Canon 80D vs Panasonic GX7
The Canon EOS 80D and the Panasonic Lumix DMC-GX7 are two enthusiast cameras that were officially introduced, respectively, in February 2016 and August 2013. The 80D is a DSLR, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (80D) and a Four Thirds (GX7) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 80D and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 80D and the Panasonic GX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GX7 can be obtained in two different colors (black, silver), while the 80D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is considerably smaller (40 percent) than the Canon 80D. Moreover, the GX7 is substantially lighter (45 percent) than the 80D. It is worth mentioning in this context that the 80D is splash and dust resistant, while the GX7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (80D) and the Micro Four Thirds Lens Catalog (GX7). Mirrorless cameras, such as the GX7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|2.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|3.||Canon 90D||141 mm||105 mm||77 mm||701 g||1300||Y||Aug 2019||1,199|
|4.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|5.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|6.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|7.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|8.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|9.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|10.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|11.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|12.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|13.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|14.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|15.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|16.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX7 was launched at a somewhat lower price (by 17 percent) than the 80D, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 80D features an APS-C sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 80D has a native 3:2 aspect ratio, while the one in the GX7 offers a 4:3 aspect.
With 24MP, the 80D offers a higher resolution than the GX7 (15.8MP), but the 80D has marginally smaller individual pixels (pixel pitch of 3.75μm versus 3.77μm for the GX7). However, the 80D is a much more recent model (by 2 years and 6 months) than the GX7, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 80D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 80D for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The 80D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 80D has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 80D has a notably higher overall DXO score than the GX7 (overall score 9 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1 bits higher color depth, 1 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|4.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|5.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|8.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|13.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|14.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|15.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|16.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GX7 has an electronic viewfinder (2760k dots), while the 80D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GX7 has a higher magnification than the one of the 80D (0.70x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 80D, the Panasonic GX7, and comparable cameras.
|1.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|2.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|3.||Canon 90D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||11.0||Y||n|
|4.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|5.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|6.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|7.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|9.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|10.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|11.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|12.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|13.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|14.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|15.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|16.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
One feature that is present on the 80D, but is missing on the GX7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The 80D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GX7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 80D and the Panasonic GX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 80D and the GX7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 80D and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|2.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Canon 90D||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|4.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|8.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|9.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|12.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|13.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the 80D has a microphone port, which is missing on the GX7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the 80D and the GX7 have been discontinued, but can regularly be found used on eBay. The GX7 was replaced by the Panasonic GX85, while the 80D was followed by the Canon 90D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 80D and the Panasonic GX7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 80D:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better image quality: Scores markedly higher (9 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (960 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More modern: Reflects 2 years and 6 months of technical progress since the GX7 launch.
Arguments in favor of the Panasonic Lumix DMC-GX7:
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.59x).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (123x71mm vs 139x105mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 328g or 45 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the 80D is the clear winner of the match-up (15 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 80D and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 80D or the GX7 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|2.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|3.||Canon 90D||4/5||+||4.5/5||85/100||4.5/5||4.5/5||Aug 2019||1,199|
|4.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|5.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|6.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|7.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|8.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|9.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|10.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|11.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|12.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|13.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|14.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|15.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|16.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark IV vs Panasonic GX7
- Canon 80D vs Canon R6
- Canon 80D vs Fujifilm X-T30
- Canon 80D vs Leica S Typ 007
- Canon 80D vs Nikon 1 V2
- Canon 80D vs Nikon D7000
- Canon 80D vs Zeiss ZX1
- Leica S2 vs Panasonic GX7
- Nikon D810 vs Panasonic GX7
- Panasonic GX1 vs Panasonic GX7
- Panasonic GX7 vs Sony A6600
- Panasonic GX7 vs Sony NEX-5
Specifications: Canon 80D vs Panasonic GX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 80D||Panasonic GX7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2016||August 2013|
|Launch Price||USD 1,199||USD 999|
|Sensor Specs||Canon 80D||Panasonic GX7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.5 x 15.0 mm||17.3 x 13.0 mm|
|Sensor Area||337.5 mm2||224.9 mm2|
|Sensor Diagonal||27 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.75 μm||3.77 μm|
|Pixel Density||7.11 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 16,000 ISO||125 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||79||70|
|DXO Color Depth (bits)||23.6||22.6|
|DXO Dynamic Range (EV)||13.2||12.2|
|DXO Low Light (ISO)||1135||718|
|Screen Specs||Canon 80D||Panasonic GX7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2760k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon 80D||Panasonic GX7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||7 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 80D||Panasonic GX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon 80D||Panasonic GX7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||960 shots per charge||350 shots per charge|
139 x 105 x 79 mm
(5.5 x 4.1 x 3.1 in)
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
|Camera Weight||730 g (25.8 oz)||402 g (14.2 oz)|
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