Canon 80D vs Panasonic FZ82
The Canon EOS 80D and the Panasonic Lumix DC-FZ82 (labelled Panasonic FZ80 in some countries) are two digital cameras that were officially introduced, respectively, in February 2016 and January 2017. The 80D is a DSLR, while the FZ82 is a fixed lens compact. The cameras are based on an APS-C (80D) and a 1/2.3-inch (FZ82) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 80D and the Panasonic Lumix DC-FZ82? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 80D and the Panasonic FZ82. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ82 is notably smaller (16 percent) than the Canon 80D. It is worth mentioning in this context that the 80D is splash and dust resistant, while the FZ82 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82 has a lens built in, whereas the 80D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 80D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 80D gets 960 shots out of its LP-E6N battery, while the FZ82 can take 330 images on a single charge of its DMW-BMB9 power pack. The power pack in the FZ82 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 80D||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Panasonic FZ82||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399|
|Canon 90D||5.6 in||4.1 in||3.0 in||24.7 oz||1300||Y||Aug 2019||1,199|
|Canon SX740||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399|
|Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Canon SX730||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399|
|Canon G3 X||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999|
|Canon T6i||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749|
|Canon T6s||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649|
|Canon 7D II||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799|
|Canon 70D||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199|
|Canon 60D||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399|
|Nikon D7500||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299|
|Nikon D7200||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199|
|Panasonic FT7||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449|
|Panasonic TZ90||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449|
|Sony HX350||5.1 in||3.7 in||4.1 in||23.0 oz||300||n||Dec 2016||449|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ82 was launched at a lower price than the 80D, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 80D features an APS-C sensor and the Panasonic FZ82 a 1/2.3-inch sensor. The sensor area in the FZ82 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 80D has a native 3:2 aspect ratio, while the one in the FZ82 offers a 4:3 aspect.
With 24MP, the 80D offers a higher resolution than the FZ82 (18MP), but the 80D nevertheless has larger individual pixels (pixel pitch of 3.75μm versus 1.25μm for the FZ82) due to its larger sensor. However, the FZ82 is a somewhat more recent model (by 10 months) than the 80D, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ82 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 80D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 80D for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ82 are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.
The 80D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 80D has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-FZ82 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ82 provides a better video resolution than the 80D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ82 has an electronic viewfinder (1166k dots), while the 80D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 80D has a higher magnification than the one of the FZ82 (0.59x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 80D and Panasonic FZ82 in connection with corresponding information for a sample of similar cameras.
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y|
|Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n|
One feature that is present on the 80D, but is missing on the FZ82 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The 80D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the FZ82 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 80D has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 80D and the FZ82 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 80D and Panasonic Lumix DC-FZ82 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-|
|Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-|
It is notable that the 80D has a microphone port, which is missing on the FZ82. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The FZ82 is a recent model that features in the current product line-up of Panasonic. In contrast, the 80D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 80D was succeeded by the Canon 90D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is the Canon 80D better than the Panasonic FZ82 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 80D:
- More detail: Offers more megapixels (24 vs 18MP) with a 18% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (960 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in February 2016).
Reasons to prefer the Panasonic Lumix DC-FZ82:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 80D requires a separate lens.
- More compact: Is smaller (130x94mm vs 139x105mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 80D).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (10 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the 80D is the clear winner of the match-up (21 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 80D and the Panasonic FZ82 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 80D or the FZ82. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Panasonic FZ82||+ +||..||4.5/5||..||4.5/5||Jan 2017||399|
|Canon 90D||+||85/100||4.5/5||4.5/5||4.5/5||Aug 2019||1,199|
|Canon SX740||+||..||4/5||..||4/5||Jul 2018||399|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon SX730||+||..||4/5||..||4/5||Apr 2017||399|
|Canon G3 X||+||..||4.5/5||3.5/5||4/5||Jun 2015||999|
|Canon T6i||..||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749|
|Canon T6s||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649|
|Canon 7D II||+||84/100||4/5||5/5||4.5/5||Sep 2014||1,799|
|Canon 70D||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199|
|Canon 60D||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399|
|Nikon D7500||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299|
|Nikon D7200||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199|
|Panasonic FT7||+||..||3.5/5||..||3.5/5||May 2018||449|
|Panasonic TZ90||+ +||..||4/5||..||4/5||Apr 2017||449|
|Sony HX350||..||..||..||..||4/5||Dec 2016||449|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon 80D vs Panasonic FZ82
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 80D||Panasonic FZ82|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||20-1200mm f/2.8-5.9|
|Launch Date||February 2016||January 2017|
|Launch Price||USD 1,199||USD 399|
|Sensor Specs||Canon 80D||Panasonic FZ82|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.5 x 15.0 mm||6.17 x 4.55 mm|
|Sensor Area||337.5 mm2||28.0735 mm2|
|Sensor Diagonal||27 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||18 Megapixels|
|Image Resolution||6000 x 4000 pixels||4896 x 3672 pixels|
|Pixel Pitch||3.75 μm||1.25 μm|
|Pixel Density||7.11 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 16,000 ISO||80 - 3,200 ISO|
|ISO Boost||100 - 25,600 ISO||80 - 6,400 ISO|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||79||..|
|DXO Color Depth (bits)||23.6||..|
|DXO Dynamic Range (EV)||13.2||..|
|DXO Low Light (ISO)||1135||..|
|Screen Specs||Canon 80D||Panasonic FZ82|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon 80D||Panasonic FZ82|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||7 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 80D||Panasonic FZ82|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon 80D||Panasonic FZ82|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||960 shots per charge||330 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
139 x 105 x 79 mm
(5.5 x 4.1 x 3.1 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||730 g (25.8 oz)||616 g (21.7 oz)|
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