Canon 5D Mark IV vs Panasonic S5 II
The Canon EOS 5D Mark IV and the Panasonic Lumix DC-S5 II are two digital cameras that were announced, respectively, in August 2016 and January 2023. The 5D Mark IV is a DSLR, while the S5 II is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 30.1 megapixels, whereas the Panasonic provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Panasonic Lumix DC-S5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon 5D Mark IV and the Panasonic S5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 II is notably smaller (22 percent) than the Canon 5D Mark IV. Moreover, the S5 II is markedly lighter (17 percent) than the 5D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 5D Mark IV gets 900 shots out of its Canon LP-E6N battery, while the S5 II can take 370 images on a single charge of its Panasonic DMW-BLK22 power pack. The power pack in the S5 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark IV | 151 mm | 116 mm | 76 mm | 890 g | 900 | Y | Aug 2016 | US$ 3 499 | amazon.com | |
2. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
3. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | US$ 5 999 | ebay.com | |
4. | Canon 5D Mark II | 152 mm | 114 mm | 75 mm | 850 g | 850 | Y | Sep 2008 | US$ 3 499 | ebay.com | |
5. | Canon 5D Mark III | 152 mm | 116 mm | 76 mm | 950 g | 950 | Y | Mar 2012 | US$ 3 499 | ebay.com | |
6. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | US$ 3 699 | ebay.com | |
7. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | US$ 3 699 | ebay.com | |
8. | Canon 6D | 145 mm | 111 mm | 71 mm | 770 g | 1090 | Y | Sep 2012 | US$ 2 099 | ebay.com | |
9. | Canon 6D Mark II | 144 mm | 111 mm | 75 mm | 765 g | 1200 | Y | Jun 2017 | US$ 1 999 | amazon.com | |
10. | Canon 80D | 139 mm | 105 mm | 79 mm | 730 g | 960 | Y | Feb 2016 | US$ 1 199 | ebay.com | |
11. | Nikon D810 | 146 mm | 123 mm | 82 mm | 980 g | 1200 | Y | Jun 2014 | US$ 3 299 | ebay.com | |
12. | Nikon D850 | 146 mm | 124 mm | 79 mm | 1005 g | 1840 | Y | Jul 2017 | US$ 3 299 | amazon.com | |
13. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | US$ 1 699 | ebay.com | |
14. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
15. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | US$ 1 999 | ebay.com | |
16. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | US$ 2 199 | amazon.com | |
17. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | US$ 1 999 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The S5 II was launched at a markedly lower price (by 43 percent) than the 5D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the S5 II is 2 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 30.1MP, the 5D Mark IV offers a higher resolution than the S5 II (24MP), but the 5D Mark IV has smaller individual pixels (pixel pitch of 5.36μm versus 5.94μm for the S5 II). Moreover, the S5 II is a much more recent model (by 6 years and 4 months) than the 5D Mark IV, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S5 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inches or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inches or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inches or 56.9 x 37.9 cm. The corresponding values for the Panasonic S5 II are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
Unlike the 5D Mark IV, the S5 II has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-S5 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark IV | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.8 | 13.6 | 2995 | 91 | |
2. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
3. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
4. | Canon 5D Mark II | Full Frame | 21.0 | 5616 | 3744 | 1080/30p | 23.7 | 11.9 | 1815 | 79 | |
5. | Canon 5D Mark III | Full Frame | 22.1 | 5760 | 3840 | 1080/30p | 24.0 | 11.7 | 2293 | 81 | |
6. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
7. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
8. | Canon 6D | Full Frame | 20.0 | 5472 | 3648 | 1080/30p | 23.8 | 12.1 | 2340 | 82 | |
9. | Canon 6D Mark II | Full Frame | 26.0 | 6240 | 4160 | 1080/60p | 24.4 | 11.9 | 2862 | 85 | |
10. | Canon 80D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.2 | 1135 | 79 | |
11. | Nikon D810 | Full Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.7 | 14.8 | 2853 | 97 | |
12. | Nikon D850 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.4 | 14.8 | 2660 | 100 | |
13. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.1 | 12.8 | 1138 | 74 | |
14. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
15. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
16. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
17. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S5 II provides a better video resolution than the 5D Mark IV. It can shoot movie footage at 6K/30p, while the Canon is limited to 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the S5 II has an electronic viewfinder (3680k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the S5 II has a higher magnification than the one of the 5D Mark IV (0.78x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 5D Mark IV and Panasonic S5 II in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark IV | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 7.0/s | n | n | |
2. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
3. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
4. | Canon 5D Mark II | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 3.9/s | n | n | |
5. | Canon 5D Mark III | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 6.0/s | n | n | |
6. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
7. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
8. | Canon 6D | optical | Y | 3.0 / 1040 | fixed | n | 1/4000s | 4.5/s | n | n | |
9. | Canon 6D Mark II | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.5/s | n | n | |
10. | Canon 80D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
11. | Nikon D810 | optical | Y | 3.2 / 1229 | fixed | n | 1/8000s | 5.0/s | Y | n | |
12. | Nikon D850 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 9.0/s | n | n | |
13. | Panasonic G9 | 3680 | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 20.0/s | n | Y | |
14. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
15. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
16. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
17. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the 5D Mark IV, but is missing on the S5 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The S5 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D Mark IV does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 5D Mark IV and the Panasonic S5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the S5 II uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The S5 II supports UHS-II cards (on both slots), while the 5D Mark IV can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Panasonic Lumix DC-S5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark IV | Y | mono / mono | Y | Y | mini | 3.0 | Y | Y | - | |
2. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
3. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
4. | Canon 5D Mark II | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
5. | Canon 5D Mark III | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
6. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
7. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
8. | Canon 6D | Y | mono / mono | Y | - | mini | 2.0 | Y | - | - | |
9. | Canon 6D Mark II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
10. | Canon 80D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
11. | Nikon D810 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
12. | Nikon D850 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
13. | Panasonic G9 | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
14. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
15. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
16. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
17. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y |
Studio photographers will appreciate that the Canon 5D Mark IV (unlike the S5 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 5D Mark IV and the S5 II are recent models that are part of the current product line-up. The 5D Mark IV replaced the earlier Canon 5D Mark III, while the S5 II followed on from the Panasonic S5. Further information on the features and operation of the 5D Mark IV and S5 II can be found, respectively, in the Canon 5D Mark IV Manual (free pdf) or the online Panasonic S5 II Manual.
Review summary
So what conclusions can be drawn? Is the Canon 5D Mark IV better than the Panasonic S5 II or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 24MP) with a 12% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Can take more shots (900 versus 370) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2016).
Advantages of the Panasonic Lumix DC-S5 II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (6K/30p vs 4K/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.71x).
- More detailed LCD: Has a higher resolution rear screen (1840k vs 1620k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (134x102mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 150g or 17 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More modern: Reflects 6 years and 4 months of technical progress since the 5D Mark IV launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S5 II is the clear winner of the contest (20 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark IV and the Panasonic S5 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark IV or the S5 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark IV | 4.5/5 | + + | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2016 | US$ 3 499 | amazon.com | |
2. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
3. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | US$ 5 999 | ebay.com | |
4. | Canon 5D Mark II | 4/5 | 91/100 | .. | 79/100 | 4/5 | .. | Sep 2008 | US$ 3 499 | ebay.com | |
5. | Canon 5D Mark III | .. | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Mar 2012 | US$ 3 499 | ebay.com | |
6. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | US$ 3 699 | ebay.com | |
7. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | US$ 3 699 | ebay.com | |
8. | Canon 6D | 5/5 | + + | .. | 83/100 | 4.5/5 | 4.5/5 | Sep 2012 | US$ 2 099 | ebay.com | |
9. | Canon 6D Mark II | 4/5 | + | 4/5 | 80/100 | 4.5/5 | 4/5 | Jun 2017 | US$ 1 999 | amazon.com | |
10. | Canon 80D | 4/5 | + + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2016 | US$ 1 199 | ebay.com | |
11. | Nikon D810 | 5/5 | .. | 5/5 | 86/100 | 5/5 | 4.5/5 | Jun 2014 | US$ 3 299 | ebay.com | |
12. | Nikon D850 | 4.5/5 | + + | 5/5 | 89/100 | 4.5/5 | 5/5 | Jul 2017 | US$ 3 299 | amazon.com | |
13. | Panasonic G9 | .. | + + | 5/5 | 85/100 | 5/5 | 5/5 | Nov 2017 | US$ 1 699 | ebay.com | |
14. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
15. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | US$ 1 999 | ebay.com | |
16. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | US$ 2 199 | amazon.com | |
17. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | US$ 1 999 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark II vs Canon 5D Mark IV
- Canon 5D Mark IV vs Olympus E-M5
- Canon 5D Mark IV vs Panasonic GX9
- Canon 5D Mark IV vs Sony A68
- Canon 5D Mark IV vs Sony A7R IV
- Canon 5D Mark IV vs Sony ZV-1
- Canon R10 vs Panasonic S5 II
- Nikon D850 vs Panasonic S5 II
- Nikon Zf vs Panasonic S5 II
- Panasonic G6 vs Panasonic S5 II
- Panasonic S5 II vs Pentax 645Z
- Panasonic S5 II vs Sony A6000
Specifications: Canon 5D Mark IV vs Panasonic S5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 5D Mark IV | Panasonic S5 II |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Leica L mount lenses |
Launch Date | August 2016 | January 2023 |
Launch Price | USD 3,499 | USD 1,999 |
Sensor Specs | Canon 5D Mark IV | Panasonic S5 II |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | Full Frame Sensor |
Sensor Size | 36.0 x 24.0 mm | 35.6 x 23.8 mm |
Sensor Area | 864 mm2 | 847.28 mm2 |
Sensor Diagonal | 43.3 mm | 42.8 mm |
Crop Factor | 1.0x | 1.0x |
Sensor Resolution | 30.1 Megapixels | 24 Megapixels |
Image Resolution | 6720 x 4480 pixels | 6000 x 4000 pixels |
Pixel Pitch | 5.36 μm | 5.94 μm |
Pixel Density | 3.48 MP/cm2 | 2.83 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/30p Video | 6K/30p Video |
ISO Setting | 100 - 32,000 ISO | 100 - 51,200 ISO |
ISO Boost | 50 - 102,400 ISO | 50 - 204,800 ISO |
Image Processor | DIGIC 6+ | Venus |
DXO Sensor Quality (score) | 91 | .. |
DXO Color Depth (bits) | 24.8 | .. |
DXO Dynamic Range (EV) | 13.6 | .. |
DXO Low Light (ISO) | 2995 | .. |
Screen Specs | Canon 5D Mark IV | Panasonic S5 II |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.71x | 0.78x |
Viewfinder Resolution | 3680k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 1620k dots | 1840k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon 5D Mark IV | Panasonic S5 II |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
Continuous Shooting | 7 shutter flaps/s | 9 shutter flaps/s |
Shutter Life Expectancy | 150 000 actuations | 200 000 actuations |
Electronic Shutter | no E-Shutter | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CF or SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Canon 5D Mark IV | Panasonic S5 II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.0 | USB 3.2 |
HDMI Port | mini HDMI | full HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Geotagging | GPS built-in | no internal GPS |
Body Specs | Canon 5D Mark IV | Panasonic S5 II |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Canon LP-E6N | Panasonic DMW-BLK22 |
Battery Life (CIPA) | 900 shots per charge | 370 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
151 x 116 x 76 mm (5.9 x 4.6 x 3.0 in) |
134 x 102 x 90 mm (5.3 x 4.0 x 3.5 in) |
Camera Weight | 890 g (31.4 oz) | 740 g (26.1 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.