Canon G1 X Mark III vs Panasonic LX7
The Canon PowerShot G1 X Mark III and the Panasonic Lumix DMC-LX7 are two digital cameras that were officially introduced, respectively, in October 2017 and July 2012. Both the G1X Mark III and the LX7 are fixed lens compact cameras that are based on an APS-C (G1X Mark III) and a 1/1.7-inch (LX7) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark III and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G1 X Mark III and the Panasonic LX7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The LX7 can be obtained in two different colors (black, white), while the G1X Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is notably smaller (16 percent) than the Canon G1 X Mark III. Moreover, the LX7 is markedly lighter (25 percent) than the G1X Mark III. It is worth mentioning in this context that the G1X Mark III is splash and dust resistant, while the LX7 does not feature any corresponding weather-sealing.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G1 X Mark III||115 mm||78 mm||51 mm||399 g||200||Y||Oct 2017||1,299||amazon.com|
|2.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||ebay.com|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|4.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|5.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399||ebay.com|
|6.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||ebay.com|
|7.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399||amazon.com|
|8.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||ebay.com|
|9.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||ebay.com|
|10.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599||ebay.com|
|11.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||amazon.com|
|12.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||ebay.com|
|13.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||ebay.com|
|14.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||ebay.com|
|15.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||ebay.com|
|16.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||ebay.com|
|17.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX7 was launched at a markedly lower price (by 62 percent) than the G1X Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G1 X Mark III features an APS-C sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.65. The sensor in the G1X Mark III has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the G1X Mark III offers a higher resolution than the LX7 (10MP), but the G1X Mark III nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the G1X Mark III is a much more recent model (by 5 years and 2 months) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon G1 X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X Mark III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The G1X Mark III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G1 X Mark III has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon G1 X Mark III||APS-C||24.0||6000||4000||1080/60p||23.8||13.2||1649||81|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|12.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|13.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|17.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G1X Mark III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Canon G1 X Mark III and Panasonic LX7 along with similar information for a selection of comparators.
|1.||Canon G1 X Mark III||2360||n||3.0 / 1040||swivel||Y||1/2000s||9.0/s||Y||Y|
|2.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|4.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9/s||Y||Y|
|6.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|7.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0/s||Y||n|
|8.||Fujifilm X-T3||3690||n||3.0 / 1040||full-flex||Y||1/8000s||11.0/s||n||n|
|9.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|10.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|11.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0/s||Y||n|
|12.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|13.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|14.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|15.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|16.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|17.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G1X Mark III has a touchscreen, while the LX7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G1X Mark III has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LX7 does not have a selfie-screen.
The Canon G1 X Mark III and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G1X Mark III and the LX7 have zoom lenses built in. The G1X Mark III has a 24-72mm f/2.8-5.6 optic and the LX7 offers a 24-90mm f/1.4-2.3 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has more tele-photo reach at the long end. The LX7 offers the faster maximum aperture.
Concerning the storage of imaging data, both the G1X Mark III and the LX7 write their files to SDXC cards. The G1X Mark III supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark III and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G1 X Mark III||Y||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|2.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|6.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|7.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|8.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|9.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|12.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|15.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the G1X Mark III offers wifi support, while the LX7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The G1X Mark III is a recent model that features in the current product line-up of Canon. In contrast, the LX7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the LX7 was succeeded by the Panasonic LX10. Further information on the features and operation of the G1X Mark III and LX7 can be found, respectively, in the Canon G1 X Mark III Manual (free pdf) or the online Panasonic LX7 Manual.
So how do things add up? Is there a clear favorite between the Canon G1 X Mark III and the Panasonic LX7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot G1 X Mark III:
- More detail: Offers more megapixels (24 vs 10MP) with a 58% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 2 months of technical progress since the LX7 launch.
Arguments in favor of the Panasonic Lumix DMC-LX7:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.8).
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (111x68mm vs 115x78mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 101g or 25 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (330 versus 200) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (62 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the G1X Mark III is the clear winner of the match-up (17 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark III and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G1X Mark III and the LX7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G1 X Mark III||5/5||+||4/5||79/100||4.5/5||4.5/5||Oct 2017||1,299||amazon.com|
|2.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499||ebay.com|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|4.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|5.||Canon SX540||..||..||..||..||..||..||Jan 2016||399||ebay.com|
|6.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549||ebay.com|
|7.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399||amazon.com|
|8.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499||ebay.com|
|9.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299||ebay.com|
|10.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599||ebay.com|
|11.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299||amazon.com|
|12.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499||ebay.com|
|13.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549||ebay.com|
|14.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|15.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999||ebay.com|
|16.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399||ebay.com|
|17.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G1 X Mark III vs Canon M10
- Canon G1 X Mark III vs Fujifilm XF10
- Canon G1 X Mark III vs Nikon D3000
- Canon G1 X Mark III vs Olympus E-P3
- Canon G1 X Mark III vs Olympus XZ-2
- Canon G1 X Mark III vs Sony A7R II
- Fujifilm GFX 50R vs Panasonic LX7
- Leica Q2 vs Panasonic LX7
- Nikon D5600 vs Panasonic LX7
- Nikon D7200 vs Panasonic LX7
- Panasonic LX7 vs Panasonic ZS70
- Panasonic LX7 vs Sony RX0 II
Specifications: Canon G1 X Mark III vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark III||Panasonic LX7|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-72mm f/2.8-5.6||24-90mm f/1.4-2.3|
|Launch Date||October 2017||July 2012|
|Launch Price||USD 1,299||USD 499|
|Sensor Specs||Canon G1 X Mark III||Panasonic LX7|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||22.3 x 14.9 mm||7.44 x 5.58 mm|
|Sensor Area||332.27 mm2||41.5152 mm2|
|Sensor Diagonal||26.8 mm||9.3 mm|
|Sensor Resolution||24 Megapixels||10 Megapixels|
|Image Resolution||6000 x 4000 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.72 μm||2.05 μm|
|Pixel Density||7.22 MP/cm2||24.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||80 - 6,400 ISO|
|ISO Boost||no Enhancement||80 - 12,800 ISO|
|Image Processor||DIGIC 7||Venus|
|DXO Sensor Quality (score)||..||50|
|DXO Color Depth (bits)||..||20.7|
|DXO Dynamic Range (EV)||..||11.7|
|DXO Low Light (ISO)||..||147|
|Screen Specs||Canon G1 X Mark III||Panasonic LX7|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G1 X Mark III||Panasonic LX7|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||9 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G1 X Mark III||Panasonic LX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G1 X Mark III||Panasonic LX7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||200 shots per charge||330 shots per charge|
115 x 78 x 51 mm
(4.5 x 3.1 x 2.0 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||399 g (14.1 oz)||298 g (10.5 oz)|
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