Canon T7 vs Panasonic GX8
The Canon EOS Rebel T7 (called Canon 2000D in some regions) and the Panasonic Lumix DMC-GX8 are two digital cameras that were announced, respectively, in February 2018 and July 2015. The T7 is a DSLR, while the GX8 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T7) and a Four Thirds (GX8) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon T7||Panasonic GX8|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-6400 (100-12800)||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|3 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||330 shots per battery charge|
|129 x 101 x 78 mm, 475 g||133 x 78 x 63 mm, 487 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T7 and the Panasonic Lumix DMC-GX8? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T7 and the Panasonic GX8. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GX8 can be obtained in two different colors (black, silver), while the T7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX8 is notably smaller (20 percent) than the Canon T7. However, the GX8 is slightly heavier (3 percent) than the T7. It is noteworthy in this context that the GX8 is splash and dust-proof, while the T7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T7) and the Micro Four Thirds Lens Catalog (GX8). Mirrorless cameras, such as the GX8, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon T7»||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Panasonic GX8«||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||Panasonic GX8|
|Canon SL3« »||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Canon T100« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon T100|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||Canon SL2|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon T6« »||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449||Canon T6|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||Canon T6i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||Canon T6s|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||Canon T5|
|Canon T3« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||Canon T3|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||Olympus E-M1|
|Panasonic G95« »||5.1 in||3.7 in||3.0 in||18.9 oz||290||Y||Apr 2019||999||Panasonic G95|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||Panasonic GX7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T7 was launched at a markedly lower price (by 63 percent) than the GX8, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon T7 features an APS-C sensor and the Panasonic GX8 a Four Thirds sensor. The sensor area in the GX8 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T7 has a native 3:2 aspect ratio, while the one in the GX8 offers a 4:3 aspect.
With 24MP, the T7 offers a higher resolution than the GX8 (20.2MP), but the T7 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 3.34μm for the GX8) due to its larger sensor. Moreover, the T7 is a much more recent model (by 2 years and 7 months) than the GX8, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon T7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T7 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX8 are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.
The Canon EOS Rebel T7 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-GX8 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon T7||APS-C||24.0||6000||4000||1080/30p||..||..||..||..||Canon T7|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Canon SL3||APS-C||24.0||6000||4000||4K/25p||..||..||..||..||Canon SL3|
|Canon T100||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon T100|
|Canon 77D||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon SL2||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T7i||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Canon T7i|
|Canon T6||APS-C||17.9||5184||3456||1080/30p||..||..||..||..||Canon T6|
|Canon T6i||APS-C||24.0||6000||4000||1080/30p||22.7||12.0||919||71||Canon T6i|
|Canon T6s||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon T5||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon T3||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon T3|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic G95|
|Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic GX9|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GX8 provides a better video resolution than the T7. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GX8 has an electronic viewfinder (2360k dots), while the T7 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GX8 offers a wider field of view (100%) than the one in the T7 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GX8 has a higher magnification (0.77x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon T7 and Panasonic GX8 along with similar information for a selection of comparators.
|Canon T7||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Canon SL3||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Canon T100||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T100|
|Canon 77D||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon SL2||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon T7i||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon T6||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T6|
|Canon T6i||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6i|
|Canon T6s||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon T5||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon T3||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T3|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Panasonic G95||2360||n||3.0||1240||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G95|
|Panasonic GX9||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
One difference between the cameras concerns the presence of an on-board flash. The T7 has one, while the GX8 does not. While the built-in flash of the T7 is not very powerful, it can at times be useful as a fill-in light.The GX8 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the T7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX8 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX8 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T7 and the GX8 write their files to SDXC cards. The GX8 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T7 and Panasonic Lumix DMC-GX8 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon T7||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Canon SL3||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Canon T100||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T100|
|Canon 77D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon SL2||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T7i||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon T6||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T6|
|Canon T6i||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon T6s||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon T5||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon T3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon T3|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Panasonic G95||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Panasonic G95|
|Panasonic GX9||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
It is notable that the GX8 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The T7 does not feature such a mic input.
The T7 is a recent model that features in the current product line-up of Canon. In contrast, the GX8 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GX8 was succeeded by the Panasonic GX9. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon T7 or the Panasonic GX8 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS Rebel T7:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (500 versus 330) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More modern: Reflects 2 years and 7 months of technical progress since the GX8 launch.
Advantages of the Panasonic Lumix DMC-GX8:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.50x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (133x78mm vs 129x101mm) and will fit more readily into a bag.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in July 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the GX8 is the clear winner of the contest (19 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T7 and the Panasonic GX8 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the T7 and the GX8 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 250D vs Panasonic GX8
- Canon G7 X Mark III vs Panasonic GX8
- Canon M10 vs Panasonic GX8
- Canon T1i vs Canon T7
- Canon T7 vs Nikon 1 J5
- Canon T7 vs Pentax K-70
- Leica S-E Typ 006 vs Panasonic GX8
- Nikon D80 vs Panasonic GX8
- Olympus E-PL8 vs Panasonic GX8
- Panasonic G90 vs Panasonic GX8
- Panasonic GX8 vs Panasonic ZS80
- Panasonic GX8 vs Sony A3000
Specifications: Canon T7 vs Panasonic GX8
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T7||Panasonic GX8|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2018||July 2015|
|Launch Price||USD 449||USD 1199|
|Sensor Specs||Canon T7||Panasonic GX8|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.72 μm||3.34 μm|
|Pixel Density||7.22 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-6400 ISO||200-25600 ISO|
|ISO Boost||100-12800 ISO||100-25600 ISO|
|Image Processor||DIGIC 4+||Venus|
|DXO Sensor Quality (score)||..||75|
|DXO Color Depth (bits)||..||23.5|
|DXO Dynamic Range (EV)||..||12.6|
|DXO Low Light (ISO)||..||806|
|Screen Specs||Canon T7||Panasonic GX8|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon T7||Panasonic GX8|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon T7||Panasonic GX8|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon T7||Panasonic GX8|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||330 shots per charge|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
133 x 78 x 63 mm
(5.2 x 3.1 x 2.5 in)
|Camera Weight||475 g (16.8 oz)||487 g (17.2 oz)|
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