Leica V-LUX 2 vs Olympus TG-4
The Leica V-LUX 2 and the Olympus Tough TG-4 are two digital cameras that were officially introduced, respectively, in September 2010 and April 2015. Both the V-LUX 2 and the TG-4 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. The Leica has a resolution of 14 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica V-LUX 2||Olympus TG-4|
|Fixed lens compact camera||Fixed lens compact camera|
|25-600mm f/2.8-5.2||25-100mm f/2.0-4.9|
|14 MP, 1/2.3" Sensor||15.9 MP, 1/2.3" Sensor|
|1080/60i Video||1080/30p Video|
|ISO 100-1600 (100-6400)||ISO 100-6400|
|Electronic viewfinder (202k dots)||No viewfinder, LCD framing|
|3.0" LCD, 460k dots||3.0" LCD, 460k dots|
|Swivel screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|11 shutter flaps per second||5 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Waterproof body (15m)|
|410 shots per battery charge||380 shots per battery charge|
|124 x 80 x 95 mm, 520 g||112 x 66 x 31 mm, 247 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 2 and the Olympus Tough TG-4? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica V-LUX 2 and the Olympus TG-4 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The TG-4 can be obtained in two different colors (black, red), while the V-LUX 2 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus TG-4 is notably smaller (25 percent) than the Leica V-LUX 2. Moreover, the TG-4 is substantially lighter (53 percent) than the V-LUX 2. It is noteworthy in this context that the TG-4 is splash and dust-proof, while the V-LUX 2 does not feature any corresponding weather-sealing. More than that, the TG-4 is water-proof up to 15m and can, thus, be used for underwater photography.
Concerning battery life, the V-LUX 2 gets 410 shots out of its BP-DC9 battery, while the TG-4 can take 380 images on a single charge of its LI-92B power pack. The power pack in the TG-4 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Leica V-LUX 2»||4.9 in||3.1 in||3.7 in||18.3 oz||410||n||Sep 2010||849||Leica V-LUX 2|
|Olympus TG-4«||4.4 in||2.6 in||1.2 in||8.7 oz||380||Y||Apr 2015||379||Olympus TG-4|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||Canon G1 X|
|Fujifilm XP140« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229||Fujifilm XP140|
|Fujifilm X100« »||5.0 in||3.0 in||2.1 in||15.7 oz||300||n||Sep 2010||1,199||Fujifilm X100|
|Leica X Typ 113« »||5.2 in||2.9 in||3.1 in||17.1 oz||350||n||Sep 2014||2,295||Leica X Typ 113|
|Leica V-LUX 4« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Sep 2012||949||Leica V-LUX 4|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||Leica V-LUX 3|
|Leica V-LUX 1« »||5.6 in||3.4 in||5.6 in||25.9 oz||360||n||Sep 2006||849||Leica V-LUX 1|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Nikon D5100« »||5.0 in||3.8 in||3.1 in||19.8 oz||660||n||Apr 2011||749||Nikon D5100|
|Olympus TG-6« »||4.4 in||2.6 in||1.3 in||8.9 oz||340||Y||May 2019||449||Olympus TG-6|
|Olympus TG-5« »||4.4 in||2.6 in||1.3 in||8.8 oz||340||Y||May 2017||449||Olympus TG-5|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic FZ100« »||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499||Panasonic FZ100|
|Sony HX80« »||4.0 in||2.3 in||1.4 in||8.6 oz||390||n||Mar 2016||349||Sony HX80|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TG-4 was launched at a markedly lower price (by 55 percent) than the V-LUX 2, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the TG-4 offers a higher resolution of 15.9 megapixels, compared with 14 MP of the V-LUX 2. This megapixels advantage translates into a 7 percent gain in linear resolution. On the other hand, these sensor specs imply that the TG-4 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 1.41μm for the V-LUX 2). However, it should be noted that the TG-4 is much more recent (by 4 years and 6 months) than the V-LUX 2, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the V-LUX 2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus TG-4 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TG-4 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Leica V-LUX 2 are 21.6 x 16.2 inch or 54.9 x 41.1 cm for good quality, 17.3 x 13 inch or 43.9 x 32.9 cm for very good quality, and 14.4 x 10.8 inch or 36.6 x 27.4 cm for excellent quality prints.
The Leica V-LUX 2 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-6400. The corresponding ISO settings for the Olympus Tough TG-4 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Leica V-LUX 2|
|Olympus TG-4||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Olympus TG-4|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Fujifilm XP140||1/2.3||15.9||4608||3456||4K/15p||..||..||..||..||Fujifilm XP140|
|Fujifilm X100||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73||Fujifilm X100|
|Leica X Typ 113||APS-C||16.1||4928||3264||1080/30p||..||..||..||..||Leica X Typ 113|
|Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..||Leica V-LUX 4|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..||Leica V-LUX 3|
|Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..||Leica V-LUX 1|
|Nikon W300||1/2.3||15.9||4608||3456||4K/30p||..||..||..||..||Nikon W300|
|Nikon D5100||APS-C||16.1||4928||3264||1080/30p||23.5||13.6||1183||80||Nikon D5100|
|Olympus TG-6||1/2.3||12.0||4000||3000||4K/30p||..||..||..||..||Olympus TG-6|
|Olympus TG-5||1/2.3||12.0||4000||3000||4K/30p||..||..||..||..||Olympus TG-5|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic FZ100||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Panasonic FZ100|
|Sony HX80||1/2.3||18.0||4896||3672||1080/60p||..||..||..||..||Sony HX80|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the V-LUX 2 provides a higher frame rate than the TG-4. It can shoot video footage at 1080/60i, while the Olympus is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the V-LUX 2 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the TG-4 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Leica V-LUX 2 and Olympus TG-4 in connection with corresponding information for a sample of similar cameras.
|Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Leica V-LUX 2|
|Olympus TG-4||none||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Fujifilm XP140||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Fujifilm X100||1440||n||2.8||460||fixed||n||1/4000s||5.0||Y||n||Fujifilm X100|
|Leica X Typ 113||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Typ 113|
|Leica V-LUX 4||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX 4|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Leica V-LUX 1||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y||Leica V-LUX 1|
|Nikon W300||none||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Nikon D5100||optical||n||3.0||921||swivel||n||1/4000s||4.0||Y||n||Nikon D5100|
|Olympus TG-6||none||n||3.0||1040||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-6|
|Olympus TG-5||none||n||3.0||460||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-5|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic FZ100||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Sony HX80||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX80|
The Olympus TG-4 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the V-LUX 2 and the TG-4 have zoom lenses built in. The V-LUX 2 has a 25-600mm f/2.8-5.2 optic and the TG-4 offers a 25-100mm f/2.0-4.9 (focal lengths in full frame equivalent terms). Hence, the Leica and Olympus provide the same view at the wide-angle end, but the Olympus has less tele-photo reach at the long end. The TG-4 offers the faster maximum aperture.
Concerning the storage of imaging data, both the V-LUX 2 and the TG-4 write their files to SDXC cards. The TG-4 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the V-LUX 2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 2 and Olympus Tough TG-4 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica V-LUX 2|
|Olympus TG-4||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Fujifilm XP140||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Fujifilm X100||Y||stereo||none||-||-||mini||2.0||-||-||-||Fujifilm X100|
|Leica X Typ 113||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Typ 113|
|Leica V-LUX 4||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Leica V-LUX 4|
|Leica V-LUX 3||Y||stereo||none||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Leica V-LUX 1||Y||mono||mono||-||-||none||2.0||-||-||-||Leica V-LUX 1|
|Nikon W300||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Nikon D5100||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D5100|
|Olympus TG-6||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-6|
|Olympus TG-5||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-5|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic FZ100||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Sony HX80||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX80|
It is notable that the V-LUX 2 has a hotshoe, while the TG-4 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Travel and landscape photographers will find it useful that the TG-4 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the V-LUX 2 and the TG-4 have been discontinued, but can regularly be found used on eBay. The V-LUX 2 was replaced by the Leica V-LUX 3, while the TG-4 was followed by the Olympus TG-5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Olympus websites.
So what is the bottom line? Which of the two cameras – the Leica V-LUX 2 or the Olympus TG-4 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica V-LUX 2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2010).
Advantages of the Olympus Tough TG-4:
- More detail: Has more megapixels (15.9 vs 14MP), which boosts linear resolution by 7%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- More compact: Is smaller (112x66mm vs 124x80mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 273g or 52 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 15m).
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
- More modern: Reflects 4 years and 6 months of technical progress since the V-LUX 2 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the TG-4 emerges as the winner of the match-up (13 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 2 and the Olympus TG-4 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the V-LUX 2 and the TG-4 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark III vs Olympus TG-4
- Canon 60D vs Leica V-LUX 2
- Canon 7D II vs Olympus TG-4
- Fujifilm X-T10 vs Olympus TG-4
- Fujifilm X-T200 vs Leica V-LUX 2
- Fujifilm X10 vs Leica V-LUX 2
- Leica M Typ 262 vs Olympus TG-4
- Leica V-LUX 2 vs Leica X Typ 113
- Leica V-LUX 2 vs Sony NEX-6
- Leica V-LUX 2 vs Sony RX100 II
- Nikon D70s vs Olympus TG-4
- Olympus TG-4 vs Sigma fp
Specifications: Leica V-LUX 2 vs Olympus TG-4
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX 2||Olympus TG-4|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-600mm f/2.8-5.2||25-100mm f/2.0-4.9|
|Launch Date||September 2010||April 2015|
|Launch Price||USD 849||USD 379|
|Sensor Specs||Leica V-LUX 2||Olympus TG-4|
|Sensor Format||1/2.3" Sensor||1/2.3" Sensor|
|Sensor Size||6.17 x 4.55 mm||6.17 x 4.55 mm|
|Sensor Area||28.0735 mm2||28.0735 mm2|
|Sensor Diagonal||7.7 mm||7.7 mm|
|Sensor Resolution||14 Megapixels||15.9 Megapixels|
|Image Resolution||4320 x 3240 pixels||4608 x 3456 pixels|
|Pixel Pitch||1.41 μm||1.33 μm|
|Pixel Density||49.86 MP/cm2||56.73 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/30p Video|
|ISO Setting||100-1600 ISO||100-6400 ISO|
|ISO Boost||100-6400 ISO||no Enhancement|
|Screen Specs||Leica V-LUX 2||Olympus TG-4|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Leica V-LUX 2||Olympus TG-4|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||11 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica V-LUX 2||Olympus TG-4|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Leica V-LUX 2||Olympus TG-4|
|Environmental Sealing||Not weather sealed||Waterproof body (15m)|
|Battery Life (CIPA)||410 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
124 x 80 x 95 mm
(4.9 x 3.1 x 3.7 in)
112 x 66 x 31 mm
(4.4 x 2.6 x 1.2 in)
|Camera Weight||520 g (18.3 oz)||247 g (8.7 oz)|
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