Canon G5 X Mark II vs Fujifilm X-A5
The Canon PowerShot G5 X Mark II and the Fujifilm X-A5 are two digital cameras that were announced, respectively, in July 2019 and January 2018. The G5X Mark II is a fixed lens compact, while the X-A5 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G5X Mark II) and an APS-C (X-A5) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G5 X Mark II||Fujifilm X-A5|
|Fixed lens compact camera||Mirrorless system camera|
|24-120mm f/1.8-2.8||Fujifilm X mount lenses|
|20 MP, 1" Sensor||24 MP, APS-C Sensor|
|4K/30p Video||4K/15p Video|
|ISO 125-12800 (125-25600)||ISO 200-12800 (200-51200)|
|Electronic viewfinder (2360k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Tilting touchscreen||Tilting touchscreen|
|30 shutter flaps per second||6 shutter flaps per second|
|230 shots per battery charge||450 shots per battery charge|
|111 x 61 x 46 mm, 340 g||117 x 68 x 40 mm, 361 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G5 X Mark II and the Fujifilm X-A5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G5 X Mark II and the Fujifilm X-A5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-A5 can be obtained in three different colors (silver, brown, pink), while the G5X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A5 is notably larger (18 percent) than the Canon G5 X Mark II. In this context, it is worth noting that neither the G5X Mark II nor the X-A5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G5X Mark II has a lens built in, whereas the X-A5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-A5 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the G5X Mark II gets 230 shots out of its NB-13L battery, while the X-A5 can take 450 images on a single charge of its NP-W126S power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon G5 X Mark II»||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Fujifilm X-A5«||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399||-||Fujifilm X-A5|
|Canon G7 X Mark III« »||4.1 in||2.4 in||1.6 in||10.7 oz||235||n||Jul 2019||749||Canon G7 X Mark III|
|Canon M50« »||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||-||Canon G5 X|
|Fujifilm X-T30« »||4.6 in||3.3 in||1.9 in||13.5 oz||380||n||Feb 2019||899||Fujifilm X-T30|
|Fujifilm X-A7« »||4.7 in||2.7 in||1.6 in||11.3 oz||440||n||Sep 2019||499||Fujifilm X-A7|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||-||Sony RX100 VI|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G5 X Mark II features an one-inch sensor and the Fujifilm X-A5 an APS-C sensor. The sensor area in the X-A5 is 218 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the X-A5 offers a higher resolution than the G5X Mark II (20MP), but the X-A5 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 2.41μm for the G5X Mark II) due to its larger sensor. However, the G5X Mark II is a somewhat more recent model (by 1 year and 5 months) than the X-A5, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Fujifilm X-A5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-A5 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon G5 X Mark II are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The Canon PowerShot G5 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Fujifilm X-A5 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 200-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon G5 X Mark II»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G5 X Mark II|
|Fujifilm X-A5«||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-A5|
|Canon G7 X Mark III« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G7 X Mark III|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Fujifilm X-T30« »||APS-C||26.0||6240||4160||4K/30p||-||-||-||-||Fujifilm X-T30|
|Fujifilm X-A7« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-A7|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-E3|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T20|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic ZS200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic ZS200|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G5X Mark II provides a higher frame rate than the X-A5. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 4K/15p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G5X Mark II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G5 X Mark II, the Fujifilm X-A5, and comparable cameras.
|Canon G5 X Mark II»||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Fujifilm X-A5«||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A5|
|Canon G7 X Mark III« »||-||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G7 X Mark III|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Fujifilm X-T30« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T30|
|Fujifilm X-A7« »||-||n||3.5||2760||swivel||Y||1/4000s||6.0||Y||n||Fujifilm X-A7|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic ZS200« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G5 X Mark II and the Fujifilm X-A5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G5X Mark II and the X-A5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G5 X Mark II and Fujifilm X-A5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G5 X Mark II»||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Fujifilm X-A5«||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Canon G7 X Mark III« »||-||stereo||mono||Y||-||micro||3.1||Y||-||Y||Canon G7 X Mark III|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Fujifilm X-T30« »||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T30|
|Fujifilm X-A7« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A7|
|Fujifilm X-E3« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X-T20« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic ZS200« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
It is notable that the X-A5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G5X Mark II does not feature such a mic input.
The G5X Mark II is a recent model that features in the current product line-up of Canon. In contrast, the X-A5 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the X-A5 from Fujifilm. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Is there a clear favorite between the Canon G5 X Mark II and the Fujifilm X-A5? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot G5 X Mark II:
- Better video: Provides higher movie framerates (4K/30p versus 4K/15p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (30 vs 6 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the X-A5 requires a separate lens.
- More compact: Is smaller (111x61mm vs 117x68mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-A5).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More modern: Is somewhat more recent (announced 1 year and 5 months after the X-A5).
Arguments in favor of the Fujifilm X-A5:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (450 versus 230) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in January 2018).
If the count of individual advantages (bullet points above) is taken as a guide, the X-A5 emerges as the winner of the match-up (11 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G5 X Mark II and the Fujifilm X-A5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G5X Mark II and the X-A5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G5 X Mark II»||+||82/100||-||-||4/5||Jul 2019||899||Canon G5 X Mark II|
|Fujifilm X-A5«||+||-||4/5||4/5||3.5/5||Jan 2018||399||-||Fujifilm X-A5|
|Canon G7 X Mark III« »||+ +||-||4/5||-||-||Jul 2019||749||Canon G7 X Mark III|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G5 X« »||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||-||Canon G5 X|
|Fujifilm X-T30« »||+ +||84/100||4.5/5||-||4.5/5||Feb 2019||899||Fujifilm X-T30|
|Fujifilm X-A7« »||-||-||-||-||-||Sep 2019||499||Fujifilm X-A7|
|Fujifilm X-E3« »||+||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||+ +||82/100||5/5||-||4.5/5||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic LX100 II« »||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic ZS200« »||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic ZS200|
|Sony RX100 VI« »||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||-||Sony RX100 VI|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon G5 X Mark II vs Nikon D3500
- Canon G5 X Mark II vs Nikon D5100
- Canon G5 X Mark II vs Panasonic G9
- Canon G5 X Mark II vs Panasonic LF1
- Canon G5 X Mark II vs Sony NEX-7
- Fujifilm X-A5 vs Nikon 1 V3
- Fujifilm X-A5 vs Olympus E-400
- Fujifilm X-A5 vs Olympus E-P3
- Fujifilm X-A5 vs Panasonic LX10
- Fujifilm X-A5 vs Ricoh GR II
Specifications: Canon G5 X Mark II vs Fujifilm X-A5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G5 X Mark II||Fujifilm X-A5|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-120mm f/1.8-2.8||Fujifilm X mount lenses|
|Launch Date||July 2019||January 2018|
|Launch Price||USD 899||USD 399|
|Sensor Specs||Canon G5 X Mark II||Fujifilm X-A5|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.7 mm|
|Sensor Area||116.16 mm2||368.95 mm2|
|Sensor Diagonal||15.9 mm||28.3 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.41 μm||3.92 μm|
|Pixel Density||17.18 MP/cm2||6.50 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/15p Video|
|ISO Setting||125-12800 ISO||200-12800 ISO|
|ISO Boost||125-25600 ISO||200-51200 ISO|
|Screen Specs||Canon G5 X Mark II||Fujifilm X-A5|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Canon G5 X Mark II||Fujifilm X-A5|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/4000/s|
|Continuous Shooting||30 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||up to 1/25600s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G5 X Mark II||Fujifilm X-A5|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon G5 X Mark II||Fujifilm X-A5|
|Battery Life (CIPA)||230 shots per charge||450 shots per charge|
|In-Camera Charging||USB charging||USB charging|
111 x 61 x 46 mm
(4.4 x 2.4 x 1.8 in)
117 x 68 x 40 mm
(4.6 x 2.7 x 1.6 in)
|Camera Weight||340 g (12.0 oz)||361 g (12.7 oz)|
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