Canon G1 X Mark III vs Sony A7 II

The Canon PowerShot G1 X Mark III and the Sony Alpha A7 II are two enthusiast cameras that were revealed to the public, respectively, in October 2017 and November 2014. The G1X Mark III is a fixed lens compact, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (G1X Mark III) and a full frame (A7 II) sensor. Both cameras offer a resolution of 24 megapixels.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon G1 X Mark III		Sony A7 II
Fixed lens compact camera		Mirrorless system camera
24-72mm f/2.8-5.6		Sony E mount lenses
24 MP – APS-C sensor		24 MP – Full Frame sensor
1080/60p Video		1080/60p Video
ISO 100-25,600		ISO 100-25,600 (50 - 51,200)
Electronic viewfinder (2360k dots)		Electronic viewfinder (2400k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1230k dots
Swivel touchscreen		Tilting screen (no touchscreen)
9 shutter flaps per second		5 shutter flaps per second
Lens-based stabilization		In-body stabilization
Weathersealed body		Weathersealed body
200 shots per battery charge		350 shots per battery charge
115 x 78 x 51 mm, 399 g		127 x 96 x 60 mm, 599 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark III and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon G1 X Mark III and the Sony A7 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is notably larger (36 percent) than the Canon G1 X Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark III has a lens built in, whereas the A7 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 II and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the G1X Mark III gets 200 shots out of its Canon NB-13L battery, while the A7 II can take 350 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon G1 X Mark III	115 mm	78 mm	51 mm	399 g	200	Y	Oct 2017	US$ 1 299	ebay.com
2.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	US$ 1 999	ebay.com
3.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	US$ 1 999	amazon.com
4.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	US$ 1 199	ebay.com
5.		Canon SX540	120 mm	82 mm	92 mm	442 g	205	n	Jan 2016	US$ 399	ebay.com
6.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	US$ 1 499	ebay.com
7.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	US$ 1 299	ebay.com
8.		Fujifilm X100V	128 mm	75 mm	53 mm	478 g	420	Y	Feb 2020	US$ 1 399	ebay.com
9.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	US$ 1 299	amazon.com
10.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	US$ 1 699	ebay.com
11.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
12.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	US$ 1 799	amazon.com
13.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	US$ 2 299	ebay.com
14.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	US$ 4 499	amazon.com
15.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	US$ 999	ebay.com
16.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	US$ 1 399	ebay.com
17.		Sony RX10 III	133 mm	94 mm	127 mm	1051 g	420	Y	Mar 2016	US$ 1 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G1X Mark III was launched at a lower price than the A7 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon G1 X Mark III features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 158 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Even though the A7 II has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A7 II has a lower pixel density and larger individual pixels (with a pixel pitch of 5.97μm versus 3.72μm for the G1X Mark III), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the G1X Mark III is much more recent (by 2 years and 10 months) than the A7 II, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.

The Canon PowerShot G1 X Mark III has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon G1 X Mark III	APS-C	24.0	6000	4000	1080/60p	23.8	13.2	1649	81
2.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
3.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
4.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
5.		Canon SX540	1/2.3	20.2	5184	3888	1080/60p	20.3	11.7	806	48
6.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
7.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
8.		Fujifilm X100V	APS-C	26.0	6240	4160	4K/30p	24.2	13.6	1996	84
9.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
10.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
11.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
12.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
13.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
14.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
15.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
16.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
17.		Sony RX10 III	1-inch	20.0	5472	3648	4K/30p	23.1	12.6	472	70
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 II offers a slightly higher resolution than the one in the G1X Mark III (2400k vs 2360k dots). The adjacent table lists some of the other core features of the Canon G1 X Mark III and Sony A7 II along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon G1 X Mark III	2360	n	3.0 / 1040	swivel	Y	1/2000s	9.0/s	Y	Y
2.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
3.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
4.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
5.		Canon SX540	none	n	3.0 / 461	fixed	n	1/2000s	5.9/s	Y	Y
6.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
7.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
8.		Fujifilm X100V	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	n
9.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
10.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
11.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
12.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
13.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
14.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
15.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
17.		Sony RX10 III	2359	Y	3.0 / 1229	tilting	n	1/2000s	14.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G1X Mark III has one, while the A7 II does not. While the built-in flash of the G1X Mark III is not very powerful, it can at times be useful as a fill-in light.

The Canon G1 X Mark III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G1X Mark III writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark III and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon G1 X Mark III	Y	stereo / mono	-	-	micro	2.0	Y	Y	Y
2.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
5.		Canon SX540	-	stereo / mono	-	-	mini	2.0	Y	Y	-
6.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
7.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
8.		Fujifilm X100V	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
9.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
10.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
11.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
12.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
13.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
16.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Sony RX10 III	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the A7 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G1X Mark III does not feature such a mic input.

Both the G1X Mark III and the A7 II have been discontinued, but can regularly be found used on ebay. The A7 II was replaced by the Sony A7 III, while the G1X Mark III does not have a direct successor. Further information on the features and operation of the G1X Mark III and A7 II can be found, respectively, in the Canon G1 X Mark III Manual (free pdf) or the online Sony A7 II Manual.

Review summary

So how do things add up? Is there a clear favorite between the Canon G1 X Mark III and the Sony A7 II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Canon PowerShot G1 X Mark III:

• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the A7 II requires a separate lens.
• More compact: Is smaller (115x78mm vs 127x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7 II).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 2 years and 10 months of technical progress since the A7 II launch.

Advantages of the Sony Alpha A7 II:

• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (350 versus 200) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• More heavily discounted: Has been around for much longer (launched in November 2014).

If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (12 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon G1 X Mark III and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G1X Mark III or the A7 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon G1 X Mark III	5/5	+	4/5	79/100	4.5/5	4.5/5	Oct 2017	US$ 1 299	ebay.com
2.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
3.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	US$ 1 999	amazon.com
4.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	US$ 1 199	ebay.com
5.		Canon SX540	..	..	..	..	..	..	Jan 2016	US$ 399	ebay.com
6.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	US$ 1 499	ebay.com
7.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	US$ 1 299	ebay.com
8.		Fujifilm X100V	5/5	+ +	4.5/5	86/100	5/5	4.5/5	Feb 2020	US$ 1 399	ebay.com
9.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	US$ 1 299	amazon.com
10.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	US$ 1 699	ebay.com
11.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
12.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	US$ 1 799	amazon.com
13.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	US$ 2 299	ebay.com
14.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	US$ 4 499	amazon.com
15.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	US$ 999	ebay.com
16.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	US$ 1 399	ebay.com
17.		Sony RX10 III	5/5	+	..	84/100	4.5/5	4.5/5	Mar 2016	US$ 1 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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