Canon R6 Mark II vs Panasonic GH5s
The Canon EOS R6 Mark II and the Panasonic Lumix DC-GH5s are two enthusiast cameras that were officially introduced, respectively, in November 2022 and January 2018. Both the R6 Mark II and the GH5s are mirrorless interchangeable lens cameras that are based on a full frame (R6 Mark II) and a Four Thirds (GH5s) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 9.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 Mark II and the Panasonic Lumix DC-GH5s? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon R6 Mark II and the Panasonic GH5s is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R6 Mark II and the Panasonic GH5s are of equal size. However, the GH5s is slightly lighter (1 percent) than the R6 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R6 Mark II gets 450 shots out of its LP-E6NH battery, while the GH5s can take 440 images on a single charge of its DMW-BLF19 power pack. The power pack in the R6 Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon R6 Mark II||138 mm||98 mm||88 mm||670 g||450||Y||Nov 2022||2,499||amazon.com|
|2.||Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499||amazon.com|
|3.||Canon R5 C||142 mm||101 mm||111 mm||770 g||320||Y||Jan 2022||4,499||amazon.com|
|4.||Canon R3||150 mm||143 mm||87 mm||1015 g||760||Y||Sep 2021||5,999||amazon.com|
|5.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899||amazon.com|
|6.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499||amazon.com|
|7.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299||amazon.com|
|8.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|9.||Fujifilm X-H2S||136 mm||93 mm||85 mm||660 g||580||Y||May 2022||2,499||amazon.com|
|10.||OM System OM-1||135 mm||92 mm||73 mm||599 g||520||Y||Feb 2022||2,199||amazon.com|
|11.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|12.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599||amazon.com|
|13.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499||ebay.com|
|14.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299||ebay.com|
|15.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||ebay.com|
|16.||Sony A7 IV||131 mm||96 mm||80 mm||659 g||580||Y||Oct 2021||2,499||amazon.com|
|17.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R6 Mark II features a full frame sensor and the Panasonic GH5s a Four Thirds sensor. The sensor area in the GH5s is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R6 Mark II has a native 3:2 aspect ratio, while the one in the GH5s offers a 4:3 aspect.
With 24MP, the R6 Mark II offers a higher resolution than the GH5s (9.9MP), but the R6 Mark II nevertheless has larger individual pixels (pixel pitch of 5.98μm versus 4.77μm for the GH5s) due to its larger sensor. Moreover, the R6 Mark II is a much more recent model (by 4 years and 9 months) than the GH5s, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GH5s has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R6 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R6 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH5s are 18.4 x 13.5 inches or 46.7 x 34.3 cm for good quality, 14.7 x 10.8 inches or 37.4 x 27.4 cm for very good quality, and 12.3 x 9 inches or 31.2 x 22.9 cm for excellent quality prints.
The R6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R6 Mark II has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 100-204800. The corresponding ISO settings for the Panasonic Lumix DC-GH5s are ISO 160 to ISO 51200, with the possibility to increase the ISO range to 80-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon R6 Mark II||Full Frame||24.0||6000||4000||4k/60p||25.4||14.6||3154||96|
|2.||Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||23.1||12.8||1154||74|
|3.||Canon R5 C||Full Frame||44.8||8192||5464||8k/60p||25.4||14.5||3082||96|
|4.||Canon R3||Full Frame||24.0||6000||4000||6K/60p||25.0||14.7||4086||96|
|5.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|6.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|7.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|8.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|10.||OM System OM-1||Four Thirds||20.2||5184||3888||4K/60p||23.4||13.4||1553||77|
|11.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|13.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|14.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|15.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|16.||Sony A7 IV||Full Frame||32.7||7008||4672||4K/60p||25.4||14.7||3379||97|
|17.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4k/60p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R6 Mark II offers a slightly higher resolution than the one in the GH5s (3690k vs 3680k dots). The adjacent table lists some of the other core features of the Canon R6 Mark II and Panasonic GH5s along with similar information for a selection of comparators.
|1.||Canon R6 Mark II||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|2.||Panasonic GH5s||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||n|
|3.||Canon R5 C||5760||Y||3.2 / 2100||swivel||Y||1/8000s||12.0/s||n||n|
|4.||Canon R3||5760||Y||3.2 / 4150||swivel||Y||1/8000s||12.0/s||n||Y|
|5.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||12.0/s||n||Y|
|6.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|7.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0/s||n||n|
|8.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|9.||Fujifilm X-H2S||5760||Y||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|10.||OM System OM-1||5760||n||3.0 / 1640||swivel||Y||1/8000s||10.0/s||n||Y|
|11.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|12.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|13.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|14.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0/s||Y||n|
|15.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|16.||Sony A7 IV||3686||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|17.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the R6 Mark II and the GH5s is in-body image stabilization (IBIS). The R6 Mark II reduces the risk of handshake-induced blur with all attached lenses, while the GH5s offers no blur reduction with lenses that themselves do not provide optical image stabilization.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R6 Mark II and the Panasonic GH5s both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the R6 Mark II and the GH5s write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 Mark II and Panasonic Lumix DC-GH5s and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon R6 Mark II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Panasonic GH5s||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon R5 C||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon R3||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|5.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|6.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|8.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|9.||Fujifilm X-H2S||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|10.||OM System OM-1||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|11.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|13.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|15.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony A7 IV||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|17.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
Studio photographers will appreciate that the Panasonic GH5s (unlike the R6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R6 Mark II and the GH5s are recent models that are part of the current product line-up. The R6 Mark II replaced the earlier Canon R6, while the GH5s does not have a direct predecessor. Further information on the features and operation of the R6 Mark II and GH5s can be found, respectively, in the Canon R6 Mark II Manual (free pdf) or the online Panasonic GH5s Manual.
So what is the bottom line? Which of the two cameras – the Canon R6 Mark II or the Panasonic GH5s – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS R6 Mark II:
- More detail: Offers more megapixels (24 vs 9.9MP) with a 58% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
- More modern: Reflects 4 years and 9 months of technical progress since the GH5s launch.
Arguments in favor of the Panasonic Lumix DC-GH5s:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in January 2018).
If the number of relative strengths (bullet points above) is taken as a guide, the R6 Mark II is the clear winner of the match-up (11 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R6 Mark II and the Panasonic GH5s place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R6 Mark II or the GH5s. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R6 Mark II||5/5||+ +||4.5/5||91/100||..||5/5||Nov 2022||2,499||amazon.com|
|2.||Panasonic GH5s||..||..||4.5/5||84/100||4.5/5||4.5/5||Jan 2018||2,499||amazon.com|
|3.||Canon R5 C||..||+ +||..||..||..||..||Jan 2022||4,499||amazon.com|
|4.||Canon R3||5/5||o||4.5/5||..||5/5||4.5/5||Sep 2021||5,999||amazon.com|
|5.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899||amazon.com|
|6.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499||amazon.com|
|7.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299||amazon.com|
|8.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|9.||Fujifilm X-H2S||5/5||+||5/5||90/100||5/5||5/5||May 2022||2,499||amazon.com|
|10.||OM System OM-1||5/5||..||..||87/100||5/5||4.5/5||Feb 2022||2,199||amazon.com|
|11.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|12.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599||amazon.com|
|13.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499||ebay.com|
|14.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299||ebay.com|
|15.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599||ebay.com|
|16.||Sony A7 IV||5/5||+ +||4.5/5||89/100||4.5/5||4.5/5||Oct 2021||2,499||amazon.com|
|17.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon R6 Mark II vs Leica M-E Typ 240
- Canon R6 Mark II vs Leica Q3
- Canon R6 Mark II vs Nikon P950
- Canon R6 Mark II vs Olympus E-1
- Canon R6 Mark II vs Olympus E-M5 III
- Canon R6 Mark II vs Sony A7R
- Nikon A1000 vs Panasonic GH5s
- Nikon B500 vs Panasonic GH5s
- Nikon D1X vs Panasonic GH5s
- Panasonic GH5s vs Pentax K-3 III
- Panasonic GH5s vs Sony A58
- Panasonic GH5s vs Sony A6000
Specifications: Canon R6 Mark II vs Panasonic GH5s
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R6 Mark II||Panasonic GH5s|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Micro Four Thirds lenses|
|Launch Date||November 2022||January 2018|
|Launch Price||USD 2,499||USD 2,499|
|Sensor Specs||Canon R6 Mark II||Panasonic GH5s|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||35.9 x 23.9 mm||17.3 x 13.0 mm|
|Sensor Area||858.01 mm2||224.9 mm2|
|Sensor Diagonal||43.1 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||9.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||3680 x 2700 pixels|
|Pixel Pitch||5.98 μm||4.77 μm|
|Pixel Density||2.80 MP/cm2||4.42 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4k/60p Video||4K/60p Video|
|ISO Setting||100 - 102,400 ISO||160 - 51,200 ISO|
|ISO Boost||100 - 204,800 ISO||80 - 204,800 ISO|
|Image Processor||DIGIC X||Venus 10|
|Screen Specs||Canon R6 Mark II||Panasonic GH5s|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1620k dots||1620k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon R6 Mark II||Panasonic GH5s|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Dual card slots|
|UHS card support||UHS-II||Dual UHS-II|
|Connectivity Specs||Canon R6 Mark II||Panasonic GH5s|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 3.2||USB 3.1|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon R6 Mark II||Panasonic GH5s|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||450 shots per charge||440 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||670 g (23.6 oz)||660 g (23.3 oz)|
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