Canon 5D Mark III vs Sony A9
The Canon EOS 5D Mark III and the Sony Alpha A9 are two professional cameras that were announced, respectively, in March 2012 and April 2017. The 5D Mark III is a DSLR, while the A9 is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 22.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark III||Sony A9|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|22.1 MP, Full Frame Sensor||24 MP, Full Frame Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-25600 (50-102400)||ISO 100-51200 (50-204800)|
|Optical viewfinder||Electronic viewfinder (3686k dots)|
|3.2" LCD, 1040k dots||3.0" LCD, 1440k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|6 shutter flaps per second||20 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|950 shots per battery charge||650 shots per battery charge|
|152 x 116 x 76 mm, 950 g||127 x 96 x 63 mm, 673 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Sony Alpha A9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 5D Mark III and the Sony A9 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 is considerably smaller (31 percent) than the Canon 5D Mark III. Moreover, the A9 is markedly lighter (29 percent) than the 5D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark III) and the Sony FE Lens Catalog (A9). Mirrorless cameras, such as the A9, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 5D Mark III gets 950 shots out of its LP-E6 battery, while the A9 can take 650 images on a single charge of its NP-FZ100 power pack. The power pack in the A9 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 5D Mark III»||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Sony A9«||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-||Nikon D600|
|Nikon D800« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999||-||Nikon D800|
|Nikon D800E« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299||-||Nikon D800E|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||-||Sony A7R III|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 5D Mark III was launched at a somewhat lower price (by 22 percent) than the A9, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A9 is 2 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A9 offers a slightly higher resolution of 24 megapixels, compared with 22.1 MP of the 5D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.94μm versus 6.25μm for the 5D Mark III). However, it should be noted that the A9 is much more recent (by 5 years and 1 month) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The A9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A9 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A9 offers substantially better image quality than the 5D Mark III (overall score 11 points higher). The advantage is based on 0.9 bits higher color depth, 1.6 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 5D Mark III»||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Sony A9«||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D600« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Nikon D800« »||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95||Nikon D800|
|Nikon D800E« »||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96||Nikon D800E|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A9 provides a better video resolution than the 5D Mark III. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A9 has an electronic viewfinder (3686k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A9 has a higher magnification than the one of the 5D Mark III (0.78x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 5D Mark III and Sony A9 along with similar information for a selection of comparators.
|Canon 5D Mark III»||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Sony A9«||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D600« »||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
|Nikon D800« »||optical||Y||3.2||921||fixed||n||1/8000s||4.0||Y||n||Nikon D800|
|Nikon D800E« »||optical||Y||3.2||921||fixed||n||1/8000s||4.0||Y||n||Nikon D800E|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
One feature that is present on the 5D Mark III, but is missing on the A9 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the A9 uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The A9 supports UHS-II cards on its first slot and UHS-I on its second one, while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Sony Alpha A9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark III»||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Sony A9«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D600« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Nikon D800« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800|
|Nikon D800E« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800E|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
It is notable that the A9 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 5D Mark III does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The A9 is a recent model that features in the current product line-up of Sony. In contrast, the 5D Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 5D Mark III was succeeded by the Canon 5D Mark IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is the Canon 5D Mark III better than the Sony A9 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 5D Mark III:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Can take more shots (950 versus 650) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (22 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2012).
Arguments in favor of the Sony Alpha A9:
- Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.6 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.71x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (20 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (127x96mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 277g or 29 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 5 years and 1 month of technical progress since the 5D Mark III launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A9 is the clear winner of the contest (21 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Sony A9 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 5D Mark III and the A9 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5D Mark III»||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Sony A9«||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Canon 5D Mark IV« »||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||88/100||+ +||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Nikon D610« »||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Nikon D600|
|Nikon D800« »||+ +||82/100||5/5||5/5||5/5||Feb 2012||2,999||-||Nikon D800|
|Nikon D800E« »||-||84/100||5/5||4.5/5||5/5||Feb 2012||3,299||-||Nikon D800E|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||-||Sony A7R III|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Canon 5D Mark III
- Canon 5D Mark III vs Canon 700D
- Canon 5D Mark III vs Nikon D300S
- Canon 5D Mark III vs Nikon D50
- Canon 5D Mark III vs Panasonic GM5
- Fujifilm X-Pro1 vs Sony A9
- Fujifilm X10 vs Sony A9
- Nikon 1 V3 vs Sony A9
- Nikon D3400 vs Sony A9
- Nikon D5200 vs Sony A9
- Nikon D5600 vs Sony A9
- Panasonic FZ80 vs Sony A9
Specifications: Canon 5D Mark III vs Sony A9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Sony A9|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||March 2012||April 2017|
|Launch Price||USD 3499||USD 4499|
|Sensor Specs||Canon 5D Mark III||Sony A9|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.6 x 23.8 mm|
|Sensor Area||864 mm2||847.28 mm2|
|Sensor Diagonal||43.3 mm||42.8 mm|
|Sensor Resolution||22.1 Megapixels||24 Megapixels|
|Image Resolution||5760 x 3840 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.25 μm||5.94 μm|
|Pixel Density||2.56 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-51200 ISO|
|ISO Boost||50-102400 ISO||50-204800 ISO|
|Image Processor||DIGIC 5+||BIONZ X|
|DXO Sensor Quality (score)||81||92|
|DXO Color Depth (bits)||24.0||24.9|
|DXO Dynamic Range (EV)||11.7||13.3|
|DXO Low Light (ISO)||2293||3517|
|Screen Specs||Canon 5D Mark III||Sony A9|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3686k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1040k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 5D Mark III||Sony A9|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||6 shutter flaps/s||20 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||500 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Canon 5D Mark III||Sony A9|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 5D Mark III||Sony A9|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||950 shots per charge||650 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
127 x 96 x 63 mm
(5.0 x 3.8 x 2.5 in)
|Camera Weight||950 g (33.5 oz)||673 g (23.7 oz)|
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