Canon 5D Mark III vs Olympus TG-4
The Canon EOS 5D Mark III and the Olympus Tough TG-4 are two digital cameras that were revealed to the public, respectively, in March 2012 and April 2015. The 5D Mark III is a DSLR, while the TG-4 is a fixed lens compact. The cameras are based on a full frame (5D Mark III) and a 1/2.3-inch (TG-4) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark III||Olympus TG-4|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||25-100mm f/2.0-4.9|
|22.1 MP, Full Frame Sensor||15.9 MP, 1/2.3" Sensor|
|1080/30p Video||1080/30p Video|
|ISO 100-25600 (50-102400)||ISO 100-6400|
|Optical viewfinder||No viewfinder, LCD framing|
|3.2" LCD, 1040k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|6 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Waterproof body (15m)|
|950 shots per battery charge||380 shots per battery charge|
|152 x 116 x 76 mm, 950 g||112 x 66 x 31 mm, 247 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Olympus Tough TG-4? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 5D Mark III and the Olympus TG-4 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The TG-4 can be obtained in two different colors (black, red), while the 5D Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus TG-4 is considerably smaller (58 percent) than the Canon 5D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TG-4 is water-proof up to 15m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TG-4 has a lens built in, whereas the 5D Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark III and their specifications in the Canon EF Lens Catalog.
The power pack in the TG-4 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 5D Mark III»||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Olympus TG-4«||4.4 in||2.6 in||1.2 in||8.7 oz||380||Y||Apr 2015||379||-||Olympus TG-4|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Fujifilm XP140« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229||Fujifilm XP140|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-||Nikon D600|
|Nikon D800« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999||-||Nikon D800|
|Nikon D800E« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299||-||Nikon D800E|
|Olympus TG-6« »||4.4 in||2.6 in||1.3 in||8.9 oz||340||Y||May 2019||449||Olympus TG-6|
|Olympus TG-5« »||4.4 in||2.6 in||1.3 in||8.8 oz||340||Y||May 2017||449||-||Olympus TG-5|
|Sony HX80« »||4.0 in||2.3 in||1.4 in||8.6 oz||390||n||Mar 2016||349||Sony HX80|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TG-4 was launched at a lower price than the 5D Mark III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Olympus TG-4 a 1/2.3-inch sensor. The sensor area in the TG-4 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 5D Mark III has a native 3:2 aspect ratio, while the one in the TG-4 offers a 4:3 aspect.
With 22.1MP, the 5D Mark III offers a higher resolution than the TG-4 (15.9MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 1.33μm for the TG-4) due to its larger sensor. However, the TG-4 is a much more recent model (by 3 years and 1 month) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inch or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inch or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inch or 48.8 x 32.5 cm. The corresponding values for the Olympus TG-4 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus Tough TG-4 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 5D Mark III»||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Olympus TG-4«||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Olympus TG-4|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Fujifilm XP140« »||1/2.3||15.9||4608||3456||4K/15p||-||-||-||-||Fujifilm XP140|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D600« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Nikon D800« »||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95||Nikon D800|
|Nikon D800E« »||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96||Nikon D800E|
|Olympus TG-6« »||1/2.3||12.0||4000||3000||4K/30p||-||-||-||-||Olympus TG-6|
|Olympus TG-5« »||1/2.3||12.0||4000||3000||4K/30p||-||-||-||-||Olympus TG-5|
|Sony HX80« »||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX80|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 5D Mark III has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the TG-4 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon 5D Mark III, the Olympus TG-4, and comparable cameras.
|Canon 5D Mark III»||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Olympus TG-4«||-||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Fujifilm XP140« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D600« »||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
|Nikon D800« »||optical||Y||3.2||921||fixed||n||1/8000s||4.0||Y||n||Nikon D800|
|Nikon D800E« »||optical||Y||3.2||921||fixed||n||1/8000s||4.0||Y||n||Nikon D800E|
|Olympus TG-6« »||-||n||3.0||1040||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-6|
|Olympus TG-5« »||-||n||3.0||460||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-5|
|Sony HX80« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX80|
One feature that is present on the 5D Mark III, but is missing on the TG-4 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Olympus TG-4 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the TG-4 uses SDXC cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the TG-4 only has one slot. The TG-4 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Olympus Tough TG-4 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark III»||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Olympus TG-4«||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Fujifilm XP140« »||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D600« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Nikon D800« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800|
|Nikon D800E« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800E|
|Olympus TG-6« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-6|
|Olympus TG-5« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-5|
|Sony HX80« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX80|
It is notable that the 5D Mark III has a hotshoe, while the TG-4 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 5D Mark III (unlike the TG-4) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the TG-4 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 5D Mark III and the TG-4 have been discontinued, but can regularly be found used on eBay. The 5D Mark III was replaced by the Canon 5D Mark IV, while the TG-4 was followed by the Olympus TG-5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 5D Mark III or the Olympus TG-4 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 15.9MP) with a 20% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (950 versus 380) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in March 2012).
Reasons to prefer the Olympus Tough TG-4:
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 5D Mark III requires a separate lens.
- More compact: Is smaller (112x66mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark III).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 15m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 3 years and 1 month of technical progress since the 5D Mark III launch.
If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark III is the clear winner of the match-up (19 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Olympus TG-4 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 5D Mark III or the TG-4 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5D Mark III»||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Olympus TG-4«||+||79/100||4/5||4/5||4/5||Apr 2015||379||-||Olympus TG-4|
|Canon 5D Mark IV« »||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||88/100||+ +||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Fujifilm XP140« »||+||-||3.5/5||-||4/5||Feb 2019||229||Fujifilm XP140|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Nikon D610« »||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Nikon D600|
|Nikon D800« »||+ +||82/100||5/5||5/5||5/5||Feb 2012||2,999||-||Nikon D800|
|Nikon D800E« »||-||84/100||5/5||4.5/5||5/5||Feb 2012||3,299||-||Nikon D800E|
|Olympus TG-6« »||+ +||-||4/5||-||4/5||May 2019||449||Olympus TG-6|
|Olympus TG-5« »||+ +||-||4/5||o||4/5||May 2017||449||-||Olympus TG-5|
|Sony HX80« »||-||-||-||-||-||Mar 2016||349||Sony HX80|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1000D vs Olympus TG-4
- Canon 1300D vs Olympus TG-4
- Canon 40D vs Olympus TG-4
- Canon 5D Mark III vs Canon SX70
- Canon 5D Mark III vs Leica M Typ 262
- Canon 5D Mark III vs Olympus E-PL3
- Canon 5D Mark III vs Panasonic G2
- Canon 5D Mark III vs Panasonic L1
- Canon 5D Mark III vs Pentax K-3
- Nikon D50 vs Olympus TG-4
- Olympus TG-4 vs Sony A7R III
- Olympus TG-4 vs Sony RX100
Specifications: Canon 5D Mark III vs Olympus TG-4
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Olympus TG-4|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-100mm f/2.0-4.9|
|Launch Date||March 2012||April 2015|
|Launch Price||USD 3499||USD 379|
|Sensor Specs||Canon 5D Mark III||Olympus TG-4|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||864 mm2||28.0735 mm2|
|Sensor Diagonal||43.3 mm||7.7 mm|
|Sensor Resolution||22.1 Megapixels||15.9 Megapixels|
|Image Resolution||5760 x 3840 pixels||4608 x 3456 pixels|
|Pixel Pitch||6.25 μm||1.33 μm|
|Pixel Density||2.56 MP/cm2||56.73 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100-25600 ISO||100-6400 ISO|
|ISO Boost||50-102400 ISO||no Enhancement|
|Image Processor||DIGIC 5+||TruePic VII|
|DXO Sensor Quality (score)||81||..|
|DXO Color Depth (bits)||24.0||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||2293||..|
|Screen Specs||Canon 5D Mark III||Olympus TG-4|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 5D Mark III||Olympus TG-4|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||6 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 5D Mark III||Olympus TG-4|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Canon 5D Mark III||Olympus TG-4|
|Environmental Sealing||Weathersealed body||Waterproof body (15m)|
|Battery Life (CIPA)||950 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
112 x 66 x 31 mm
(4.4 x 2.6 x 1.2 in)
|Camera Weight||950 g (33.5 oz)||247 g (8.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.