Olympus E-PL8 vs Panasonic LX7
The Olympus PEN E-PL8 and the Panasonic Lumix DMC-LX7 are two digital cameras that were announced, respectively, in September 2016 and July 2012. The E-PL8 is a mirrorless interchangeable lens camera, while the LX7 is a fixed lens compact. The cameras are based on a Four Thirds (E-PL8) and a 1/1.7-inch (LX7) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL8 and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-PL8 and the Panasonic LX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PL8 can be obtained in three different colors (black, brown, white), while the LX7 is available in two color-versions (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is somewhat smaller (2 percent) than the Olympus E-PL8. In this context, it is worth noting that neither the E-PL8 nor the LX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the E-PL8 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-PL8 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|2.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|4.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|5.||Olympus E-PL10||117 mm||68 mm||39 mm||380 g||350||n||Oct 2019||599|
|6.||Olympus E-PL9||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||599|
|7.||Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649|
|8.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|9.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|10.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|11.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|12.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|13.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|14.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|15.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|16.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|17.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX7 was launched at a lower price than the E-PL8, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-PL8 features a Four Thirds sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 81 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 4.65. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 15.9MP, the E-PL8 offers a higher resolution than the LX7 (10MP), but the E-PL8 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the E-PL8 is a much more recent model (by 4 years and 2 months) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Olympus E-PL8 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-PL8 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Olympus PEN E-PL8 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.6||1030||73|
|5.||Olympus E-PL10||Four Thirds||15.9||4608||3456||4K/30p||23.3||13.1||1324||76|
|6.||Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1162||74|
|7.||Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1120||74|
|8.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|9.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|10.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||22.5||12.0||717||68|
|11.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|12.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|13.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|14.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|15.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|16.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX7 provides a faster frame rate than the E-PL8. It can shoot movie footage at 1080/60p, while the Olympus is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The E-PL8 and the LX7 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the VF-4 for the E-PL8 and the DMW-LVF2 for the LX7 – are available as accessories. The following table reports on some other key feature differences and similarities of the Olympus E-PL8, the Panasonic LX7, and comparable cameras.
|1.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|2.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|4.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|5.||Olympus E-PL10||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|6.||Olympus E-PL9||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|7.||Olympus E-M10 III||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|8.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|9.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|10.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|11.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|12.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0/s||n||Y|
|13.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|14.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|15.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|16.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|17.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-PL8 has a touchscreen, while the LX7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The E-PL8 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LX7 does not have a selfie-screen.
The Olympus E-PL8 and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-PL8 and the LX7 write their files to SDXC cards. The E-PL8 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL8 and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Olympus E-PL10||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Olympus E-PL9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Olympus E-M10 III||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
It is notable that the E-PL8 offers wifi support, while the LX7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the E-PL8 and the LX7 have been discontinued, but can regularly be found used on eBay. The LX7 was replaced by the Panasonic LX10, while the E-PL8 was followed by the Olympus E-PL9. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So how do things add up? Is the Olympus E-PL8 better than the Panasonic LX7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Olympus PEN E-PL8:
- More detail: Offers more megapixels (15.9 vs 10MP) with a 26% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 2 months of technical progress since the LX7 launch.
Arguments in favor of the Panasonic Lumix DMC-LX7:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the E-PL8 necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the E-PL8).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the E-PL8 is the clear winner of the match-up (13 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL8 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-PL8 or the LX7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549|
|2.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|4.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|5.||Olympus E-PL10||..||..||4/5||77/100||..||4/5||Oct 2019||599|
|6.||Olympus E-PL9||..||+||..||..||4.5/5||4/5||Feb 2018||599|
|7.||Olympus E-M10 III||..||+||5/5||80/100||4.5/5||4.5/5||Aug 2017||649|
|8.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|9.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|10.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599|
|11.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|12.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499|
|13.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|14.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|15.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|16.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|17.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 400D vs Olympus E-PL8
- Canon T5 vs Panasonic LX7
- Fujifilm X100T vs Olympus E-PL8
- Nikon 1 J5 vs Olympus E-PL8
- Nikon D40X vs Olympus E-PL8
- Nikon D5 vs Olympus E-PL8
- Nikon D800E vs Panasonic LX7
- Olympus E-M10 III vs Panasonic LX7
- Olympus E-PL8 vs Panasonic TS7
- Panasonic GX800 vs Panasonic LX7
- Panasonic LX7 vs Sony A6500
- Panasonic LX7 vs Sony A9
Specifications: Olympus E-PL8 vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PL8||Panasonic LX7|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-90mm f/1.4-2.3|
|Launch Date||September 2016||July 2012|
|Launch Price||USD 549||USD 499|
|Sensor Specs||Olympus E-PL8||Panasonic LX7|
|Sensor Format||Four Thirds Sensor||1/1.7" Sensor|
|Sensor Size||17.3 x 13.0 mm||7.44 x 5.58 mm|
|Sensor Area||224.9 mm2||41.5152 mm2|
|Sensor Diagonal||21.6 mm||9.3 mm|
|Sensor Resolution||15.9 Megapixels||10 Megapixels|
|Image Resolution||4608 x 3456 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.76 μm||2.05 μm|
|Pixel Density||7.08 MP/cm2||24.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||200 - 6,400 ISO||80 - 6,400 ISO|
|ISO Boost||100 - 25,600 ISO||80 - 12,800 ISO|
|Image Processor||TruePic VII||Venus|
|DXO Sensor Quality (score)||..||50|
|DXO Color Depth (bits)||..||20.7|
|DXO Dynamic Range (EV)||..||11.7|
|DXO Low Light (ISO)||..||147|
|Screen Specs||Olympus E-PL8||Panasonic LX7|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||920k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-PL8||Panasonic LX7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Olympus E-PL8||Panasonic LX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Olympus E-PL8||Panasonic LX7|
|Battery Life (CIPA)||350 shots per charge||330 shots per charge|
115 x 67 x 38 mm
(4.5 x 2.6 x 1.5 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||357 g (12.6 oz)||298 g (10.5 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.