Canon G7 X Mark II vs SX50
The Canon PowerShot G7 X Mark II and the Canon PowerShot SX50 HS are two digital cameras that were revealed to the public, respectively, in February 2016 and September 2012. Both the G7X Mark II and the SX50 are fixed lens compact cameras that are based on an one-inch (G7X Mark II) and a 1/2.3-inch (SX50) sensor. The G7X Mark II has a resolution of 20 megapixels, whereas the SX50 provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark II and the Canon PowerShot SX50 HS? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G7 X Mark II and the Canon SX50 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SX50 is considerably larger (65 percent) than the Canon G7 X Mark II. Moreover, the SX50 is substantially heavier (87 percent) than the G7X Mark II. In this context, it is worth noting that neither the G7X Mark II nor the SX50 are weather-sealed.
Concerning battery life, the G7X Mark II gets 265 shots out of its NB-13L battery, while the SX50 can take 315 images on a single charge of its NB-10L power pack. The power pack in the G7X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699||ebay.com|
|2.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||ebay.com|
|3.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749||amazon.com|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||ebay.com|
|5.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529||ebay.com|
|6.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679||ebay.com|
|7.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||ebay.com|
|8.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|9.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449||ebay.com|
|10.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||ebay.com|
|11.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429||ebay.com|
|12.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699||amazon.com|
|13.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||ebay.com|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||ebay.com|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||ebay.com|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX50 was launched at a markedly lower price (by 39 percent) than the G7X Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Canon SX50 a 1/2.3-inch sensor. The sensor area in the SX50 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the G7X Mark II has a native 3:2 aspect ratio, while the one in the SX50 offers a 4:3 aspect.
In terms of chip-set technology, the G7X Mark II uses a more advanced image processing engine (DIGIC 7) than the SX50 (DIGIC 5), with benefits for noise reduction, color accuracy, and processing speed.
With 20MP, the G7X Mark II offers a higher resolution than the SX50 (12MP), but the G7X Mark II nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.53μm for the SX50) due to its larger sensor. Moreover, the G7X Mark II is a much more recent model (by 3 years and 5 months) than the SX50, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon G7 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon SX50 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot G7 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Canon PowerShot SX50 HS are ISO 80 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|3.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||471||62|
|5.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|7.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G7X Mark II provides a higher frame rate than the SX50. It can shoot video footage at 1080/60p, while the SX50 is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the SX50 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon G7 X Mark II and Canon SX50 along with similar information for a selection of comparators.
|1.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|2.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|3.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|4.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|5.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0/s||Y||Y|
|6.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|7.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|8.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|9.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1/s||Y||Y|
|10.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1/s||Y||Y|
|11.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3/s||Y||Y|
|12.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0/s||Y||Y|
|13.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|14.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0/s||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7X Mark II has a touchscreen, while the SX50 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon G7 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G7X Mark II and the SX50 have zoom lenses built in. The G7X Mark II has a 24-100mm f/1.8-2.8 optic and the SX50 offers a 24-1200mm f/3.4-6.5 (focal lengths in full frame equivalent terms). Hence, the G7X Mark II and SX50 provide the same view at the wide-angle end, but the SX50 has more tele-photo reach at the long end. The G7X Mark II offers the faster maximum aperture.
Concerning the storage of imaging data, both the G7X Mark II and the SX50 write their files to SDXC cards. The G7X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark II and Canon PowerShot SX50 HS and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|9.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|10.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|12.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the G7X Mark II offers wifi support, while the SX50 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the G7X Mark II and the SX50 have been discontinued, but can regularly be found used on ebay. The SX50 was replaced by the Canon SX60, while the G7X Mark II was followed by the Canon G7 X Mark III. Further information on the features and operation of the G7X Mark II and SX50 can be found, respectively, in the Canon G7 X Mark II Manual (free pdf) or the online Canon SX50 Manual.
So how do things add up? Which of the two cameras – the Canon G7 X Mark II or the Canon SX50 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot G7 X Mark II:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better jpgs: Has a more modern image processing engine (DIGIC 7 vs DIGIC 5).
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 461k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (8 vs 2.2 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/3.4).
- More compact: Is smaller (106x61mm vs 123x87mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 276g or 46 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 5 months of technical progress since the SX50 launch.
Arguments in favor of the Canon PowerShot SX50 HS:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (315 versus 265) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced into a lower priced category (39 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the G7X Mark II is the clear winner of the match-up (19 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G7 X Mark II and the Canon SX50 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G7X Mark II or the SX50 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699||ebay.com|
|2.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429||ebay.com|
|3.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749||amazon.com|
|4.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799||ebay.com|
|5.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529||ebay.com|
|6.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679||ebay.com|
|7.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699||ebay.com|
|8.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|9.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449||ebay.com|
|10.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499||ebay.com|
|11.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429||ebay.com|
|12.||Panasonic LX10||..||+ +||4/5||81/100||4/5||4.5/5||Sep 2016||699||amazon.com|
|13.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499||ebay.com|
|14.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999||ebay.com|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799||ebay.com|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G7 X Mark II vs Canon M6 Mark II
- Canon G7 X Mark II vs Canon R3
- Canon G7 X Mark II vs Canon T8i
- Canon G7 X Mark II vs Nikon D7000
- Canon G7 X Mark II vs Olympus XZ-1
- Canon G7 X Mark II vs Panasonic G100
- Canon SX50 vs Fujifilm X-T20
- Canon SX50 vs Leica X Vario
- Canon SX50 vs Nikon B700
- Canon SX50 vs Nikon D3300
- Canon SX50 vs Nikon P900
- Canon SX50 vs Panasonic GX85
Specifications: Canon G7 X Mark II vs Canon SX50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G7 X Mark II||Canon SX50|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-100mm f/1.8-2.8||24-1200mm f/3.4-6.5|
|Launch Date||February 2016||September 2012|
|Launch Price||USD 699||USD 429|
|Sensor Specs||Canon G7 X Mark II||Canon SX50|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||12 Megapixels|
|Image Resolution||5472 x 3648 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.41 μm||1.53 μm|
|Pixel Density||17.18 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/24p Video|
|ISO Setting||125 - 12,800 ISO||80 - 6,400 ISO|
|ISO Boost||125 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 7||DIGIC 5|
|DXO Sensor Quality (score)||..||47|
|DXO Color Depth (bits)||..||20.3|
|DXO Dynamic Range (EV)||..||11.2|
|DXO Low Light (ISO)||..||179|
|Screen Specs||Canon G7 X Mark II||Canon SX50|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||461k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G7 X Mark II||Canon SX50|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||2.2 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G7 X Mark II||Canon SX50|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G7 X Mark II||Canon SX50|
|Battery Life (CIPA)||265 shots per charge||315 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
106 x 61 x 42 mm
(4.2 x 2.4 x 1.7 in)
123 x 87 x 106 mm
(4.8 x 3.4 x 4.2 in)
|Camera Weight||319 g (11.3 oz)||595 g (21.0 oz)|
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