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Canon 5D Mark III vs Sony A6500

The Canon EOS 5D Mark III and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in March 2012 and October 2016. The 5D Mark III is a DSLR, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark III) and an APS-C (A6500) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon 5D Mark III   Sony A6500
Canon 5D Mark III Sony A6500
Digital single lens reflex Mirrorless system camera
Canon EF mount lenses Sony E mount lenses
22.1 MP, Full Frame Sensor 24 MP, APS-C Sensor
1080/30p Video 4K/30p Video
ISO 100-25600 (50-102400) ISO 100-25600 (100-51200)
Optical viewfinder Electronic viewfinder (2359k dots)
3.2" LCD, 1040k dots 3.0" LCD, 922k dots
Fixed screen (not touch-sensitive) Tilting touchscreen
6 shutter flaps per second 11 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Weathersealed bodyWeathersealed body
950 shots per battery charge350 shots per battery charge
152 x 116 x 76 mm, 950 g 120 x 67 x 53 mm, 453 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Canon 5D Mark III vs Sony A6500

The physical size and weight of the Canon 5D Mark III and the Sony A6500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

Size Canon 5D Mark III vs Sony A6500
Compare 5D Mark III versus A6500 top
Comparison 5D Mark III or A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (54 percent) than the Canon 5D Mark III. Moreover, the A6500 is substantially lighter (52 percent) than the 5D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark III) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the A6500, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 5D Mark III gets 950 shots out of its LP-E6 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon 5D Mark III» 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
 
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
 
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 5DS« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS
 
Canon 5DS R« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS R
 
Canon 6D« » 5.7 in 4.4 in 2.8 in 27.2 oz 1090 Y Sep 2012 2,099- i Canon 6D
 
Canon 5D Mark II« » 6.0 in 4.5 in 3.0 in 30.0 oz 850 Y Sep 2008 3,499- i Canon 5D Mark II
 
Canon 5D« » 6.0 in 4.4 in 3.0 in 31.6 oz 400 Y Aug 2005 3,299- i Canon 5D
 
Fujifilm X-Pro2« » 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
 
Nikon D610« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Oct 2013 1,999 i i Nikon D610
 
Nikon D600« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Sep 2012 2,099- i Nikon D600
 
Nikon D800« » 5.7 in 4.8 in 3.2 in 35.3 oz 900 Y Feb 2012 2,999- i Nikon D800
 
Nikon D800E« » 5.7 in 4.8 in 3.2 in 35.3 oz 900 Y Feb 2012 3,299- i Nikon D800E
 
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
 
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
 
Sony A77« » 5.6 in 4.1 in 3.2 in 25.8 oz 470 Y Aug 2011 1,399- i Sony A77
 
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6500 was launched at a markedly lower price (by 60 percent) than the 5D Mark III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Canon 5D Mark III vs Sony A6500

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Canon 5D Mark III and Sony A6500 sensor measures

Despite having a smaller sensor, the A6500 offers a slightly higher resolution of 24 megapixels, compared with 22.1 MP of the 5D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 6.25μm for the 5D Mark III). However, it should be noted that the A6500 is much more recent (by 4 years and 7 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

5D Mark III versus A6500 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A6500 has a markedly higher DXO score than the 5D Mark III (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, 2 EV in additional dynamic range, and 0.7 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Canon 5D Mark III» Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
 
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
 
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
 
Canon 5DS« » Full Frame 50.3 8688 57921080/30p24.712.4238187Canon 5DS
 
Canon 5DS R« » Full Frame 50.3 8688 57921080/30p24.612.4230886Canon 5DS R
 
Canon 6D« » Full Frame 20.0 5472 36481080/30p23.812.1234082Canon 6D
 
Canon 5D Mark II« » Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
 
Canon 5D« » Full Frame 12.7 4368 2912-22.911.1136871Canon 5D
 
Fujifilm X-Pro2« » APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
 
Nikon D610« » Full Frame 24.2 6016 40161080/30p25.114.4292594Nikon D610
 
Nikon D600« » Full Frame 24.2 6016 40161080/30p25.114.2298094Nikon D600
 
Nikon D800« » Full Frame 36.2 7360 49121080/30p25.314.4285395Nikon D800
 
Nikon D800E« » Full Frame 36.2 7360 49121080/30p25.614.3297996Nikon D800E
 
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
 
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
 
Sony A77« » APS-C 24.0 6000 40001080/60p24.013.280178Sony A77
 
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the 5D Mark III. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.

 

Feature comparison: Canon 5D Mark III vs Sony A6500

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2359k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark III has a higher magnification than the one of the A6500 (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark III, the Sony A6500, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Canon 5D Mark III»optical Y 3.2 1040 fixed n 1/8000s 6.0 n n Canon 5D Mark III
 
Sony A6500«2359 n 3.0 922 tilting Y 1/4000s 11.0 Y Y Sony A6500
 
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 1/8000s 7.0 n n Canon 5D Mark IV
 
Canon 5DS« »optical Y 3.2 1040 fixed n 1/8000s 5.0 n n Canon 5DS
 
Canon 5DS R« »optical Y 3.2 1040 fixed n 1/8000s 5.0 n n Canon 5DS R
 
Canon 6D« »optical Y 3.0 1040 fixed n 1/4000s 4.5 n n Canon 6D
 
Canon 5D Mark II« »optical Y 3.0 920 fixed n 1/8000s 3.9 n n Canon 5D Mark II
 
Canon 5D« »optical Y 2.5 230 fixed n 1/8000s 3.0 n n Canon 5D
 
Fujifilm X-Pro2« »2360 n 3.0 1620 fixed n 1/8000s 8.0 n n Fujifilm X-Pro2
 
Nikon D610« »optical Y 3.2 921 fixed n 1/4000s 6.0 Y n Nikon D610
 
Nikon D600« »optical Y 3.0 921 fixed n 1/4000s 5.5 Y n Nikon D600
 
Nikon D800« »optical Y 3.2 921 fixed n 1/8000s 4.0 Y n Nikon D800
 
Nikon D800E« »optical Y 3.2 921 fixed n 1/8000s 4.0 Y n Nikon D800E
 
Panasonic GX8« »2360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y Panasonic GX8
 
Sony A6300« »2359 n 3.0 922 tilting n 1/4000s 11.0 Y n Sony A6300
 
Sony A77« »2359 Y 3.0 921 full-flex n 1/8000s 12.0 Y Y Sony A77
 
Sony NEX-7« »2359 n 3.0 921 tilting n 1/4000s 10.0 Y n Sony NEX-7

One feature that is present on the 5D Mark III, but is missing on the A6500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6500 only has one slot. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.

 

Connectivity comparison: Canon 5D Mark III vs Sony A6500

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Canon 5D Mark III»YmonomonoYYmini2.0---Canon 5D Mark III
 
Sony A6500«YstereomonoY-micro2.0YY-Sony A6500
 
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
 
Canon 5DS« »YmonomonoY-mini3.0---Canon 5DS
 
Canon 5DS R« »YmonomonoY-mini3.0---Canon 5DS R
 
Canon 6D« »YmonomonoY-mini2.0Y--Canon 6D
 
Canon 5D Mark II« »YmonomonoY-mini2.0---Canon 5D Mark II
 
Canon 5D« »Y-----2.0---Canon 5D
 
Fujifilm X-Pro2« »YstereomonoY-micro2.0Y--Fujifilm X-Pro2
 
Nikon D610« »YmonomonoYYmini2.0---Nikon D610
 
Nikon D600« »YmonomonoYYmini2.0---Nikon D600
 
Nikon D800« »YmonomonoYYmini3.0---Nikon D800
 
Nikon D800E« »YmonomonoYYmini3.0---Nikon D800E
 
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
 
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
 
Sony A77« »YstereomonoY-mini2.0---Sony A77
 
Sony NEX-7« »YstereomonoY-mini2.0---Sony NEX-7

It is notable that the 5D Mark III has a headphone jack, which is not present on the A6500 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Canon 5D Mark III (unlike the A6500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A6500 is a recent model that features in the current product line-up of Sony. In contrast, the 5D Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 5D Mark III was succeeded by the Canon 5D Mark IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.


Review summary: Canon 5D Mark III vs Sony A6500

So what conclusions can be drawn? Which of the two cameras – the Canon 5D Mark III or the Sony A6500 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Canon EOS 5D Mark III:

  • Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Longer lasting: Can take more shots (950 versus 350) on a single battery charge.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More heavily discounted: Has been available for much longer (launched in March 2012).

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Reasons to prefer the Sony Alpha A6500:

  • Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
  • More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster burst: Shoots at higher frequency (11 vs 6 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (120x67mm vs 152x116mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 497g or 52 percent) and is thus easier to take along.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
  • More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
  • More modern: Reflects 4 years and 7 months of technical progress since the 5D Mark III launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (19 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

5D Mark III 12:19 A6500

How about other alternatives? Do the specifications of the Canon 5D Mark III and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 5D Mark III and the A6500 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews: Canon 5D Mark III vs Sony A6500

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon 5D Mark III»+ +82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
 
Sony A6500«+ +85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
 
Canon 5D Mark IV« »+ +87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 5DS« »+83/1004.5/55/54.5/5 Feb 2015 3,699 i i Canon 5DS
 
Canon 5DS R« »+83/1005/55/54.5/5 Feb 2015 3,699 i i Canon 5DS R
 
Canon 6D« »+ +83/1004.5/54.5/54.5/5 Sep 2012 2,099- i Canon 6D
 
Canon 5D Mark II« »91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
 
Canon 5D« »88/100+ +oo- Aug 2005 3,299- i Canon 5D
 
Fujifilm X-Pro2« »+83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
 
Nikon D610« »+ +87/1004.5/54.5/54.5/5 Oct 2013 1,999 i i Nikon D610
 
Nikon D600« »+ +87/1005/54.5/54.5/5 Sep 2012 2,099- i Nikon D600
 
Nikon D800« »+ +82/1005/55/55/5 Feb 2012 2,999- i Nikon D800
 
Nikon D800E« »-84/1005/54.5/55/5 Feb 2012 3,299- i Nikon D800E
 
Panasonic GX8« »+82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
 
Sony A6300« »+85/1005/55/55/5 Feb 2016 999- i Sony A6300
 
Sony A77« »91/10081/100-4.5/55/5 Aug 2011 1,399- i Sony A77
 
Sony NEX-7« »+ +81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Canon 5D Mark III:
Check Ebay offers
Sony A6500:
Check Amazon price

Other camera comparisons

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    Specifications: Canon 5D Mark III vs Sony A6500

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon 5D Mark III Sony A6500
    Camera Type Digital single lens reflex Mirrorless system camera
    Camera Lens Canon EF mount lenses Sony E mount lenses
    Launch Date March 2012 October 2016
    Launch Price USD 3499 USD 1399
    Sensor Specs Canon 5D Mark III Sony A6500
    Sensor Technology CMOS CMOS
    Sensor Format Full Frame Sensor APS-C Sensor
    Sensor Size 36.0 x 24.0 mm 23.5 x 15.6 mm
    Sensor Area 864 mm2 366.6 mm2
    Sensor Diagonal 43.3 mm 28.2 mm
    Crop Factor 1.0x 1.5x
    Sensor Resolution 22.1 Megapixels 24 Megapixels
    Image Resolution 5760 x 3840 pixels 6000 x 4000 pixels
    Pixel Pitch 6.25 μm 3.91 μm
    Pixel Density 2.56 MP/cm2 6.55 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 1080/30p Video 4K/30p Video
    ISO Setting 100-25600 ISO 100-25600 ISO
    ISO Boost 50-102400 ISO 100-51200 ISO
    Image Processor DIGIC 5+ BIONZ X
    DXO Sensor Quality (score) 81 85
    DXO Color Depth (bits) 24.0 24.5
    DXO Dynamic Range (EV) 11.7 13.7
    DXO Low Light (ISO) 2293 1405
    Screen Specs Canon 5D Mark III Sony A6500
    Viewfinder Type Optical viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.71x 0.70x
    Viewfinder Resolution 2359k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2 inch 3.0 inch
    LCD Resolution 1040k dots 922k dots
    LCD Attachment Fixed screen Tilting screen
    Touch Input no Touchscreen Touchscreen
    Shooting Specs Canon 5D Mark III Sony A6500
    Autofocus System Phase-detect AF On-Sensor Phase-detect
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/8000/s 1/4000/s
    Continuous Shooting 6 shutter flaps/s 11 shutter flaps/s
    Shutter Life Expectancy150 000 actuations200 000 actuations
    Electronic Shutterno E-ShutterYES
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium CF or SDXC cards MS or SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support no UHS-I
    Connectivity Specs Canon 5D Mark III Sony A6500
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support no Wifi Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Canon 5D Mark III Sony A6500
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type LP-E6 power pack NP-FW50 power pack
    Battery Life (CIPA)950 shots per charge350 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 152 x 116 x 76 mm
    (6.0 x 4.6 x 3.0 in)
    120 x 67 x 53 mm
    (4.7 x 2.6 x 2.1 in)
    Camera Weight 950 g (33.5 oz) 453 g (16.0 oz)

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