Canon 6D Mark II vs Panasonic G3
The Canon EOS 6D Mark II and the Panasonic Lumix DMC-G3 are two digital cameras that were revealed to the public, respectively, in June 2017 and May 2011. The 6D Mark II is a DSLR, while the G3 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and a Four Thirds (G3) sensor. The Canon has a resolution of 26 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 6D Mark II||Panasonic G3|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|26 MP, Full Frame Sensor||15.8 MP, Four Thirds Sensor|
|1080/60p Video||1080/60i Video|
|ISO 100-40,000 (50 - 102,400)||ISO 160-6,400|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|3.0 LCD, 1040k dots||3.0 LCD, 460k dots|
|Swivel touchscreen||Swivel touchscreen|
|6.5 shutter flaps per second||4 shutter flaps per second|
|Weathersealed body||not weather sealed|
|1200 shots per battery charge||270 shots per battery charge|
|144 x 111 x 75 mm, 765 g||115 x 84 x 47 mm, 336 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Panasonic Lumix DMC-G3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 6D Mark II and the Panasonic G3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The G3 can be obtained in four different colors (black, brown, red, white), while the 6D Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G3 is considerably smaller (40 percent) than the Canon 6D Mark II. Moreover, the G3 is substantially lighter (56 percent) than the 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the G3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Micro Four Thirds Lens Catalog (G3). Mirrorless cameras, such as the G3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Panasonic G3||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599|
|Canon R||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299|
|Canon 5D Mark IV||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499|
|Canon 80D||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon 5D Mark III||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499|
|Canon 6D||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Nikon D750||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299|
|Nikon D610||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999|
|Nikon D600||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099|
|Panasonic G6||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599|
|Panasonic G5||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599|
|Panasonic GX1||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699|
|Panasonic G2||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599|
|Panasonic GH2||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G3 was launched at a markedly lower price (by 70 percent) than the 6D Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Panasonic G3 a Four Thirds sensor. The sensor area in the G3 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 6D Mark II has a native 3:2 aspect ratio, while the one in the G3 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 26MP, the 6D Mark II offers a higher resolution than the G3 (15.8MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.77μm for the G3) due to its larger sensor. Moreover, the 6D Mark II is a much more recent model (by 6 years and 1 month) than the G3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 6D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 6D Mark II for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Panasonic G3 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-G3 are ISO 160 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 6D Mark II provides substantially higher image quality than the G3, with an overall score that is 29 points higher. This advantage is based on 3.4 bits higher color depth, 1.3 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 6D Mark II provides a higher frame rate than the G3. It can shoot video footage at 1080/60p, while the Panasonic is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G3 has an electronic viewfinder (1440k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G3 offers a wider field of view (100%) than the one in the 6D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 6D Mark II has a higher magnification (0.72x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Panasonic G3 in connection with corresponding information for a sample of similar cameras.
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
One feature that is present on the 6D Mark II, but is missing on the G3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon 6D Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 6D Mark II and the G3 write their files to SDXC cards. The 6D Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Panasonic Lumix DMC-G3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the 6D Mark II has a microphone port, which is missing on the G3. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the G3 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G3 was succeeded by the Panasonic G5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Canon 6D Mark II and the Panasonic G3? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 6D Mark II:
- More detail: Offers more megapixels (26 vs 15.8MP) with a 31% higher linear resolution.
- Better image quality: Scores substantially higher (29 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.1 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Faster burst: Shoots at higher frequency (6.5 vs 4 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (1200 versus 270) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 1 month of technical progress since the G3 launch.
Reasons to prefer the Panasonic Lumix DMC-G3:
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- More compact: Is smaller (115x84mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 429g or 56 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in May 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the 6D Mark II is the clear winner of the match-up (22 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D Mark II and the Panasonic G3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 6D Mark II or the G3 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Panasonic G3||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599|
|Canon R||o||79/100||4.5/5||4/5||4/5||Sep 2018||2,299|
|Canon 5D Mark IV||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Nikon D750||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299|
|Nikon D610||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999|
|Nikon D600||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Panasonic G5||+ +||..||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Panasonic GX1||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699|
|Panasonic G2||..||72/100||4/5||4/5||4.5/5||Mar 2010||599|
|Panasonic GH2||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 6D Mark II vs Canon SX410
- Canon 6D Mark II vs Leica M10-R
- Canon 6D Mark II vs Leica V-LUX 2
- Canon 6D Mark II vs Olympus E-PL5
- Canon 6D Mark II vs Sony NEX-F3
- Canon 6D Mark II vs Sony RX100 II
- Canon 77D vs Panasonic G3
- Fujifilm X-T10 vs Panasonic G3
- Leica M9 vs Panasonic G3
- Panasonic G3 vs Panasonic G5
- Panasonic G3 vs Panasonic GF1
- Panasonic G3 vs Panasonic GX85
Specifications: Canon 6D Mark II vs Panasonic G3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D Mark II||Panasonic G3|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2017||May 2011|
|Launch Price||USD 1,999||USD 599|
|Sensor Specs||Canon 6D Mark II||Panasonic G3|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||35.9 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||861.6 mm2||224.9 mm2|
|Sensor Diagonal||43.2 mm||21.6 mm|
|Sensor Resolution||26 Megapixels||15.8 Megapixels|
|Image Resolution||6240 x 4160 pixels||4592 x 3448 pixels|
|Pixel Pitch||5.76 μm||3.77 μm|
|Pixel Density||3.01 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||100 - 40,000 ISO||160 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||DIGIC 7||Venus FHD|
|DXO Sensor Quality (score)||85||56|
|DXO Color Depth (bits)||24.4||21.0|
|DXO Dynamic Range (EV)||11.9||10.6|
|DXO Low Light (ISO)||2862||667|
|Screen Specs||Canon 6D Mark II||Panasonic G3|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon 6D Mark II||Panasonic G3|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||6.5 shutter flaps/s||4 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon 6D Mark II||Panasonic G3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D Mark II||Panasonic G3|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||270 shots per charge|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
115 x 84 x 47 mm
(4.5 x 3.3 x 1.9 in)
|Camera Weight||765 g (27.0 oz)||336 g (11.9 oz)|
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