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Canon 6D Mark II versus Sony A7

The Canon EOS 6D Mark II and the Sony Alpha A7 are two enthusiast cameras that were announced, respectively, in June 2017 and October 2013. The 6D Mark II is a DSLR, while the A7 is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 26 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Canon 6D Mark II vs Sony A7

An illustration of the physical size and weight of the Canon 6D Mark II and the Sony A7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the 6D Mark II – represents 100 percent across all the size and weight measures).

Compare Canon 6D Mark II vs Sony A7
Compare 6D Mark II versus A7 top
Compare 6D Mark II and A7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 is notably smaller (25 percent) than the Canon 6D Mark II. Moreover, the A7 is substantially lighter (38 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Sony FE Lens Catalog (A7). Mirrorless cameras, such as the A7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the A7 can take 340 images on a single charge of its NP-FW50 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 6D Mark II» 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Sony A7« 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7
Canon R« » 5.5 in 3.9 in 3.3 in 23.3 oz 370 Y Sep 2018 2,299 i i Canon R
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
Canon 5D Mark III« » 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
Canon 6D« » 5.7 in 4.4 in 2.8 in 27.2 oz 1090 Y Sep 2012 2,099- i Canon 6D
Canon 5D Mark II« » 6.0 in 4.5 in 3.0 in 30.0 oz 850 Y Sep 2008 3,499- i Canon 5D Mark II
Nikon D750« » 5.6 in 4.4 in 3.1 in 26.5 oz 1230 Y Sep 2014 2,299 i i Nikon D750
Nikon D610« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Oct 2013 1,999 i i Nikon D610
Nikon D600« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Sep 2012 2,099- i Nikon D600
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
Sony A7 II« » 5.0 in 3.8 in 2.4 in 21.1 oz 350 Y Nov 2014 1,999- i Sony A7 II
Sony A7S« » 5.0 in 3.7 in 1.9 in 17.2 oz 380 Y Apr 2014 2,499- i Sony A7S
Sony A7R« » 5.0 in 3.7 in 1.9 in 16.4 oz 340 Y Oct 2013 2,299- i Sony A7R
Sony RX1« » 4.4 in 2.6 in 2.8 in 17.0 oz 270 n Sep 2012 2,799- i Sony RX1

The camera’s price is obviously a critical decision-making factor. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A7 was launched at a somewhat lower price (by 15 percent) than the 6D Mark II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Canon 6D Mark II vs Sony A7

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7 is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.

Canon 6D Mark II and Sony A7 sensor measures

With 26MP, the 6D Mark II offers a slightly higher resolution than the A7 (24MP), but the 6D Mark II has smaller individual pixels (pixel pitch of 5.76μm versus 5.97μm for the A7). However, the 6D Mark II is a somewhat more recent model (by 3 years and 8 months) than the A7, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

6D Mark II versus A7 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 has a markedly higher DXO score than the 6D Mark II (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.4 bits higher color depth, 2.3 EV in additional dynamic range, 0.3 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Canon 6D Mark II» Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Sony A7« Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7
Canon R« » Full Frame 30.1 6720 44804K/30p----Canon R
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Canon 5D Mark III« » Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
Canon 6D« » Full Frame 20.0 5472 36481080/30p23.812.1234082Canon 6D
Canon 5D Mark II« » Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
Nikon D750« » Full Frame 24.2 6016 40161080/60p24.814.5295693Nikon D750
Nikon D610« » Full Frame 24.2 6016 40161080/30p25.114.4292594Nikon D610
Nikon D600« » Full Frame 24.2 6016 40161080/30p25.114.2298094Nikon D600
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
Sony A7 II« » Full Frame 24.0 6000 40001080/60p24.913.6244990Sony A7 II
Sony A7S« » Full Frame 12.0 4240 28321080/60p23.913.2370287Sony A7S
Sony A7R« » Full Frame 36.2 7360 49121080/60p25.614.1274695Sony A7R
Sony RX1« » Full Frame 24.0 6000 40001080/60p25.114.3253493Sony RX1

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).

 

Feature comparison: Canon 6D Mark II vs Sony A7

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7 has an electronic viewfinder (2400k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 6D Mark II, the Sony A7, and comparable cameras. The full specs-sheets can be found in the camera manual or in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Canon 6D Mark II»optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Sony A7«2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7
Canon R« »3690 n 3.2 2100 swivel Y 8000 8.0 n n Canon R
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Canon 5D Mark III« »optical Y 3.2 1040 fixed n 8000 6.0 n n Canon 5D Mark III
Canon 6D« »optical Y 3.0 1040 fixed n 4000 4.5 n n Canon 6D
Canon 5D Mark II« »optical Y 3.0 920 fixed n 8000 3.9 n n Canon 5D Mark II
Nikon D750« »optical Y 3.2 1229 tilting n 4000 6.0 Y n Nikon D750
Nikon D610« »optical Y 3.2 921 fixed n 4000 6.0 Y n Nikon D610
Nikon D600« »optical Y 3.0 921 fixed n 4000 5.5 Y n Nikon D600
Sony A7 III« »2359 n 3.0 922 tilting Y 8000 10.0 n Y Sony A7 III
Sony A7 II« »2400 n 3.0 1230 tilting n 8000 5.0 n Y Sony A7 II
Sony A7S« »2400 n 3.0 921 tilting n 8000 5.0 n n Sony A7S
Sony A7R« »2400 n 3.0 1230 tilting n 8000 4.0 n n Sony A7R
Sony RX1« »- n 3.0 1229 fixed n 4000 5.0 Y n Sony RX1

One feature that is present on the 6D Mark II, but is missing on the A7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The 6D Mark II writes its imaging data to SDXC cards, while the A7 uses SDXC or Memory Stick PRO Duo cards.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Canon 6D Mark II»YstereomonoY-mini2.0YYYCanon 6D Mark II
Sony A7«YstereomonoYYmicro2.0YY-Sony A7
Canon R« »YstereomonoY-mini3.1Y-YCanon R
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
Canon 5D Mark III« »YmonomonoYYmini2.0---Canon 5D Mark III
Canon 6D« »YmonomonoY-mini2.0Y--Canon 6D
Canon 5D Mark II« »YmonomonoY-mini2.0---Canon 5D Mark II
Nikon D750« »YstereomonoYYmini2.0Y--Nikon D750
Nikon D610« »YmonomonoYYmini2.0---Nikon D610
Nikon D600« »YmonomonoYYmini2.0---Nikon D600
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III
Sony A7 II« »YstereomonoYYmicro2.0YY-Sony A7 II
Sony A7S« »YstereomonoYYmicro2.0YY-Sony A7S
Sony A7R« »YstereomonoYYmicro2.0YY-Sony A7R
Sony RX1« »YstereomonoY-mini2.0---Sony RX1

The 6D Mark II is a current model that online retailers, such as amazon, will have in stock. In contrast, the A7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7 was succeeded by the Sony A7 II.

Review summary: Canon 6D Mark II vs Sony A7

So how do things add up? Which of the two cameras – the Canon 6D Mark II or the Sony A7 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Canon EOS 6D Mark II:

  • Better low-light sensitivity: Requires less light for good images (0.3 stops ISO advantage).
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster burst: Shoots at higher frequency (6.5 vs 5 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (1200 versus 340) on a single battery charge.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More modern: Reflects 3 years and 8 months of technical progress since the A7 launch.

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Reasons to prefer the Sony Alpha A7:

  • Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
  • More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • More compact: Is smaller (127x94mm vs 144x111mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 291g or 38 percent) and is thus easier to take along.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • More affordable: Was released into a lower priced segment (15 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in October 2013).

If the count of individual advantages (bullet points above) is taken as a guide, the A7 emerges as the winner of the match-up (11 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.

6D Mark II 09:11 A7

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 6D Mark II or the A7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 6D Mark II»Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Sony A7«HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
Canon R« »--4.5/5-4/5 Sep 2018 2,299 i i Canon R
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Canon 5D Mark III« »HiRec82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
Canon 6D« »HiRec83/1004.5/54.5/54.5/5 Sep 2012 2,099- i Canon 6D
Canon 5D Mark II« »91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
Nikon D750« »HiRec90/1004.5/55/54.5/5 Sep 2014 2,299 i i Nikon D750
Nikon D610« »HiRec87/1004.5/54.5/54.5/5 Oct 2013 1,999 i i Nikon D610
Nikon D600« »HiRec87/1005/54.5/54.5/5 Sep 2012 2,099- i Nikon D600
Sony A7 III« »HiRec89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
Sony A7 II« »Rec82/1004.5/55/55/5 Nov 2014 1,999- i Sony A7 II
Sony A7S« »-86/1004.5/54.5/55/5 Apr 2014 2,499- i Sony A7S
Sony A7R« »HiRec82/1004.5/55/55/5 Oct 2013 2,299- i Sony A7R
Sony RX1« »-79/1004/54.5/54.5/5 Sep 2012 2,799- i Sony RX1

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please contact me, and I will try to locate and add the respective data to the application.

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