Canon SX50 vs Olympus E-P3
The Canon PowerShot SX50 HS and the Olympus PEN E-P3 are two digital cameras that were announced, respectively, in September 2012 and June 2011. The SX50 is a fixed lens compact, while the E-P3 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX50) and a Four Thirds (E-P3) sensor. The Canon has a resolution of 12 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX50 HS and the Olympus PEN E-P3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SX50 and the Olympus E-P3. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The E-P3 can be obtained in three different colors (black, silver, white), while the SX50 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P3 is notably smaller (21 percent) than the Canon SX50. In this context, it is worth noting that neither the SX50 nor the E-P3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX50 has a lens built in, whereas the E-P3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-P3 and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|2.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|5.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|6.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|7.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|8.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429|
|9.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429|
|10.||Canon SX20||123 mm||88 mm||87 mm||600 g||..||n||Aug 2009||399|
|11.||Canon SX10||123 mm||88 mm||87 mm||600 g||..||n||Sep 2008||399|
|12.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599|
|13.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|14.||Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599|
|15.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799|
|16.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799|
|17.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX50 was launched at a lower price than the E-P3, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX50 features a 1/2.3-inch sensor and the Olympus E-P3 a Four Thirds sensor. The sensor area in the E-P3 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 12.2MP, the E-P3 offers a higher resolution than the SX50 (12MP), but the E-P3 nevertheless has larger individual pixels (pixel pitch of 4.29μm versus 1.53μm for the SX50) due to its larger sensor. However, the SX50 is a somewhat more recent model (by 1 year and 2 months) than the E-P3, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The Canon PowerShot SX50 HS has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Olympus PEN E-P3 are ISO 200 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the E-P3 has a markedly higher DXO score than the SX50 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, 1.1 EV of lower dynamic range, and 1.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|6.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|12.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|13.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|14.||Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|15.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|16.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-P3 provides a faster frame rate than the SX50. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the SX50 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P3 relies on live view and the rear LCD for framing. That said, the E-P3 can be equipped with an optional viewfinder – the VF-3. The adjacent table lists some of the other core features of the Canon SX50 and Olympus E-P3 along with similar information for a selection of comparators.
|1.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|2.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0||Y||Y|
|3.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|4.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|5.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|6.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|7.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1||Y||Y|
|8.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3||Y||Y|
|9.||Canon SX30||202||n||2.7 / 230||swivel||n||1/3200s||0.6||Y||Y|
|10.||Canon SX20||202||n||2.5 / 230||swivel||n||1/3200s||0.7||Y||Y|
|11.||Canon SX10||202||n||2.5 / 230||swivel||n||1/3200s||0.7||Y||Y|
|12.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||Y|
|13.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5||n||Y|
|14.||Olympus E-PL1||optional||n||2.7 / 230||fixed||n||1/2000s||3.0||Y||Y|
|15.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0||n||Y|
|16.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0||n||Y|
|17.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-P3 has a touchscreen, while the SX50 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The SX50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-P3 does not have a selfie-screen.
Concerning the storage of imaging data, both the SX50 and the E-P3 write their files to SDXC cards. The E-P3 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX50 HS and Olympus PEN E-P3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|3.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|6.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|9.||Canon SX30||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|10.||Canon SX20||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|11.||Canon SX10||Y||stereo / mono||-||-||-||2.0||-||-||-|
|12.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|13.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Olympus E-PL1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|15.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|16.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
Both the SX50 and the E-P3 have been discontinued, but can regularly be found used on eBay. The E-P3 was replaced by the Olympus E-P5, while the SX50 was followed by the Canon SX60. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So how do things add up? Which of the two cameras – the Canon SX50 or the Olympus E-P3 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX50 HS:
- More dynamic range: Captures a larger spectrum of light and dark details (1.1 EV of extra DR).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the E-P3 requires a separate lens.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 2 months after the E-P3).
Advantages of the Olympus PEN E-P3:
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (1.6 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60i versus 1080/24p).
- More detailed LCD: Has a higher resolution rear screen (614k vs 461k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (3 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (122x69mm vs 123x87mm) and will fit more readily into a bag.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in June 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the E-P3 is the clear winner of the contest (11 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX50 and the Olympus E-P3 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX50 or the E-P3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|2.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799|
|3.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|4.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|5.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|6.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|7.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|8.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429|
|9.||Canon SX30||3/5||+ +||..||..||3.5/5||4/5||Sep 2010||429|
|10.||Canon SX20||..||+ +||..||73/100||..||4/5||Aug 2009||399|
|11.||Canon SX10||..||+ +||..||..||..||4/5||Sep 2008||399|
|12.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599|
|13.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|14.||Olympus E-PL1||..||86/100||..||69/100||4/5||4.5/5||Feb 2010||599|
|15.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799|
|16.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799|
|17.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark III vs Olympus E-P3
- Canon 50D vs Olympus E-P3
- Canon SX50 vs Leica V-LUX Typ 114
- Canon SX50 vs Nikon D70s
- Canon SX50 vs Olympus E-M5
- Canon SX50 vs Panasonic L10
- Canon SX50 vs Sony H400
- Canon SX50 vs Sony HX99
- Olympus E-P3 vs Panasonic GX80
- Olympus E-P3 vs Sony A7R IV
- Olympus E-P3 vs Sony HX80
- Olympus E-P3 vs Sony RX0
Specifications: Canon SX50 vs Olympus E-P3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX50||Olympus E-P3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-1200mm f/3.4-6.5||Micro Four Thirds lenses|
|Launch Date||September 2012||June 2011|
|Launch Price||USD 429||USD 799|
|Sensor Specs||Canon SX50||Olympus E-P3|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||12.2 Megapixels|
|Image Resolution||4000 x 3000 pixels||4032 x 3024 pixels|
|Pixel Pitch||1.53 μm||4.29 μm|
|Pixel Density||42.74 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/60i Video|
|ISO Setting||80 - 6,400 ISO||200 - 12,800 ISO|
|Image Processor||DIGIC 5||TruePic VI|
|DXO Sensor Quality (score)||47||51|
|DXO Color Depth (bits)||20.3||20.8|
|DXO Dynamic Range (EV)||11.2||10.1|
|DXO Low Light (ISO)||179||536|
|Screen Specs||Canon SX50||Olympus E-P3|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||461k dots||614k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX50||Olympus E-P3|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||2.2 shutter flaps/s||3 shutter flaps/s|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX50||Olympus E-P3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon SX50||Olympus E-P3|
|Battery Life (CIPA)||315 shots per charge||330 shots per charge|
123 x 87 x 106 mm
(4.8 x 3.4 x 4.2 in)
122 x 69 x 34 mm
(4.8 x 2.7 x 1.3 in)
|Camera Weight||595 g (21.0 oz)||369 g (13.0 oz)|
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