Canon 5D Mark IV vs Panasonic TS7
The Canon EOS 5D Mark IV and the Panasonic Lumix DC-TS7 (labelled Panasonic FT7 in some countries) are two digital cameras that were announced, respectively, in August 2016 and May 2018. The 5D Mark IV is a DSLR, while the TS7 is a fixed lens compact. The cameras are based on a full frame (5D Mark IV) and a 1/2.3-inch (TS7) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark IV||Panasonic TS7|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||28-128mm f/3.3-5.9|
|30.1 MP, Full Frame Sensor||20.2 MP, 1/2.3" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-32000 (50-102400)||ISO 80-3200 (80-6400)|
|Optical viewfinder||Electronic viewfinder (1170k dots)|
|3.2" LCD, 1620k dots||3.0" LCD, 1040k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|7 shutter flaps per second||10 shutter flaps per second|
|Weathersealed body||Waterproof body (31m)|
|900 shots per battery charge||300 shots per battery charge|
|151 x 116 x 76 mm, 890 g||117 x 76 x 37 mm, 319 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Panasonic Lumix DC-TS7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D Mark IV and the Panasonic TS7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The TS7 can be obtained in three different colors (black, blue, orange), while the 5D Mark IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TS7 is considerably smaller (49 percent) than the Canon 5D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TS7 has a lens built in, whereas the 5D Mark IV is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark IV and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 5D Mark IV gets 900 shots out of its LP-E6N battery, while the TS7 can take 300 images on a single charge of its DMW-BCM13 power pack. The power pack in the TS7 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 5D Mark IV»||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Panasonic TS7«||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic TS7|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Nikon D850« »||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299||Nikon D850|
|Nikon D800« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999||-||Nikon D800|
|Nikon D800E« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299||-||Nikon D800E|
|Panasonic ZS80« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic ZS80|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ80« »||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ80|
|Ricoh WG-6« »||4.6 in||2.6 in||1.3 in||8.7 oz||340||Y||Feb 2019||399||Ricoh WG-6|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TS7 was launched at a lower price than the 5D Mark IV, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Panasonic TS7 a 1/2.3-inch sensor. The sensor area in the TS7 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 5D Mark IV has a native 3:2 aspect ratio, while the one in the TS7 offers a 4:3 aspect.
With 30.1MP, the 5D Mark IV offers a higher resolution than the TS7 (20.2MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 1.18μm for the TS7) due to its larger sensor. However, the TS7 is a somewhat more recent model (by 1 year and 8 months) than the 5D Mark IV, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inch or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inch or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inch or 56.9 x 37.9 cm. The corresponding values for the Panasonic TS7 are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.
The 5D Mark IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-TS7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 5D Mark IV»||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Panasonic TS7«||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TS7|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Nikon D800« »||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95||Nikon D800|
|Nikon D800E« »||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96||Nikon D800E|
|Panasonic ZS80« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic ZS80|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic FZ80« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Panasonic FZ80|
|Ricoh WG-6« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Ricoh WG-6|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the TS7 has an electronic viewfinder (1170k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark IV has a higher magnification than the one of the TS7 (0.71x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark IV, the Panasonic TS7, and comparable cameras.
|Canon 5D Mark IV»||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Panasonic TS7«||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic TS7|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||1/8000s||9.0||n||n||Nikon D850|
|Nikon D800« »||optical||Y||3.2||921||fixed||n||1/8000s||4.0||Y||n||Nikon D800|
|Nikon D800E« »||optical||Y||3.2||921||fixed||n||1/8000s||4.0||Y||n||Nikon D800E|
|Panasonic ZS80« »||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS80|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic FZ80« »||1166||n||3.0||1040||fixed||Y||1/2000s||10||Y||Y||Panasonic FZ80|
|Ricoh WG-6« »||-||n||3.0||1040||fixed||n||1/4000s||1.0||Y||n||Ricoh WG-6|
One feature that is present on the 5D Mark IV, but is missing on the TS7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TS7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 5D Mark IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the TS7 uses SDXC cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the TS7 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Panasonic Lumix DC-TS7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark IV»||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Panasonic TS7«||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TS7|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Nikon D850« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Nikon D800« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800|
|Nikon D800E« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800E|
|Panasonic ZS80« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS80|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic FZ80« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ80|
|Ricoh WG-6« »||-||mono||mono||-||-||micro||3.0||-||-||-||Ricoh WG-6|
It is notable that the 5D Mark IV has a hotshoe, while the TS7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 5D Mark IV (unlike the TS7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 5D Mark IV and the TS7 are recent models that are part of the current product line-up. The 5D Mark IV replaced the earlier Canon 5D Mark III, while the TS7 followed on from the Panasonic TS6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon 5D Mark IV or the Panasonic TS7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 20.2MP) with a 25% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.45x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1300s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (900 versus 300) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in August 2016).
Reasons to prefer the Panasonic Lumix DC-TS7:
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 5D Mark IV requires a separate lens.
- More compact: Is smaller (117x76mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark IV).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (1 year and 8 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark IV is the clear winner of the match-up (25 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark IV and the Panasonic TS7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 5D Mark IV or the TS7 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5D Mark IV»||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Panasonic TS7«||+||-||-||-||3.5/5||May 2018||449||Panasonic TS7|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||88/100||+ +||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Nikon D850« »||+ +||89/100||4.5/5||5/5||5/5||Jul 2017||3,299||Nikon D850|
|Nikon D800« »||+ +||82/100||5/5||5/5||5/5||Feb 2012||2,999||-||Nikon D800|
|Nikon D800E« »||-||84/100||5/5||4.5/5||5/5||Feb 2012||3,299||-||Nikon D800E|
|Panasonic ZS80« »||-||-||4.5/5||-||-||Feb 2019||449||Panasonic ZS80|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ80« »||+ +||-||4.5/5||-||4.5/5||Jan 2017||399||Panasonic FZ80|
|Ricoh WG-6« »||-||-||3.5/5||-||3.5/5||Feb 2019||399||Ricoh WG-6|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark IV vs Leica V-LUX 3
- Canon 5D Mark IV vs YI M1
- Canon G1 X vs Panasonic TS7
- Canon SX610 vs Panasonic TS7
- Canon SX620 vs Panasonic TS7
- Canon XSi vs Panasonic TS7
- Nikon D610 vs Panasonic TS7
- Nikon D800 vs Panasonic TS7
- Olympus E-M5 vs Panasonic TS7
- Panasonic G5 vs Panasonic TS7
- Panasonic TS7 vs Sony A7
- Panasonic TS7 vs Sony RX100
Specifications: Canon 5D Mark IV vs Panasonic TS7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark IV||Panasonic TS7|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||28-128mm f/3.3-5.9|
|Launch Date||August 2016||May 2018|
|Launch Price||USD 3499||USD 449|
|Sensor Specs||Canon 5D Mark IV||Panasonic TS7|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||864 mm2||28.0735 mm2|
|Sensor Diagonal||43.3 mm||7.7 mm|
|Sensor Resolution||30.1 Megapixels||20.2 Megapixels|
|Image Resolution||6720 x 4480 pixels||5184 x 3888 pixels|
|Pixel Pitch||5.36 μm||1.18 μm|
|Pixel Density||3.48 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-32000 ISO||80-3200 ISO|
|ISO Boost||50-102400 ISO||80-6400 ISO|
|Image Processor||DIGIC 6+||Venus|
|DXO Sensor Quality (score)||91||..|
|DXO Color Depth (bits)||24.8||..|
|DXO Dynamic Range (EV)||13.6||..|
|DXO Low Light (ISO)||2995||..|
|Screen Specs||Canon 5D Mark IV||Panasonic TS7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1170k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 5D Mark IV||Panasonic TS7|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||7 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 5D Mark IV||Panasonic TS7|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 5D Mark IV||Panasonic TS7|
|Environmental Sealing||Weathersealed body||Waterproof body (31m)|
|Battery Life (CIPA)||900 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
|Camera Weight||890 g (31.4 oz)||319 g (11.3 oz)|
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