Panasonic GH5s vs Sony A7R IV

The Panasonic Lumix DC-GH5s and the Sony Alpha A7R IV are two enthusiast cameras that were announced, respectively, in January 2018 and July 2019. Both the GH5s and the A7R IV are mirrorless interchangeable lens cameras that are based on a Four Thirds (GH5s) and a full frame (A7R IV) sensor. The Panasonic has a resolution of 9.9 megapixels, whereas the Sony provides 60.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GH5s		Sony A7R IV
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
9.9 MP – Four Thirds sensor		60.2 MP – Full Frame sensor
4K/60p Video		4K/30p Video
ISO 160-51,200 (80 - 204,800)		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (3680k dots)		Electronic viewfinder (5760k dots)
3.2" LCD – 1620k dots		3.0" LCD – 1440k dots
Swivel touchscreen		Tilting touchscreen
12 shutter flaps per second		10 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
440 shots per battery charge		670 shots per battery charge
139 x 98 x 87 mm, 660 g		129 x 96 x 78 mm, 665 g

Check GH5s price at
amazon.com
Check A7R IV offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5s and the Sony Alpha A7R IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic GH5s and the Sony A7R IV are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R IV is notably smaller (9 percent) than the Panasonic GH5s. However, the A7R IV is slightly heavier (1 percent) than the GH5s. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GH5s) and the Sony FE Lens Catalog (A7R IV). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GH5s gets 440 shots out of its Panasonic DMW-BLF19 battery, while the A7R IV can take 670 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7R IV can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GH5s	139 mm	98 mm	87 mm	660 g	440	Y	Jan 2018	2,499	amazon.com
2.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	3,499	ebay.com
3.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	2,299	ebay.com
4.		Panasonic FZ300	132 mm	92 mm	117 mm	691 g	380	Y	Jul 2015	599	amazon.com
5.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
6.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	1,699	ebay.com
7.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
8.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
9.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
10.		Panasonic GH3	133 mm	93 mm	82 mm	550 g	540	Y	Sep 2012	1,299	ebay.com
11.		Panasonic GH4	133 mm	93 mm	84 mm	560 g	500	Y	Feb 2014	1,499	ebay.com
12.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
13.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
14.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
15.		Sony A7R IVA	129 mm	96 mm	78 mm	665 g	670	Y	Apr 2021	3,499	amazon.com
16.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	3,499	amazon.com
17.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	4,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GH5s was launched at a markedly lower price (by 29 percent) than the A7R IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GH5s features a Four Thirds sensor and the Sony A7R IV a full frame sensor. The sensor area in the A7R IV is 278 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GH5s has a native 4:3 aspect ratio, while the one in the A7R IV offers a 3:2 aspect.

With 60.2MP, the A7R IV offers a higher resolution than the GH5s (9.9MP), but the A7R IV has smaller individual pixels (pixel pitch of 3.76μm versus 4.77μm for the GH5s). Yet, the A7R IV is a somewhat more recent model (by 1 year and 6 months) than the GH5s, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Sony A7R IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R IV for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Panasonic GH5s are 18.4 x 13.5 inches or 46.7 x 34.3 cm for good quality, 14.7 x 10.8 inches or 37.4 x 27.4 cm for very good quality, and 12.3 x 9 inches or 31.2 x 22.9 cm for excellent quality prints.

The A7R IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the GH5s, the A7R IV has the capacity to capture high quality composite images (241MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DC-GH5s has a native sensitivity range from ISO 160 to ISO 51200, which can be extended to ISO 80-204800. The corresponding ISO settings for the Sony Alpha A7R IV are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the GH5s is build around a CMOS sensor, while the A7R IV uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GH5s	Four Thirds	9.9	3680	2700	4K/60p	23.1	12.8	1154	74
2.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
3.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
4.		Panasonic FZ300	1/2.3	12.0	4000	3000	4K/30p	19.3	11.0	97	38
5.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
6.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
7.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
8.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
9.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
10.		Panasonic GH3	Four Thirds	15.9	4608	3456	1080/60p	22.7	12.4	812	71
11.		Panasonic GH4	Four Thirds	15.9	4608	3456	4K/30p	23.2	12.8	791	74
12.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
13.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
14.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
15.		Sony A7R IVA	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
16.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
17.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH5s provides a higher frame rate than the A7R IV. It can shoot video footage at 4K/60p, while the Sony is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R IV offers a substantially higher resolution than the one in the GH5s (5760k vs 3680k dots). The table below summarizes some of the other core capabilities of the Panasonic GH5s and Sony A7R IV in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GH5s	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	n
2.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
3.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
4.		Panasonic FZ300	1440	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
5.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
6.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
7.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
8.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
9.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
10.		Panasonic GH3	1746	n	3.0 / 614	swivel	Y	1/4000s	6.0/s	Y	n
11.		Panasonic GH4	2359	n	3.0 / 1036	swivel	Y	1/8000s	12.0/s	Y	n
12.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
13.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R IVA	5760	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
17.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the A7R IV and the GH5s is in-body image stabilization (IBIS). The A7R IV reduces the risk of handshake-induced blur with all attached lenses, while the GH5s offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GH5s and the Sony A7R IV both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GH5s and the A7R IV write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both the GH5s and the A7R IV support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s, on both slots.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5s and Sony Alpha A7R IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GH5s	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
2.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
3.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
4.		Panasonic FZ300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
5.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
7.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
8.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GH3	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
11.		Panasonic GH4	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
12.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
13.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
14.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R IVA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The GH5s is a recent model that features in the current product line-up of Panasonic. In contrast, the A7R IV has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A7R IV was succeeded by the Sony A7R V. Further information on the features and operation of the GH5s and A7R IV can be found, respectively, in the Panasonic GH5s Manual (free pdf) or the online Sony A7R IV Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic GH5s and the Sony A7R IV? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Panasonic Lumix DC-GH5s:

• Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1620k vs 1440k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in January 2018).

Advantages of the Sony Alpha A7R IV:

• More detail: Has more megapixels (60.2 vs 9.9MP), which boosts linear resolution by 150%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 3680k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.76x).
• Longer lasting: Gets more shots (670 versus 440) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Was introduced somewhat (1 year and 6 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the A7R IV is the clear winner of the contest (14 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GH5s and the Sony A7R IV place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GH5s or the A7R IV. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GH5s	..	..	4.5/5	84/100	4.5/5	4.5/5	Jan 2018	2,499	amazon.com
2.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	3,499	ebay.com
3.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	2,299	ebay.com
4.		Panasonic FZ300	..	+ +	..	..	4.5/5	4.5/5	Jul 2015	599	amazon.com
5.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
6.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	1,699	ebay.com
7.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
8.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
9.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
10.		Panasonic GH3	5/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	1,299	ebay.com
11.		Panasonic GH4	5/5	+ +	..	85/100	5/5	5/5	Feb 2014	1,499	ebay.com
12.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
13.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
14.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
15.		Sony A7R IVA	5/5	+	4.5/5	91/100	4.5/5	5/5	Apr 2021	3,499	amazon.com
16.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	3,499	amazon.com
17.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	4,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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