Canon 6D Mark II vs Sony A7R IV
The Canon EOS 6D Mark II and the Sony Alpha A7R IV are two enthusiast cameras that were announced, respectively, in June 2017 and July 2019. The 6D Mark II is a DSLR, while the A7R IV is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 26 megapixels, whereas the Sony provides 60.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 6D Mark II||Sony A7R IV|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|26 MP, Full Frame Sensor||60.2 MP, Full Frame Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-40,000 (50 - 102,400)||ISO 100-32,000 (50 - 102,400)|
|Optical viewfinder||Electronic viewfinder (5760k dots)|
|3.0 LCD, 1040k dots||3.0 LCD, 1440k dots|
|Swivel touchscreen||Tilting touchscreen|
|6.5 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|1200 shots per battery charge||670 shots per battery charge|
|144 x 111 x 75 mm, 765 g||129 x 96 x 78 mm, 665 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Sony Alpha A7R IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 6D Mark II and the Sony A7R IV is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R IV is notably smaller (23 percent) than the Canon 6D Mark II. Moreover, the A7R IV is markedly lighter (13 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Sony FE Lens Catalog (A7R IV). Mirrorless cameras, such as the A7R IV, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the A7R IV can take 670 images on a single charge of its NP-FZ100 power pack. The power pack in the A7R IV can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Sony A7R IV||5.1 in||3.8 in||3.1 in||23.5 oz||670||Y||Jul 2019||3,499|
|Canon R||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299|
|Canon 5D Mark IV||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499|
|Canon 80D||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon 5D Mark III||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499|
|Canon 6D||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Nikon D750||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299|
|Nikon D610||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999|
|Nikon D600||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099|
|Sony A7S III||5.0 in||3.8 in||3.2 in||24.7 oz||600||Y||Jul 2020||3,499|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A7R III||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199|
|Sony A7R II||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199|
|Sony A7S II||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 6D Mark II was launched at a markedly lower price (by 43 percent) than the A7R IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7R IV is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7R IV offers a higher resolution of 60.2 megapixels, compared with 26 MP of the 6D Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 5.76μm for the 6D Mark II). However, it should be noted that the A7R IV is much more recent (by 2 years) than the 6D Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the A7R IV has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R IV for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Canon 6D Mark II are 31.2 x 20.8 inches or 79.2 x 52.8 cm for good quality, 25 x 16.6 inches or 63.4 x 42.3 cm for very good quality, and 20.8 x 13.9 inches or 52.8 x 35.2 cm for excellent quality prints.
Unlike the 6D Mark II, the A7R IV has the capacity to capture high quality composite images (241MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A7R IV are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||..||..||..||..|
|Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||..||..||..||..|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R IV provides a better video resolution than the 6D Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R IV has an electronic viewfinder (5760k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7R IV offers a wider field of view (100%) than the one in the 6D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7R IV has a higher magnification (0.78x vs 0.72x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Sony A7R IV in connection with corresponding information for a sample of similar cameras.
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Sony A7S III||9440||n||3.0||1440||swivel||Y||1/8000s||10.0||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One feature that is present on the 6D Mark II, but is missing on the A7R IV is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The 6D Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R IV does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R IV is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 6D Mark II and the Sony A7R IV both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 6D Mark II and the A7R IV write their files to SDXC cards. The A7R IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D Mark II only has one slot. The A7R IV supports UHS-II cards (on both slots), while the 6D Mark II can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Sony Alpha A7R IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Sony A7S III||Y||stereo||mono||Y||Y||full||3.2||Y||-||Y|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R IV has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 6D Mark II lacks such a headphone port.
Studio photographers will appreciate that the Sony A7R IV (unlike the 6D Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 6D Mark II and the A7R IV are recent models that are part of the current product line-up. The 6D Mark II replaced the earlier Canon 6D, while the A7R IV followed on from the Sony A7R III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is the Canon 6D Mark II better than the Sony A7R IV or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 6D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (1200 versus 670) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2017).
Arguments in favor of the Sony Alpha A7R IV:
- More detail: Has more megapixels (60.2 vs 26MP), which boosts linear resolution by 52%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.72x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 6.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (129x96mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 100g or 13 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years of technical progress since the 6D Mark II launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7R IV is the clear winner of the contest (21 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D Mark II and the Sony A7R IV place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 6D Mark II and the A7R IV in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Sony A7R IV||+||91/100||4.5/5||5/5||5/5||Jul 2019||3,499|
|Canon R||o||79/100||4.5/5||4/5||4/5||Sep 2018||2,299|
|Canon 5D Mark IV||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Nikon D750||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299|
|Nikon D610||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999|
|Nikon D600||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Sony A7S III||+ +||..||..||..||5/5||Jul 2020||3,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A7R III||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Sony A7R II||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199|
|Sony A7S II||+||..||4.5/5||5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 2000D vs Canon 6D Mark II
- Canon 6D Mark II vs Canon SX510
- Canon 6D Mark II vs Fujifilm X100
- Canon 6D Mark II vs Nikon D750
- Canon 6D Mark II vs Nikon Df
- Canon 6D Mark II vs Olympus E-M10
- Canon 6D Mark II vs Sony RX100 III
- Canon 6D Mark II vs Sony ZV-1
- Fujifilm GFX 100 vs Sony A7R IV
- Fujifilm X-E2 vs Sony A7R IV
- Pentax 645D vs Sony A7R IV
- Sony A7R IV vs Sony HX99
Specifications: Canon 6D Mark II vs Sony A7R IV
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D Mark II||Sony A7R IV|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||June 2017||July 2019|
|Launch Price||USD 1,999||USD 3,499|
|Sensor Specs||Canon 6D Mark II||Sony A7R IV|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 24.0 mm||35.7 x 23.8 mm|
|Sensor Area||861.6 mm2||849.66 mm2|
|Sensor Diagonal||43.2 mm||42.9 mm|
|Sensor Resolution||26 Megapixels||60.2 Megapixels|
|Image Resolution||6240 x 4160 pixels||9504 x 6336 pixels|
|Pixel Pitch||5.76 μm||3.76 μm|
|Pixel Density||3.01 MP/cm2||7.09 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 40,000 ISO||100 - 32,000 ISO|
|ISO Boost||50 - 102,400 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC 7||BIONZ X|
|DXO Sensor Quality (score)||85||..|
|DXO Color Depth (bits)||24.4||..|
|DXO Dynamic Range (EV)||11.9||..|
|DXO Low Light (ISO)||2862||..|
|Screen Specs||Canon 6D Mark II||Sony A7R IV|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1440k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon 6D Mark II||Sony A7R IV|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||6.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon 6D Mark II||Sony A7R IV|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D Mark II||Sony A7R IV|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1200 shots per charge||670 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
129 x 96 x 78 mm
(5.1 x 3.8 x 3.1 in)
|Camera Weight||765 g (27.0 oz)||665 g (23.5 oz)|
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