Canon 5D Mark III vs Fujifilm X-H1

The Canon EOS 5D Mark III and the Fujifilm X-H1 are two digital cameras that were announced, respectively, in March 2012 and February 2018. The 5D Mark III is a DSLR, while the X-H1 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark III) and an APS-C (X-H1) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Fujifilm provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 5D Mark III		Fujifilm X-H1
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm X mount lenses
22.1 MP – Full Frame sensor		24 MP – APS-C sensor
1080/30p Video		4K/30p Video
ISO 100-25,600 (50 - 102,400)		ISO 200-12,800 (100 - 51,200)
Optical viewfinder		Electronic viewfinder (3690k dots)
3.2" LCD – 1040k dots		3.0" LCD – 1040k dots
Fixed screen (not touch-sensitive)		Fully flexible touchscreen
6 shutter flaps per second		14 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
950 shots per battery charge		310 shots per battery charge
152 x 116 x 76 mm, 950 g		140 x 97 x 86 mm, 673 g

Check 5D Mark III offers at
ebay.com
Check X-H1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Fujifilm X-H1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 5D Mark III and the Fujifilm X-H1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-H1 is notably smaller (23 percent) than the Canon 5D Mark III. Moreover, the X-H1 is markedly lighter (29 percent) than the 5D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark III) and the Fujinon X Lens Catalog (X-H1). Mirrorless cameras, such as the X-H1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 5D Mark III gets 950 shots out of its LP-E6 battery, while the X-H1 can take 310 images on a single charge of its NP-W126S power pack. The power pack in the X-H1 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	3,499	ebay.com
2.		Fujifilm X-H1	140 mm	97 mm	86 mm	673 g	310	Y	Feb 2018	1,899	ebay.com
3.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	3,499	amazon.com
4.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	amazon.com
5.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	amazon.com
6.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	2,099	ebay.com
7.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	3,499	ebay.com
8.		Canon 5D	152 mm	113 mm	75 mm	895 g	400	Y	Aug 2005	3,299	ebay.com
9.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	2,499	amazon.com
10.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	1,699	amazon.com
11.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	1,799	amazon.com
12.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	1,699	ebay.com
13.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	1,999	amazon.com
14.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	2,099	ebay.com
15.		Nikon D800	146 mm	123 mm	82 mm	1000 g	900	Y	Feb 2012	2,999	ebay.com
16.		Nikon D800E	146 mm	123 mm	82 mm	1000 g	900	Y	Feb 2012	3,299	ebay.com
17.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-H1 was launched at a markedly lower price (by 46 percent) than the 5D Mark III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Fujifilm X-H1 an APS-C sensor. The sensor area in the X-H1 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the X-H1 offers a slightly higher resolution of 24 megapixels, compared with 22.1 MP of the 5D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 6.25μm for the 5D Mark III). However, it should be noted that the X-H1 is much more recent (by 5 years and 11 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-H1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The X-H1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-H1 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the 5D Mark III uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-H1 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
2.		Fujifilm X-H1	APS-C	24.0	6000	4000	4K/30p	24.0	13.3	1806	82
3.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
4.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
5.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
6.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
7.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
8.		Canon 5D	Full Frame	12.7	4368	2912	none	22.9	11.1	1368	71
9.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
10.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
11.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
12.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
13.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
14.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
15.		Nikon D800	Full Frame	36.2	7360	4912	1080/30p	25.3	14.4	2853	95
16.		Nikon D800E	Full Frame	36.2	7360	4912	1080/30p	25.6	14.3	2979	96
17.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-H1 provides a better video resolution than the 5D Mark III. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-H1 has an electronic viewfinder (3690k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the X-H1 has a higher magnification than the one of the 5D Mark III (0.75x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 5D Mark III and Fujifilm X-H1 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
2.		Fujifilm X-H1	3690	Y	3.0 / 1040	full-flex	Y	1/8000s	14.0/s	n	Y
3.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
4.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
5.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
6.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
7.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
8.		Canon 5D	optical	Y	2.5 / 230	fixed	n	1/8000s	3.0/s	n	n
9.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
10.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
11.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
12.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
13.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
14.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
15.		Nikon D800	optical	Y	3.2 / 921	fixed	n	1/8000s	4.0/s	Y	n
16.		Nikon D800E	optical	Y	3.2 / 921	fixed	n	1/8000s	4.0/s	Y	n
17.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-H1 has a touchscreen, while the 5D Mark III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-H1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-H1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the X-H1 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The X-H1 supports UHS-II cards (on both slots), while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Fujifilm X-H1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
2.		Fujifilm X-H1	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
3.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
4.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
5.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
6.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
7.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
8.		Canon 5D	Y	- / -	-	-	-	2.0	-	-	-
9.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
10.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
11.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
12.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
13.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
14.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
15.		Nikon D800	Y	mono / mono	Y	Y	mini	3.0	-	-	-
16.		Nikon D800E	Y	mono / mono	Y	Y	mini	3.0	-	-	-
17.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y

It is notable that the 5D Mark III has a headphone jack, which is not present on the X-H1 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the 5D Mark III and the X-H1 have been discontinued, but can regularly be found used on ebay. The 5D Mark III was replaced by the Canon 5D Mark IV, while the X-H1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Canon 5D Mark III or the Fujifilm X-H1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon EOS 5D Mark III:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• Longer lasting: Can take more shots (950 versus 310) on a single battery charge.
• More heavily discounted: Has been available for much longer (launched in March 2012).

Advantages of the Fujifilm X-H1:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.75x vs 0.71x).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster burst: Shoots at higher frequency (14 vs 6 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (140x97mm vs 152x116mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 277g or 29 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More affordable: Was introduced into a lower priced category (46 percent cheaper at launch).
• More modern: Reflects 5 years and 11 months of technical progress since the 5D Mark III launch.

If the count of relative strengths (bullet points above) is taken as a measure, the X-H1 is the clear winner of the contest (20 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 5D Mark III and the Fujifilm X-H1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark III or the X-H1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	3,499	ebay.com
2.		Fujifilm X-H1	..	+	5/5	86/100	4.5/5	4.5/5	Feb 2018	1,899	ebay.com
3.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	3,499	amazon.com
4.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	amazon.com
5.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	3,699	amazon.com
6.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	2,099	ebay.com
7.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	3,499	ebay.com
8.		Canon 5D	..	88/100	..	+ +	o	..	Aug 2005	3,299	ebay.com
9.		Fujifilm X-H2S	..	..	..	..	..	..	May 2022	2,499	amazon.com
10.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	1,699	amazon.com
11.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	1,799	amazon.com
12.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	1,699	ebay.com
13.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	1,999	amazon.com
14.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	2,099	ebay.com
15.		Nikon D800	5/5	+ +	..	82/100	5/5	5/5	Feb 2012	2,999	ebay.com
16.		Nikon D800E	..	..	..	84/100	5/5	5/5	Feb 2012	3,299	ebay.com
17.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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