Canon SL2 vs Panasonic G80
The Canon EOS Rebel SL2 (called Canon 200D in some regions) and the Panasonic Lumix DMC-G80 (labelled Panasonic G85 in some countries) are two digital cameras that were announced, respectively, in June 2017 and September 2016. The SL2 is a DSLR, while the G80 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL2) and a Four Thirds (G80) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL2 and the Panasonic Lumix DMC-G80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SL2 and the Panasonic G80 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SL2 can be obtained in two different colors (black, white), while the G80 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SL2 and the Panasonic G80 are of equal size. However, the G80 is markedly heavier (11 percent) than the SL2. It is noteworthy in this context that the G80 is splash and dust-proof, while the SL2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (SL2) and the Micro Four Thirds Lens Catalog (G80). Mirrorless cameras, such as the G80, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|2.||Panasonic G80||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|3.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|4.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|6.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|7.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|8.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|9.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|10.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|11.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|12.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|13.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|14.||Panasonic G90||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|15.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|16.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|17.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SL2 was launched at a markedly lower price (by 39 percent) than the G80, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SL2 features an APS-C sensor and the Panasonic G80 a Four Thirds sensor. The sensor area in the G80 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the SL2 has a native 3:2 aspect ratio, while the one in the G80 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the SL2 offers a higher resolution than the G80 (15.8MP), but the SL2 has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.77μm for the G80). However, the SL2 is a somewhat more recent model (by 9 months) than the G80, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the G80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon SL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G80 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The SL2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL2 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-G80 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the SL2 has a notably higher overall DXO score than the G80 (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.8 bits higher color depth, 0.9 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|6.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|13.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|14.||Panasonic G90||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|15.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|16.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|17.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G80 provides a better video resolution than the SL2. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G80 has an electronic viewfinder (2360k dots), while the SL2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G80 offers a wider field of view (100%) than the one in the SL2 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G80 has a higher magnification (0.74x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon SL2, the Panasonic G80, and comparable cameras.
|1.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|2.||Panasonic G80||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|3.||Canon SL3||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|6.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|7.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0||Y||n|
|8.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|9.||Canon T7i||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|10.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|11.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|12.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|13.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|14.||Panasonic G90||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0||Y||Y|
|15.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|16.||Panasonic GX80||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|17.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
One feature that differentiates the G80 and the SL2 is in-body image stabilization (IBIS). The G80 reduces the risk of handshake-induced blur with all attached lenses, while the SL2 offers no blur reduction with lenses that themselves do not provide optical image stabilization.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon SL2 and the Panasonic G80 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL2 and the G80 write their files to SDXC cards. The G80 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the SL2 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL2 and Panasonic Lumix DMC-G80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Panasonic G80||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon SL3||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|7.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|9.||Canon T7i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|11.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Panasonic G90||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|15.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|16.||Panasonic GX80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
Both the SL2 and the G80 have been discontinued, but can regularly be found used on eBay. The G80 was replaced by the Panasonic G90, while the SL2 was followed by the Canon SL2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon SL2 or the Panasonic G80 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS Rebel SL2:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 52g or 10 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (650 versus 330) on a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (39 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 9 months after the G80).
Reasons to prefer the Panasonic Lumix DMC-G80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.54x).
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the SL2 comes out slightly ahead of the G80 (13 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL2 and the Panasonic G80 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL2 or the G80. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|2.||Panasonic G80||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|3.||Canon SL3||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599|
|4.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|5.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|6.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|7.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779|
|8.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|9.||Canon T7i||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749|
|10.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|11.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|12.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|13.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|14.||Panasonic G90||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|15.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|16.||Panasonic GX80||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|17.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SL2 vs Fujifilm GFX 100
- Canon SL2 vs Fujifilm X10
- Canon SL2 vs Nikon D200
- Canon SL2 vs Nikon D3500
- Canon SL2 vs Nikon D5500
- Canon SL2 vs Sony RX10 IV
- Fujifilm X-T30 vs Panasonic G80
- Fujifilm X70 vs Panasonic G80
- Nikon D3100 vs Panasonic G80
- Nikon D750 vs Panasonic G80
- Nikon D810 vs Panasonic G80
- Panasonic G80 vs Sony WX800
Specifications: Canon SL2 vs Panasonic G80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL2||Panasonic G80|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2017||September 2016|
|Launch Price||USD 549||USD 899|
|Sensor Specs||Canon SL2||Panasonic G80|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.72 μm||3.77 μm|
|Pixel Density||7.22 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 7||Venus|
|DXO Sensor Quality (score)||79||71|
|DXO Color Depth (bits)||23.6||22.8|
|DXO Dynamic Range (EV)||13.4||12.5|
|DXO Low Light (ISO)||1041||656|
|Screen Specs||Canon SL2||Panasonic G80|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon SL2||Panasonic G80|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon SL2||Panasonic G80|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon SL2||Panasonic G80|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||650 shots per charge||330 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
|Camera Weight||453 g (16.0 oz)||505 g (17.8 oz)|
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