Canon 5D Mark III vs 5D Mark IV
The Canon EOS 5D Mark III and the Canon EOS 5D Mark IV are two professional cameras that were officially introduced, respectively, in March 2012 and August 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The 5D Mark III has a resolution of 22.1 megapixels, whereas the 5D Mark IV provides 30.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark III||Canon 5D Mark IV|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Canon EF mount lenses|
|22.1 MP, Full Frame Sensor||30.1 MP, Full Frame Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-25600 (50-102400)||ISO 100-32000 (50-102400)|
|Optical viewfinder||Optical viewfinder|
|3.2" LCD, 1040k dots||3.2" LCD, 1620k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|6 shutter flaps per second||7 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|950 shots per battery charge||900 shots per battery charge|
|152 x 116 x 76 mm, 950 g||151 x 116 x 76 mm, 890 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Canon EOS 5D Mark IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D Mark III and the Canon 5D Mark IV is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark III and the Canon 5D Mark IV are of equal size. However, the 5D Mark IV is markedly lighter (6 percent) than the 5D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 5D Mark III»||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||Canon 5D Mark III|
|Canon 5D Mark IV«||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 7D II« »||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||Canon 70D|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||Canon 6D|
|Canon 5D Mark II« »||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||Canon 5D Mark II|
|Canon 5D« »||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||Canon 5D|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the 5D Mark IV uses a more advanced image processing engine (DIGIC 6+) than the 5D Mark III (DIGIC 5+), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the 5D Mark IV offers a higher resolution of 30.1 megapixels, compared with 22.1 MP of the 5D Mark III. This megapixels advantage translates into a 17 percent gain in linear resolution. On the other hand, these sensor specs imply that the 5D Mark IV has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.36μm versus 6.25μm for the 5D Mark III). However, it should be noted that the 5D Mark IV is much more recent (by 4 years and 5 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inch or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inch or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inch or 56.9 x 37.9 cm. The corresponding values for the Canon 5D Mark III are 28.8 x 19.2 inch or 73.2 x 48.8 cm for good quality, 23 x 15.4 inch or 58.5 x 39 cm for very good quality, and 19.2 x 12.8 inch or 48.8 x 32.5 cm for excellent quality prints.
The 5D Mark IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon EOS 5D Mark IV are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the 5D Mark IV has a markedly higher DXO score than the 5D Mark III (overall score 10 points higher), which will translate into better image quality. The advantage is based on 0.8 bits higher color depth, 1.9 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 70D||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71||Canon 5D|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 5D Mark IV provides a better video resolution than the 5D Mark III. It can shoot movie footage at 4K/30p, while the 5D Mark III is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The 5D Mark III and the 5D Mark IV are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), as well as the same magnification (0.71x). The adjacent table lists some of the other core features of the Canon 5D Mark III and Canon 5D Mark IV along with similar information for a selection of comparators.
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 5DS||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon 70D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 6D||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 5D||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 5D Mark IV has a touchscreen, while the 5D Mark III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Canon 5D Mark IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 5D Mark III and the 5D Mark IV write their files to Compact Flash or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The 5D Mark IV supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Canon EOS 5D Mark IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5DS||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 70D||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 6D||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 5D||Y||none||none||-||-||none||2.0||-||-||-||Canon 5D|
It is notable that the 5D Mark IV offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 5D Mark III does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 5D Mark IV is a recent model that features in the current product line-up of Canon. In contrast, the 5D Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 5D Mark III was succeeded by the Canon 5D Mark IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Is there a clear favorite between the Canon 5D Mark III and the Canon 5D Mark IV? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 5D Mark III:
- More heavily discounted: Has been available for much longer (launched in March 2012).
Arguments in favor of the Canon EOS 5D Mark IV:
- More detail: Has more megapixels (30.1 vs 22.1MP), which boosts linear resolution by 17%.
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (DIGIC 6+ vs DIGIC 5+).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (7 vs 6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 5 months of technical progress since the 5D Mark III launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 5D Mark IV is the clear winner of the contest (17 : 1 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Canon 5D Mark IV place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark III or the 5D Mark IV. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark III vs Leica D-LUX 5
- Canon 5D Mark III vs Panasonic G95
- Canon 5D Mark III vs Panasonic LF1
- Canon 5D Mark IV vs Canon 6D Mark II
- Canon 5D Mark IV vs Canon T3i
- Canon 5D Mark IV vs Leica M Typ 262
- Canon 5D Mark IV vs Leica V-LUX 1
- Canon 5D Mark IV vs Nikon D6
- Canon 5D Mark IV vs Nikon D850
- Canon 5D Mark IV vs Nikon Df
- Canon 5D Mark IV vs Panasonic G90
- Canon 5D Mark IV vs Sony NEX-5
Specifications: Canon 5D Mark III vs Canon 5D Mark IV
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Canon 5D Mark IV|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||March 2012||August 2016|
|Launch Price||USD 3499||USD 3499|
|Sensor Specs||Canon 5D Mark III||Canon 5D Mark IV|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||36.0 x 24.0 mm|
|Sensor Area||864 mm2||864 mm2|
|Sensor Diagonal||43.3 mm||43.3 mm|
|Sensor Resolution||22.1 Megapixels||30.1 Megapixels|
|Image Resolution||5760 x 3840 pixels||6720 x 4480 pixels|
|Pixel Pitch||6.25 μm||5.36 μm|
|Pixel Density||2.56 MP/cm2||3.48 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-32000 ISO|
|ISO Boost||50-102400 ISO||50-102400 ISO|
|Image Processor||DIGIC 5+||DIGIC 6+|
|DXO Sensor Quality (score)||81||91|
|DXO Color Depth (bits)||24.0||24.8|
|DXO Dynamic Range (EV)||11.7||13.6|
|DXO Low Light (ISO)||2293||2995|
|Screen Specs||Canon 5D Mark III||Canon 5D Mark IV|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.2 inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 5D Mark III||Canon 5D Mark IV|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||6 shutter flaps/s||7 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||150 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||CF or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 5D Mark III||Canon 5D Mark IV|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Canon 5D Mark III||Canon 5D Mark IV|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||950 shots per charge||900 shots per charge|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
|Camera Weight||950 g (33.5 oz)||890 g (31.4 oz)|
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