 1265 g||117 x 67 x 42 mm, 314 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds and the Sony Alpha NEX-F3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1Ds and the Sony NEX-F3. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The NEX-F3 can be obtained in three different colors (black, silver, white), while the 1Ds is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-F3 is considerably smaller (68 percent) than the Canon 1Ds. Moreover, the NEX-F3 is substantially lighter (75 percent) than the 1Ds. It is worth mentioning in this context that the 1Ds is splash and dust resistant, while the NEX-F3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1Ds) and the Sony E-Mount Lens Catalog (NEX-F3). Mirrorless cameras, such as the NEX-F3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1Ds gets 600 shots out of its NP-E3 battery, while the NEX-F3 can take 470 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the 1Ds has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1Ds»||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999||Canon 1Ds|
|Sony NEX-F3«||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599||Sony NEX-F3|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999||Canon 1D C|
|Canon 1D Mark IV« »||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999||Canon 1D Mark IV|
|Canon 1D Mark III« »||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||Canon 1D Mark III|
|Canon 1Ds Mark III« »||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999||Canon 1D Mark II N|
|Canon 5D« »||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||Canon 5D|
|Canon 1D Mark II« »||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499||Canon 1D Mark II|
|Canon 1Ds Mark II« »||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999||Canon 1Ds Mark II|
|Nikon D2Xs« »||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699||Nikon D2Xs|
|Sony NEX-3N« »||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||Sony NEX-3N|
|Sony NEX-5R« »||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749||Sony NEX-5R|
|Sony NEX-5N« »||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699||Sony NEX-5N|
|Sony NEX-3« »||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599||Sony NEX-3|
|Sony NEX-5« »||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The NEX-F3 was launched at a markedly lower price (by 93 percent) than the 1Ds, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1Ds features a full frame sensor and the Sony NEX-F3 an APS-C sensor. The sensor area in the NEX-F3 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the NEX-F3 offers a higher resolution of 16 megapixels, compared with 11 MP of the 1Ds. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.78μm versus 8.83μm for the 1Ds). However, it should be noted that the NEX-F3 is much more recent (by 9 years and 7 months) than the 1Ds, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony NEX-F3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-F3 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inch or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inch or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inch or 41.6 x 27.6 cm. The corresponding values for the Canon 1Ds are 20.3 x 13.5 inch or 51.6 x 34.3 cm for good quality, 16.3 x 10.8 inch or 41.3 x 27.5 cm for very good quality, and 13.5 x 9 inch or 34.4 x 22.9 cm for excellent quality prints.
The Canon EOS-1Ds has a native sensitivity range from ISO 100 to ISO 1250, which can be extended to ISO 50-1250. The corresponding ISO settings for the Sony Alpha NEX-F3 are ISO 100 to ISO 16000 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-F3 has a markedly higher DXO score than the 1Ds (overall score 10 points higher), which will translate into better image quality. The advantage is based on 0.9 bits higher color depth, 1.3 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63||Canon 1Ds|
|Sony NEX-F3||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 1D C||Full Frame||17.9||5184||3456||4K/24p||..||..||..||..||Canon 1D C|
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71||Canon 5D|
|Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Nikon D2Xs||APS-C||12.2||4288||2848||none||22.2||10.9||489||59||Nikon D2Xs|
|Sony NEX-3N||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5R||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-5N||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-3||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Sony NEX-5||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras cannot only take still pictures, but also record videos. The NEX-F3 indeed provides for movie recording, while the 1Ds does not. The highest resolution format that the NEX-F3 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 1Ds has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-F3 relies on live view and the rear LCD for framing. That said, the NEX-F3 can be equipped with an optional viewfinder – the FDA-EV1S. The table below summarizes some of the other core capabilities of the Canon 1Ds and Sony NEX-F3 in connection with corresponding information for a sample of similar cameras.
|Canon 1Ds||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Sony NEX-F3||optional||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 1D C||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D C|
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 5D||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Nikon D2Xs||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Sony NEX-3N||optional||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5R||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-5N||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-3||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
|Sony NEX-5||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
One feature that is present on the 1Ds, but is missing on the NEX-F3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The NEX-F3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1Ds does not have a selfie-screen.
The 1Ds writes its imaging data to Compact Flash cards, while the NEX-F3 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds and Sony Alpha NEX-F3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1Ds||Y||none||none||-||-||none||FW||-||-||-||Canon 1Ds|
|Sony NEX-F3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 1D C||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 1D Mark IV||Y||stereo||none||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1D Mark III||Y||none||none||-||-||none||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III||Y||none||none||-||-||none||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N||Y||none||none||-||-||none||1.1||-||-||-||Canon 1D Mark II N|
|Canon 5D||Y||none||none||-||-||none||2.0||-||-||-||Canon 5D|
|Canon 1D Mark II||Y||none||none||-||-||none||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds Mark II||Y||none||none||-||-||none||2.0||-||-||-||Canon 1Ds Mark II|
|Nikon D2Xs||Y||none||none||-||-||none||2.0||-||-||-||Nikon D2Xs|
|Sony NEX-3N||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5R||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-5N||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Sony NEX-5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
Studio photographers will appreciate that the Canon 1Ds (unlike the NEX-F3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1Ds and the NEX-F3 have been discontinued, but can regularly be found used on eBay. The 1Ds was replaced by the Canon 1Ds Mark II, while the NEX-F3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 1Ds or the Sony NEX-F3 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS-1Ds:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (600 versus 470) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2002).
Reasons to prefer the Sony Alpha NEX-F3:
- More detail: Has more megapixels (16 vs 11MP), which boosts linear resolution by 21%.
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 120k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (117x67mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 951g or 75 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (93 percent cheaper at launch).
- More modern: Reflects 9 years and 7 months of technical progress since the 1Ds launch.
If the count of relative strengths (bullet points above) is taken as a measure, the NEX-F3 is the clear winner of the contest (15 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds and the Sony NEX-F3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1Ds or the NEX-F3 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark II vs Fujifilm X-E3
- Canon 1Ds Mark III vs Canon R
- Canon 1Ds Mark III vs Nikon P7800
- Canon 1Ds Mark III vs Sigma fp
- Canon 1Ds vs Canon G1 X Mark III
- Canon 1Ds vs Canon G5 X
- Canon 1Ds vs Fujifilm X-Pro2
- Canon 1Ds vs Sony A7S
- Canon RP vs Sony NEX-F3
- Nikon D90 vs Sony NEX-F3
- Olympus E-30 vs Sony NEX-F3
- Olympus E-400 vs Sony NEX-F3
Specifications: Canon 1Ds vs Sony NEX-F3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds||Sony NEX-F3|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||September 2002||May 2012|
|Launch Price||USD 8999||USD 599|
|Sensor Specs||Canon 1Ds||Sony NEX-F3|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 23.8 mm||23.4 x 15.6 mm|
|Sensor Area||856.8 mm2||365.04 mm2|
|Sensor Diagonal||43.2 mm||28.1 mm|
|Sensor Resolution||11 Megapixels||16 Megapixels|
|Image Resolution||4064 x 2704 pixels||4912 x 3264 pixels|
|Pixel Pitch||8.83 μm||4.78 μm|
|Pixel Density||1.28 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-1250 ISO||100-16000 ISO|
|ISO Boost||50-1250 ISO||no Enhancement|
|DXO Sensor Quality (score)||63||73|
|DXO Color Depth (bits)||21.8||22.7|
|DXO Dynamic Range (EV)||11.0||12.3|
|DXO Low Light (ISO)||954||1114|
|Screen Specs||Canon 1Ds||Sony NEX-F3|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||120k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 1Ds||Sony NEX-F3|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||5.5 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 1Ds||Sony NEX-F3|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1Ds||Sony NEX-F3|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||600 shots per charge||470 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
117 x 67 x 42 mm
(4.6 x 2.6 x 1.7 in)
|Camera Weight||1265 g (44.6 oz)||314 g (11.1 oz)|
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