Canon G1 X vs Sony A7R IV
The Canon PowerShot G1 X and the Sony Alpha A7R IV are two enthusiast cameras that were announced, respectively, in January 2012 and July 2019. The G1X is a fixed lens compact, while the A7R IV is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X) and a full frame (A7R IV) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Sony provides 60.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X and the Sony Alpha A7R IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G1 X and the Sony A7R IV is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R IV is notably larger (31 percent) than the Canon G1 X. It is noteworthy in this context that the A7R IV is splash and dust-proof, while the G1X does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X has a lens built in, whereas the A7R IV is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R IV and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the G1X gets 250 shots out of its NB-10L battery, while the A7R IV can take 670 images on a single charge of its NP-FZ100 power pack. The power pack in the A7R IV can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon G1 X||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799|
|Sony A7R IV||5.1 in||3.8 in||3.1 in||23.5 oz||670||Y||Jul 2019||3,499|
|Canon G1 X Mark II||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799|
|Canon G16||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549|
|Canon S120||3.9 in||2.3 in||1.1 in||7.7 oz||230||n||Aug 2013||449|
|Canon SX50||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429|
|Canon T4i||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849|
|Canon T3||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449|
|Canon T1i||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799|
|Canon XSi||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799|
|Leica V-LUX 4||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Sep 2012||949|
|Leica V-LUX 3||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949|
|Sony A7S III||5.0 in||3.8 in||3.2 in||24.7 oz||600||Y||Jul 2020||3,499|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A7R III||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199|
|Sony A7R II||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199|
|Sony A7S II||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G1X was launched at a lower price than the A7R IV, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X features an 1.5-inch sensor and the Sony A7R IV a full frame sensor. The sensor area in the A7R IV is 224 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 1.0. The sensor in the G1X has a native 4:3 aspect ratio, while the one in the A7R IV offers a 3:2 aspect.
With 60.2MP, the A7R IV offers a higher resolution than the G1X (14.2MP), but the A7R IV has smaller individual pixels (pixel pitch of 3.76μm versus 4.30μm for the G1X). Yet, the A7R IV is a much more recent model (by 7 years and 6 months) than the G1X, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R IV has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R IV for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Canon G1 X are 21.8 x 16.3 inches or 55.3 x 41.5 cm for good quality, 17.4 x 13.1 inches or 44.2 x 33.2 cm for very good quality, and 14.5 x 10.9 inches or 36.8 x 27.6 cm for excellent quality prints.
The A7R IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the G1X, the A7R IV has the capacity to capture high quality composite images (241MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon PowerShot G1 X has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha A7R IV are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||..||..||..||..|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||..||..||..||..|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7R IV provides a better video resolution than the G1X. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R IV has an electronic viewfinder (5760k dots), while the G1X has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon G1 X, the Sony A7R IV, and comparable cameras.
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
|Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y|
|Leica V-LUX 4||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y|
|Sony A7S III||9440||n||3.0||1440||swivel||Y||1/8000s||10.0||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The G1X has one, while the A7R IV does not. While the built-in flash of the G1X is not very powerful, it can at times be useful as a fill-in light.The G1X has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R IV does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R IV is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G1X and the A7R IV write their files to SDXC cards. The A7R IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the G1X only has one slot. The A7R IV supports UHS-II cards (on both slots), while the G1X cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X and Sony Alpha A7R IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Leica V-LUX 4||Y||stereo||mono||Y||-||mini||2.0||-||-||-|
|Leica V-LUX 3||Y||stereo||-||-||-||mini||2.0||-||-||-|
|Sony A7S III||Y||stereo||mono||Y||Y||full||3.2||Y||-||Y|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R IV offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G1X does not provide wifi capability.
Studio photographers will appreciate that the Sony A7R IV (unlike the G1X) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7R IV is a recent model that features in the current product line-up of Sony. In contrast, the G1X has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G1X was succeeded by the Canon G1X Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon G1 X or the Sony A7R IV – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot G1 X:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the A7R IV requires a separate lens.
- More compact: Is smaller (117x81mm vs 129x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7R IV).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in January 2012).
Reasons to prefer the Sony Alpha A7R IV:
- More detail: Has more megapixels (60.2 vs 14.2MP), which boosts linear resolution by 110%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 1.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (670 versus 250) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 7 years and 6 months of technical progress since the G1X launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7R IV is the clear winner of the contest (30 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X and the Sony A7R IV place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G1X or the A7R IV perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G1 X||+||76/100||4/5||4/5||4.5/5||Jan 2012||799|
|Sony A7R IV||+||91/100||4.5/5||5/5||5/5||Jul 2019||3,499|
|Canon G1 X Mark II||+||77/100||4/5||4/5||4.5/5||Feb 2014||799|
|Canon G16||+||..||4.5/5||4.5/5||4.5/5||Aug 2013||549|
|Canon S120||+ +||..||4.5/5||o||4.5/5||Aug 2013||449|
|Canon SX50||+ +||72/100||4.5/5||..||4.5/5||Sep 2012||429|
|Canon T4i||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849|
|Canon T3||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449|
|Canon T1i||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799|
|Canon XSi||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799|
|Leica V-LUX 4||..||..||..||..||..||Sep 2012||949|
|Leica V-LUX 3||..||..||..||..||..||Dec 2011||949|
|Sony A7S III||+ +||..||4.5/5||..||5/5||Jul 2020||3,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A7R III||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Sony A7R II||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199|
|Sony A7S II||+||..||4.5/5||5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 700D vs Canon G1 X
- Canon G1 X vs Canon T4i
- Canon G1 X vs Fujifilm XP130
- Canon G1 X vs Nikon D5200
- Canon G1 X vs Nikon P1000
- Canon G1 X vs Olympus E-P5
- Canon SX30 vs Sony A7R IV
- Fujifilm X70 vs Sony A7R IV
- Nikon D810 vs Sony A7R IV
- Olympus E-330 vs Sony A7R IV
- Panasonic GM5 vs Sony A7R IV
- Sony A7R IV vs Sony RX100 IV
Specifications: Canon G1 X vs Sony A7R IV
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X||Sony A7R IV|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.8-5.8||Sony E mount lenses|
|Launch Date||January 2012||July 2019|
|Launch Price||USD 799||USD 3,499|
|Sensor Specs||Canon G1 X||Sony A7R IV|
|Sensor Format||1.5" Sensor||Full Frame Sensor|
|Sensor Size||18.7 x 14.0 mm||35.7 x 23.8 mm|
|Sensor Area||261.8 mm2||849.66 mm2|
|Sensor Diagonal||23.4 mm||42.9 mm|
|Sensor Resolution||14.2 Megapixels||60.2 Megapixels|
|Image Resolution||4352 x 3264 pixels||9504 x 6336 pixels|
|Pixel Pitch||4.30 μm||3.76 μm|
|Pixel Density||5.43 MP/cm2||7.09 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/24p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 32,000 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC 5||BIONZ X|
|DXO Sensor Quality (score)||60||..|
|DXO Color Depth (bits)||21.7||..|
|DXO Dynamic Range (EV)||10.8||..|
|DXO Low Light (ISO)||644||..|
|Screen Specs||Canon G1 X||Sony A7R IV|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||74%||100%|
|Viewfinder Resolution||5760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1440k dots|
|LCD Attachment||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon G1 X||Sony A7R IV|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||1.9 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon G1 X||Sony A7R IV|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon G1 X||Sony A7R IV|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||250 shots per charge||670 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 81 x 65 mm
(4.6 x 3.2 x 2.6 in)
129 x 96 x 78 mm
(5.1 x 3.8 x 3.1 in)
|Camera Weight||534 g (18.8 oz)||665 g (23.5 oz)|
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