Canon SX530 vs Panasonic GH3
The Canon PowerShot SX530 HS and the Panasonic Lumix DMC-GH3 are two digital cameras that were announced, respectively, in January 2015 and September 2012. The SX530 is a fixed lens compact, while the GH3 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX530) and a Four Thirds (GH3) sensor. Both cameras offer a resolution of 15.9 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX530 HS and the Panasonic Lumix DMC-GH3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX530 and the Panasonic GH3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH3 is notably larger (26 percent) than the Canon SX530. It is noteworthy in this context that the GH3 is splash and dust-proof, while the SX530 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX530 has a lens built in, whereas the GH3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GH3 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SX530||120 mm||82 mm||92 mm||442 g||210||n||Jan 2015||429|
|2.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|3.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|4.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399|
|5.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|6.||Canon SX520||120 mm||82 mm||92 mm||441 g||210||n||Jul 2014||399|
|7.||Canon SX700||113 mm||66 mm||35 mm||269 g||250||n||Feb 2014||349|
|8.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|9.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|10.||Nikon L840||113 mm||78 mm||96 mm||538 g||590||n||Feb 2015||299|
|11.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|12.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|13.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|14.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|15.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|16.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|17.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX530 was launched at a lower price than the GH3, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX530 features a 1/2.3-inch sensor and the Panasonic GH3 a Four Thirds sensor. The sensor area in the GH3 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Even though the GH3 has a larger sensor, both cameras offer the same resolution of 15.9 megapixels. This implies that the GH3 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.76μm versus 1.33μm for the SX530), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the SX530 is much more recent (by 2 years and 3 months) than the GH3, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the SX530 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon PowerShot SX530 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-GH3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 125-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|11.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|12.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|13.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|14.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|16.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH3 provides a faster frame rate than the SX530. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH3 has an electronic viewfinder (1746k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX530 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX530, the Panasonic GH3, and comparable cameras.
|1.||Canon SX530||none||n||3.0 / 461||fixed||n||1/2000s||1.6/s||Y||Y|
|2.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0/s||Y||n|
|3.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9/s||Y||Y|
|5.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9/s||Y||Y|
|6.||Canon SX520||none||n||3.0 / 461||fixed||n||1/2000s||1.6/s||Y||Y|
|7.||Canon SX700||none||n||3.0 / 922||fixed||n||1/3200s||8.5/s||Y||Y|
|8.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|9.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Nikon L840||none||n||3.0 / 921||tilting||n||1/4000s||7.4/s||Y||Y|
|11.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|12.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|13.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|14.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|15.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|16.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|17.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH3 has a touchscreen, while the SX530 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GH3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SX530 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX530 and the GH3 write their files to SDXC cards. The GH3 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX530 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX530 HS and Panasonic Lumix DMC-GH3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX530||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|3.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon SX520||-||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SX700||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|9.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Nikon L840||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|11.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the GH3 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX530 does not feature such a mic input.
Studio photographers will appreciate that the Panasonic GH3 (unlike the SX530) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SX530 and the GH3 have been discontinued, but can regularly be found used on eBay. The GH3 was replaced by the Panasonic GH4, while the SX530 was followed by the Canon SX540. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon SX530 and the Panasonic GH3? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot SX530 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has a lens built-in, whereas the GH3 requires a separate lens.
- More compact: Is smaller (120x82mm vs 133x93mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GH3).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 3 months of technical progress since the GH3 launch.
Arguments in favor of the Panasonic Lumix DMC-GH3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (614k vs 461k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 1.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (540 versus 210) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the GH3 is the clear winner of the contest (24 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX530 and the Panasonic GH3 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX530 or the GH3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX530||..||+ +||..||..||4/5||4/5||Jan 2015||429|
|2.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|3.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|4.||Canon SX540||..||..||..||..||..||..||Jan 2016||399|
|5.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379|
|6.||Canon SX520||..||+||..||..||3.5/5||3.5/5||Jul 2014||399|
|7.||Canon SX700||..||+ +||..||..||4/5||4/5||Feb 2014||349|
|8.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|9.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|10.||Nikon L840||..||+ +||..||..||3.5/5||4/5||Feb 2015||299|
|11.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|12.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|13.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|14.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|15.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|16.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|17.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G5 X Mark II vs Panasonic GH3
- Canon SX530 vs Canon T1i
- Canon SX530 vs Canon XT
- Canon SX530 vs Fujifilm X-A3
- Canon SX530 vs Nikon 1 J5
- Canon SX530 vs Panasonic GX85
- Canon SX530 vs Pentax MX-1
- Leica S Typ 006 vs Panasonic GH3
- Nikon Z7 vs Panasonic GH3
- Olympus E-M5 II vs Panasonic GH3
- Panasonic GH3 vs Sony A6000
- Panasonic GH3 vs Sony A6600
Specifications: Canon SX530 vs Panasonic GH3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX530||Panasonic GH3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-1200mm f/3.4-6.5||Micro Four Thirds lenses|
|Launch Date||January 2015||September 2012|
|Launch Price||USD 429||USD 1,299|
|Sensor Specs||Canon SX530||Panasonic GH3|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||15.9 Megapixels|
|Image Resolution||4608 x 3456 pixels||4608 x 3456 pixels|
|Pixel Pitch||1.33 μm||3.76 μm|
|Pixel Density||56.73 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 3,200 ISO||200 - 12,800 ISO|
|ISO Boost||no Enhancement||125 - 25,600 ISO|
|Image Processor||DIGIC 4+||Venus VII FHD|
|DXO Sensor Quality (score)||..||71|
|DXO Color Depth (bits)||..||22.7|
|DXO Dynamic Range (EV)||..||12.4|
|DXO Low Light (ISO)||..||812|
|Screen Specs||Canon SX530||Panasonic GH3|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1746k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||461k dots||614k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX530||Panasonic GH3|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||1.6 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX530||Panasonic GH3|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX530||Panasonic GH3|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||210 shots per charge||540 shots per charge|
120 x 82 x 92 mm
(4.7 x 3.2 x 3.6 in)
133 x 93 x 82 mm
(5.2 x 3.7 x 3.2 in)
|Camera Weight||442 g (15.6 oz)||550 g (19.4 oz)|
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