Panasonic FZ82 vs GH3
The Panasonic Lumix DC-FZ82 (called Panasonic FZ80 in some regions) and the Panasonic Lumix DMC-GH3 are two digital cameras that were officially introduced, respectively, in January 2017 and September 2012. The FZ82 is a fixed lens compact, while the GH3 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ82) and a Four Thirds (GH3) sensor. The FZ82 has a resolution of 18 megapixels, whereas the GH3 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FZ82 and the Panasonic Lumix DMC-GH3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic FZ82 and the Panasonic GH3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH3 is somewhat larger (1 percent) than the Panasonic FZ82. It is noteworthy in this context that the GH3 is splash and dust-proof, while the FZ82 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82 has a lens built in, whereas the GH3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GH3 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the FZ82 gets 330 shots out of its DMW-BMB9 battery, while the GH3 can take 540 images on a single charge of its DMW-BLF19 power pack. The power pack in the FZ82 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic FZ82||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|2.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549|
|5.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|6.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|7.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|8.||Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|9.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|10.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|11.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|12.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|13.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|14.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|15.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|16.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399|
|17.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ82 was launched at a lower price than the GH3, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ82 features a 1/2.3-inch sensor and the Panasonic GH3 a Four Thirds sensor. The sensor area in the GH3 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Panasonic FZ82 offers a higher resolution of 18 megapixels, compared with 15.9 MP of the Panasonic GH3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 3.76μm for the GH3). However, it should be noted that the FZ82 is much more recent (by 4 years and 3 months) than the GH3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ82 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ82 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ82 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inches or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inches or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inches or 41.5 x 31.1 cm. The corresponding values for the Panasonic GH3 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Panasonic Lumix DC-FZ82 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Panasonic Lumix DMC-GH3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 125-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|2.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|6.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|7.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|9.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|11.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|12.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|13.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ82 provides a higher video resolution than the GH3. It can shoot video footage at 4K/30p, while the GH3 is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GH3 offers a substantially higher resolution than the one in the FZ82 (1746k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ82, the Panasonic GH3, and comparable cameras.
|6.||Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|9.||Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FZ82 and the GH3 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FZ82 and Panasonic Lumix DMC-GH3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|6.||Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|9.||Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
It is notable that the GH3 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The FZ82 does not feature such a mic input.
Studio photographers will appreciate that the Panasonic GH3 (unlike the FZ82) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ82 is a recent model that features in the current product line-up of Panasonic. In contrast, the GH3 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the GH3 was succeeded by the Panasonic GH4. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what is the bottom line? Is the Panasonic FZ82 better than the Panasonic GH3 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DC-FZ82:
- More detail: Offers more megapixels (18 vs 15.9MP) with a 6% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 614k dots).
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has a lens built-in, whereas the GH3 requires a separate lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 3 months of technical progress since the GH3 launch.
Advantages of the Panasonic Lumix DMC-GH3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1746k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.46x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (540 versus 330) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the GH3 is the clear winner of the contest (18 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ82 and the Panasonic GH3 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the FZ82 or the GH3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ82||..||+ +||..||4.5/5||4.5/5||Jan 2017||399|
|2.||Panasonic GH3||5/5||+ +||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|3.||Canon SX740||..||+||..||4/5||4/5||Jul 2018||399|
|4.||Canon SX70||..||+ +||..||3.5/5||3.5/5||Sep 2018||549|
|5.||Canon SX730||..||+||..||4/5||4/5||Apr 2017||399|
|6.||Olympus E-M5 II||5/5||+ +||81/100||5/5||5/5||Feb 2015||1,099|
|7.||Olympus E-M1||5/5||+ +||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|8.||Panasonic FT7||..||+||..||3.5/5||3.5/5||May 2018||449|
|9.||Panasonic LX100 II||4.5/5||+||82/100||4.5/5||4.5/5||Aug 2018||999|
|10.||Panasonic TZ90||..||+ +||..||4/5||4/5||Apr 2017||449|
|11.||Panasonic GH4||5/5||+ +||85/100||5/5||5/5||Feb 2014||1,499|
|12.||Panasonic G6||4/5||+ +||..||5/5||4.5/5||Apr 2013||599|
|13.||Panasonic GH2||5/5||+ +||79/100||4.5/5||5/5||Sep 2010||899|
|14.||Sony HX99||..||..||..||4/5||4.5/5||Aug 2018||449|
|15.||Sony HX95||..||..||..||..||..||Aug 2018||429|
|16.||Sony WX800||..||..||..||..||..||Oct 2018||399|
|17.||Sony HX350||..||..||..||..||4/5||Dec 2016||449|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Panasonic FZ82 vs Panasonic GH3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ82||Panasonic GH3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||20-1200mm f/2.8-5.9||Micro Four Thirds lenses|
|Launch Date||January 2017||September 2012|
|Launch Price||USD 399||USD 1,299|
|Sensor Specs||Panasonic FZ82||Panasonic GH3|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||18 Megapixels||15.9 Megapixels|
|Image Resolution||4896 x 3672 pixels||4608 x 3456 pixels|
|Pixel Pitch||1.25 μm||3.76 μm|
|Pixel Density||64.04 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||80 - 3,200 ISO||200 - 12,800 ISO|
|ISO Boost||80 - 6,400 ISO||125 - 25,600 ISO|
|Image Processor||Venus||Venus VII FHD|
|DXO Sensor Quality (score)||..||71|
|DXO Color Depth (bits)||..||22.7|
|DXO Dynamic Range (EV)||..||12.4|
|DXO Low Light (ISO)||..||812|
|Screen Specs||Panasonic FZ82||Panasonic GH3|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots||1746k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||614k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Panasonic FZ82||Panasonic GH3|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ82||Panasonic GH3|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic FZ82||Panasonic GH3|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||540 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
133 x 93 x 82 mm
(5.2 x 3.7 x 3.2 in)
|Camera Weight||616 g (21.7 oz)||550 g (19.4 oz)|
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