Canon 7D II versus Panasonic G80
The Canon EOS 7D Mark II and the Panasonic Lumix DMC-G80 (labelled Panasonic G85 in some countries) are two digital cameras that were officially introduced, respectively, in September 2014 and September 2016. The 7D Mark II is a DSLR, while the G80 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (7D Mark II) and a Four Thirds (G80) sensor. The Canon has a resolution of 20 megapixel, whereas the Panasonic provides 15.8 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 7D II vs Panasonic G80
The side-by-side display below illustrates the physical size and weight of the Canon 7D II and the Panasonic G80. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the 7D Mark II – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G80 is considerably smaller (32 percent) than the Canon 7D II. Moreover, the G80 is substantially lighter (45 percent) than the 7D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (7D Mark II) and the Micro Four Thirds Lens Catalog (G80). Mirrorless cameras, such as the G80, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Canon 7D II»||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799|
|Panasonic G80«||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||849||-|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||799||-|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Panasonic GX80« »||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G80 was launched at a markedly lower price (by 50 percent) than the 7D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 7D II vs Panasonic G80
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 7D II features an APS-C sensor and the Panasonic G80 a Four Thirds sensor. The sensor area in the G80 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 7D Mark II has a native 3:2 aspect ratio, while the one in the G80 offers a 4:3 aspect.
With 20MP, the 7D Mark II offers a higher resolution than the G80 (15.8MP), but the 7D Mark II nevertheless has larger individual pixels (pixel pitch of 4.10μm versus 3.77μm for the G80) due to its larger sensor. However, the G80 is a somewhat more recent model (by 2 years) than the 7D Mark II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the G80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 7D II»||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Panasonic G80«||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic GX80« »||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G80 provides a better video resolution than the 7D Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Canon 7D II vs Panasonic G80
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G80 has an electronic viewfinder (2360k dots), while the 7D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 7D II and Panasonic G80 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon 7D II»||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||4000||5.0||Y||n|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||2000||5.9||Y||Y|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||8000||5.3||Y||n|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||8000||8.0||Y||n|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||Y|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||8000||9.0||Y||Y|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y|
|Panasonic GX80« »||2765||n||3.0||1040||tilting||Y||4000||8.0||Y||Y|
Both the 7D Mark II and the G80 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The 7D Mark II replaced the earlier Canon 7D, while the G80 followed on from the Panasonic G7.
Review summary: Canon 7D II vs Panasonic G80
So what conclusions can be drawn? Is the Canon 7D II better than the Panasonic G80 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 7D Mark II:
- More detail: Offers more megapixels (20 vs 15.8MP) with a 15% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Longer lasting: Can take more shots (670 versus 330) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Advantages of the Panasonic Lumix DMC-G80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More compact: Is smaller (128x89mm vs 149x112mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 405g or 45 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Reflects 2 years of technical progress since the 7D Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G80 is the clear winner of the contest (12 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 7D Mark II and the G80 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Canon 7D II»||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799|
|Panasonic G80«||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-|
|Canon T6s« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||849||-|
|Canon G3 X« »||Rec||-||4.5/5||3.5/5||4/5||Jun 2015||999|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-|
|Canon SL1« »||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-|
|Canon 6D« »||HiRec||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-|
|Canon 60D« »||Rec||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-|
|Canon 7D« »||HiRec||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-|
|Olympus E-M10 II« »||HiRec||80/100||5/5||5/5||5/5||Aug 2015||799||-|
|Olympus E-M5 II« »||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Olympus E-P5« »||HiRec||78/100||4.5/5||4.5/5||5/5||May 2013||999||-|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic GX80« »||HiRec||82/100||5/5||4.5/5||5/5||Apr 2016||799|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
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