Canon 5D Mark IV vs Fujifilm X-T1
The Canon EOS 5D Mark IV and the Fujifilm X-T1 are two digital cameras that were announced, respectively, in August 2016 and January 2014. The 5D Mark IV is a DSLR, while the X-T1 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark IV) and an APS-C (X-T1) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Fujifilm provides 16 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 5D Mark IV||Fujifilm X-T1|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Fujifilm X mount lenses|
|30.1 MP, Full Frame Sensor||16 MP, APS-C Sensor|
|4K/30p Video||1080/60p Video|
|ISO 100-32000 (50-102400)||ISO 200-6400 (100-51200)|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.2" LCD, 1620k dots||3.0" LCD, 1040k dots|
|Fixed touchscreen||Tilting screen (not touch-sensitive)|
|7 shutter flaps per second||8 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|900 shots per battery charge||350 shots per battery charge|
|151 x 116 x 76 mm, 890 g||129 x 90 x 47 mm, 440 g|
Body comparison: Canon 5D Mark IV vs Fujifilm X-T1
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark IV and the Fujifilm X-T1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T1 is considerably smaller (34 percent) than the Canon 5D Mark IV. Moreover, the X-T1 is substantially lighter (51 percent) than the 5D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark IV) and the Fujinon X Lens Catalog (X-T1). Mirrorless cameras, such as the X-T1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 5D Mark IV»||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Fujifilm X-T1«||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,699||-||Fujifilm X-T1|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-M1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||-||Fujifilm X-M1|
|Nikon D850« »||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299||Nikon D850|
|Nikon D800« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999||-||Nikon D800|
|Nikon D800E« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299||-||Nikon D800E|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-T1 was launched at a markedly lower price (by 51 percent) than the 5D Mark IV, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 5D Mark IV vs Fujifilm X-T1
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Fujifilm X-T1 an APS-C sensor. The sensor area in the X-T1 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 30.1MP, the 5D Mark IV offers a higher resolution than the X-T1 (16MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 4.80μm for the X-T1) due to its larger sensor. Moreover, the 5D Mark IV is a somewhat more recent model (by 2 years and 6 months) than the X-T1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-T1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-T1 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-51200..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 5D Mark IV»||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Fujifilm X-T1«||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T10|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2|
|Fujifilm X-M1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-M1|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Nikon D800« »||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95||Nikon D800|
|Nikon D800E« »||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96||Nikon D800E|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 5D Mark IV provides a higher video resolution than the X-T1. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Feature comparison: Canon 5D Mark IV vs Fujifilm X-T1
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-T1 has an electronic viewfinder (2360k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 5D Mark IV, the Fujifilm X-T1, and comparable cameras.
|Canon 5D Mark IV»||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Fujifilm X-T1«||2360||n||3.0||1040||tilting||n||4000||8.0||n||n||Fujifilm X-T1|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n||Canon 1D X Mark II|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS R|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n||Canon 5D Mark III|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||8000||3.0||n||n||Canon 5D|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||8000||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||8000||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||4000||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-M1« »||-||n||3.0||920||tilting||n||4000||5.6||Y||n||Fujifilm X-M1|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||8000||9.0||n||n||Nikon D850|
|Nikon D800« »||optical||Y||3.2||921||fixed||n||8000||4.0||Y||n||Nikon D800|
|Nikon D800E« »||optical||Y||3.2||921||fixed||n||8000||4.0||Y||n||Nikon D800E|
One feature that is present on the 5D Mark IV, but is missing on the X-T1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the X-T1 uses SDXC cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-T1 only has one slot.
Connectivity comparison: Canon 5D Mark IV vs Fujifilm X-T1
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Fujifilm X-T1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark IV»||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Fujifilm X-T1«||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-T10« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-E2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-M1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Nikon D850« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Nikon D800« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800|
|Nikon D800E« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800E|
It is notable that the 5D Mark IV has a headphone jack, which is not present on the X-T1 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The 5D Mark IV is a recent model that features in the current product line-up of Canon. In contrast, the X-T1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-T1 was succeeded by the Fujifilm X-T2.
Review summary: Canon 5D Mark IV vs Fujifilm X-T1
So what is the bottom line? Is the Canon 5D Mark IV better than the Fujifilm X-T1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 16MP) with a 37% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: Larger sensor generates images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Longer lasting: Can take more shots (900 versus 350) on a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 2 years and 6 months of technical progress since the X-T1 launch.
Reasons to prefer the Fujifilm X-T1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (8 vs 7 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (129x90mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 450g or 51 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (51 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the 5D Mark IV is the clear winner of the match-up (19 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 5D Mark IV or the X-T1 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 5D Mark IV vs Fujifilm X-T1
This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Canon 5D Mark IV»||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Fujifilm X-T1«||HiRec||84/100||5/5||4/5||5/5||Jan 2014||1,699||-||Fujifilm X-T1|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||HiRec||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||88/100||HiRec||rev||rev||-||Aug 2005||3,299||-||Canon 5D|
|Fujifilm X-Pro2« »||Rec||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||HiRec||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T10« »||HiRec||80/100||5/5||4/5||5/5||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-M1« »||Rec||77/100||4.5/5||-||4.5/5||Jun 2013||699||-||Fujifilm X-M1|
|Nikon D850« »||HiRec||89/100||4.5/5||5/5||5/5||Jul 2017||3,299||Nikon D850|
|Nikon D800« »||HiRec||82/100||5/5||5/5||5/5||Feb 2012||2,999||-||Nikon D800|
|Nikon D800E« »||-||84/100||5/5||4.5/5||5/5||Feb 2012||3,299||-||Nikon D800E|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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- Canon SL2 vs Panasonic G85
- Canon T6 vs Canon 1D X Mark II
- Leica T vs Ricoh GR II
- Nikon D810 vs Olympus E-M1 II
- Nikon D90 vs Fujifilm X-T20
- Olympus E-M1 II vs Panasonic S1R
- Sony A7 II vs Canon R
- Sony A7 II vs Nikon D300S
- Sony A7R II vs Canon RP
- Sony HX99 vs Nikon A1000
Specifications: Canon 5D Mark IV vs Fujifilm X-T1
|Camera Model||Canon 5D Mark IV||Fujifilm X-T1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm X mount lenses|
|Launch Date||August 2016||January 2014|
|Launch Price||USD 3499||USD 1699|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.6 x 24.0 mm|
|Sensor Area||864 mm2||368.16 mm2|
|Sensor Diagonal||43.3 mm||28.3 mm|
|Sensor Resolution||30.1 Megapixels||16 Megapixels|
|Image Resolution||6720 x 4480 pixels||4896 x 3264 pixels|
|Pixel Pitch||5.36 μm||4.80 μm|
|Pixel Density||3.48 MP/cm2||4.34 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100-32000 ISO||200-6400 ISO|
|ISO Boost||50-102400 ISO||100-51200 ISO|
|Image Processor||DIGIC 6+||EXR Processor II|
|DXO Sensor Quality (score)||91||..|
|DXO Color Depth (bits)||24.8||..|
|DXO Dynamic Range (EV)||13.6||..|
|DXO Low Light (ISO)||2995||..|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||n/a||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||7 shutter flaps/s||8 shutter flaps/s|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||LP-E6N power pack||NP-W126 power pack|
|Battery Life (CIPA)||900 shots per charge||350 shots per charge|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
129 x 90 x 47 mm
(5.1 x 3.5 x 1.9 in)
|Camera Weight||890 g (31.4 oz)||440 g (15.5 oz)|
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